{"title":"Ribbon Microphones","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"122\" data-end=\"198\"\u003eExplore professional studio ribbon microphones in Sydney at Sounds Easy.\u003c\/strong\u003e Our curated selection delivers smooth, natural sound for vocals, instruments, and recording, perfect for capturing the finest details in your studio projects. Featuring top brands, we provide expert advice, competitive prices, and fast Australia-wide shipping.\u003c\/p\u003e","products":[{"product_id":"aea-a440","title":"AEA A440 Phantom Powered Big Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eWith the release of the A440, AEA has synthesized more than 30 years of experience with high performance microphones. \u003cspan\u003eThe A440 is the quietest ribbon microphone ever produced. The A440 combines all the warmth and beauty of the classic 44, both sonically and visually, but with a signal so hot you'll have to try it to believe it.\u003c!-- readmore --\u003e Like the rest of AEA's Big Ribbon Mics™, it needs little EQ, takes it nicely when you want it, and is free of resonances in audible range. The A440 is unlike any other product on the market today and no professional studio should be without one.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eSYSTEM REQUIREMENTS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/ItEYmCfsDj0?feature=player_detailpage\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"360\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003ePRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eLike its cousin, the R44CX, The A440 is based on the RCA 44BX, but is phantom powered and uses a Lundahl transformer. It uses the same RCA NOS ribbon element, only 1.8 microns thick, which is from material originally manufactured for RCA. It also features the museum quality shell with a durable bronze investment cast yoke. An umber paint with red medallion transformer case and bright nickel finishes with polished brass accents is standard. The microphone package includes a three meter cloth covered Accusound Silver Triplex cable, a zippered canvas bag, and AEA 44VC case for proper shipping and storage. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe A440, like the rest of AEA's maufactured product lines, is manufactured and assembled in the U.S.A.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe A440 combines phantom power with the Big RibbonTM sound for the first time. With the release of the A440, AEA has synthesized more than 30 years of experience with high performance mics. The A440 has its own personality, but visually and sonically shares a close kinship with the R44. With a sensitivity of -32.5 dBV per Pascal (94 dB SPL) and an equivalent noise level to 6 dB SPL(A), it has a dynamic range as wide as any microphone on the market.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe A440 shares all the pleasing characteristics of AEA's other Big RibbonTM microphones such as a fast transient response, and no unpleasant resonances. Combining this with active electronics results results in a strong, distinctive sound unlike any other microphone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 44 remains a studio favorite 50+ years after RCA ceased production because it still sounds very good to both musicians and their audiences. Like its long ribbon siblings, it will sound good virtually anywhere you use it. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eTECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e• Phantom powered Big RibbonTM microphone \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• JFET active electronics in the AEA TRP tradition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Exceptionally low equivalent noise level 6 dB(A)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Long ribbon sound in the 44 tradition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Authentic RCA New Old Stock ribbon material \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Investment cast bronze yoke and machined brass parts, no zinc\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Single-diaphragm with well-controlled, native figure-8 polar pattern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Consistent horizontal polar response, on and off axis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 90o null-plane helps reject difficult acoustics \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• High SPL capability: 132.5 dB with a load of 1 k Ohm \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Hand built to order \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Computer matched to production reference standards\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Response: 20 Hz to 20 kHz \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Maximum SPL: 132.5 dB SPL with a 1 kΩ load for \u0026lt; 1% THD \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Sensitivity: 30 mV (-33.5 dBV) \/Pa 1 Pa = 94 dB SPL \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Equivalent Noise Level: 6 dB SPL, A-weighted per IEC 651\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Dynamic Range: 126.5 dB \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Signal to Noise Ratio: 88 dB (A) (94 dB SPL minus equivalent noise) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Impedance: 92 Ω broadband \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Recommended Load: 1 kΩ or greater \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Powering: P48 phantom power, 9 mA \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polarity: Pin 2 high for positive pressure on the front of the microphone. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Connector: XLR-3M wired to a 3 meter captive cable\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDirectional Pattern: \u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• Polar Pattern: Native Figure-8 (Bi-Directional)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Horizontal: Level changes with angle, frequency response is consis-\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etent, null at right angles to major axis 90° \/ 270° \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Vertical: Level changes with angle, reduced HF response above and\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ebelow 0° \/ 180° axis, null at right angles to major axis 90° \/ 270°\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTransducer element \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon Thickness: 1.8 μ (0.0000018 m) of pure aluminum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon Width: 4.7 mm Ribbon Length: 59.7 mm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003ch2\u003eSYSTEM REQUIREMENTS:\u003c\/h2\u003e\nN\/A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"AEA A440 Phantom powered Big Ribbon Microphone\" href=\"http:\/\/www.ribbonmics.com\/aea\/A440.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":922421877,"sku":"AEAA440","price":8849.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-aea-a440-phantom-powered-big-ribbon-microphone-1.jpg?v=1553505125"},{"product_id":"aea-ku4","title":"AEA KU4 Ribbon Microphone","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003eThis ribbon mic is all class. Smooth sounding with less proximity effect this ribbon microphone is well suited to vocals, guitars and brass. The KU4 is unmistakably a ribbon microphone, with a characteristically smooth ribbon sound. Like other ribbons, its lightly-tensioned, ultra low mass ribbon has a frequency response beyond 20 kHz, an accurate transient response, and no upper midrange resonances common to large condenser mics. \u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eSYSTEM REQUIREMENTS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/tMBmDP8ZulM?feature=player_detailpage\" allowfullscreen=\"allowfullscreen\" height=\"360\" frameborder=\"0\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003ePRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eHowever, having a supercardioid instead of a figure-eight polar response pattern mics sets it apart from other ribbon mics. The KU4's suppressed rear lobe reduces the pickup of room ambience and is especially useful when the rear of a figure-eight pattern would pick up undesirable sounds. The KU4's reduced bass proximity effect facilitates closer micing while its low-tuned ribbon will not exhibit bass distortion. These characteristics make the KU4 well-suited for modern studio production.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Legacy of the RCA KU3A\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe KU4 is a re-envisioning of the legendary RCA KU3A, a unidirectional microphone originally designed for the Hollywood movie studios. It combined the smooth ribbon sound of a 44 with a unidirectional pattern, wide sweet spot and reduced bass proximity effect. It became a standard at film studios around the world because it expanded an engineer's range of placement choices. Today, however, the KU3A is a collector's item, and few studios or rental houses own them. AEA is proud to put this microphone back into the hands of modern users. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe KU4 is your ticket to discovering why RCA unidirectional ribbon microphones have been used in professional studios for over 60 years. AEA is honored to play a part in its history, and invites you to listen to the KU4 and claim your part of this legacy. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eTECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eOperating Principle: Velocity microphone\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFrequency Response: Below 30 Hz to above 20 kHz\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMaximum SPL: 140 + dB SPL above 200Hz for 1% third harmonic\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eOutput Sensitivity: 2.8 mV\/Pa into unloaded circuit\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eOutput Impedance: 300 Ω nominal\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRecommended Load: 1.2 KΩ or greater\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePhantom power: Not required or recommended\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePolarity: Pin 2 high for positive pressure at the front of the microphone. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eConnector: XLR-3M wired to a 1.5 meter captive cable \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOff Axis Response:\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePolar Pattern: Supercardioid\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRelative Output at 180° (dB): -12 \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAngle of Maximum Rejection: 135° \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTransducer element\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRibbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRibbon Width: 0.082” (2.1 mm)\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRibbon Length: 1.25” (28.6 mm) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccessories:\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIncluded: Custom storage\/shipping case, stand adapter, manual and \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eattached 1.5 meter microphone cable \u003c\/span\u003e\u003cspan\u003eLimited Warranty: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThree years parts and labor, shipping not included. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003ch2\u003eSYSTEM REQUIREMENTS:\u003c\/h2\u003e\nN\/A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"AEA KU4 Ribbon Microphone\" href=\"http:\/\/www.ribbonmics.com\/aea\/KU4.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":922421865,"sku":"AEAKU4","price":8315.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-aea-ku4-ribbon-microphone-1.jpg?v=1553505130"},{"product_id":"aea-r44c","title":"AEA R44C Series Big Ribbon Studio Microphone","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eTaking its queue from the RCA ribbons of yesteryear this mic is all you would ever dream for in a \u003ca title=\"Ribbon Mic Collection\" href=\"https:\/\/www.soundseasy.com.au\/collections\/ribbon-microphones\" target=\"_blank\"\u003eribbon mic\u003c\/a\u003e. Twenty years servicing ribbon microphones gave us a lot of insight into why RCA 44s are still in daily studio use. During the 1990s, 44 collectors made it difficult for even recording studios to acquire one. Reborn as the AEA R44, today you'll find engineer\/producers such as Bruce Swedien, Kevin Bacon and Shawn Murphy using them around the world. Half the movies scored in Los Angeles now have at least one 44 on the scoring stage.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_kKPldIkFUw?si=l3pgDq5xhrlm8Lcz\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe Reinvention of a Classic\u003c\/b\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe AEA R44 series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. They combine the 1930s US sound with British engineering from RCA that reduces the mic's weight and hum sensitivity. The R44 series microphones are all hand-crafted replicas in detail, using parts that are made to be interchangeable with an original RCA 44, even featuring ribbon material originally manufactured for RCA. The R44C was designed to meet or exceed the output of an RCA 44 when it was new. The R44CX is a high-output version of the R44C especially designed for scoring and other applications demanding a wide dynamic range with the \"classic 44\" sound. \u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe R44 series microphones are passive, like an RCA 44 is, and can be used in a wider range of situations without distorting than active microphones can. For the active version of the R44, check out the AEA A440 page. The A440 has the hottest signal and therefore can boast to be the quietest (highest signal to noise ratio) of any ribbon mic on the planet!\u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe R44C is a museum-quality replica featuring details such as a bronze investment cast yoke rather than the original zinc yokes provided by RCA (which have a tendency to corrode over time). The iconic \"streamline moderne\" transformer case with \"radio\" finish (black with bright nickel) comes standard. The R44C is distinguished by a black and silver AEA emblem. The microphone package includes a three-meter cloth covered Accusound Silver Studio Pro cable, a zippered canvas bag, and AEA 44VC vertical case for proper shipping and storage. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Principle: Velocity Microphone\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFrequency Response: Below 30 Hz to above 20 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMaximum SPL: 140 + dB SPL above 200Hz for 1% third harmonic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOutput Sensitivity: 2.25 mV \/ Pa into unloaded circuit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOutput Impedance: 270 ohms broadband\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRecommended Load: 1.2 K ohm or greater\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePowering: Not required or recommended\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePolarity: Pin 2 high for positive pressure on the front of the microphone.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eConnector: XLR-3M wired to a 2 meter captive cable\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOff Axis Response\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePolar Pattern: Native bi-directional pattern\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eHorizontal: Level changes with angle, frequency response is consistent, –90 dB null at 90 \/ 270 degrees\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eVertical: Level changes with angle, reduced HF response above and below 0 \/ 180 degree axis, null at 90 \/ 270 degrees\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTransducer Element\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRibbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRibbon Width: 4.7 mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRibbon Length: 59.7 mm\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded Accessories\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCustom storage \/ shipping case, stand adapter, manual and attached two-meter microphone cable\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003eLimited Warranty: T\u003cspan data-mce-fragment=\"1\"\u003ehree years parts and labor, shipping not included.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eManufactured by Audio Engineering Associates: 1029 N. Allen Ave. Pasadena, California 91104, USA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther AEA Recording Tools\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.soundseasy.com.au\/products\/aea-r84\" title=\"AEA R84\" target=\"_blank\"\u003eR84\u003c\/a\u003e Studio Ribbon Microphone \u003ca href=\"https:\/\/www.soundseasy.com.au\/products\/aea-r88-mk2\" title=\"AEA R88\" target=\"_blank\"\u003eR88\u003c\/a\u003e Stereo Ribbon Microphone\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ca title=\"AEA R44C Series Big Ribbon Studio Microphone\" href=\"https:\/\/aearibbonmics.com\/products\/r44-series\/\" target=\"_blank\"\u003eNeed more info? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":922421861,"sku":"AEA44C","price":6511.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-aea-r44c-series-big-ribbon-studio-microphone-1.jpg?v=1553505133"},{"product_id":"aea-r84","title":"AEA R84 Studio Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eGet that subtle ribbon sound without breaking the bank. The R84 is your ticket to ribbon heaven. The AEA R84 is an affordable Large Ribbon Geometry (LRG) microphone suitable for use by the most demanding audio professional or hobbyist. This \"R84 Zone\" is for you and other users to share your experiences. We expect to expand this area with practical illustrations, guides to tracking situations, and actual recording experiences. Our intention is to encourage and support your success and satisfaction as you become familiar with this mic's unique features. Drop us an e-mail to share your experiences, or if you want to be informed when we post new, practical information here.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eSYSTEM REQUIREMENTS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/tMBmDP8ZulM?feature=player_detailpage\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003ePRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eIf you are new to ribbons, you are in for a treat! Experienced users have discovered the R84 is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where this mic does not shine. It is a fine example of the natural sound and figure-8 directional sensitivity a quality ribbon mic delivers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePure natural sound, just as you hear it when you're placing your mic in the studio.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuick smooth transients that capture the feeling of being there without sounding like a recording.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExtended bass and treble that captures the details without shoving anything in your face.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA figure-eight pattern that focuses your recording on the sound you want.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe believe you will enjoy the confidence this mic inspires. It's a forgiving tool that makes your recording work easier, as it literally sounds good on everything. Try it first and you'll usually like it and find it sits well in the mix. When time is scarce and quality necessary, put the R84 to the test. Our users' experience is that you'll use it more and more (in pairs too!). Then it will start to really grow on you. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eTECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eOperating Principle: Velocity microphone\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFrequency Response: 20 Hz to 20 kHz\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMaximum SPL: 165 + dB SPL above 1 kHz for 1% third harmonic \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eOutput Sensitivity: -52 dBv\/Pa\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eOutput Impedance: 270 Ω nominal\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRecommended Load: 1.2 kΩ or greater\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePowering: Not required or recommended\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePolarity: Pin 2 high for positive pressure on front of microphone. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eConnector: XLR-3M wired to a 3 m captive cable \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOff Axis Response:\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePolar Pattern: Native bi-directional pattern\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eHorizontal: Level changes with angle, frequency response is consistent, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–35 dB null at 90° \/ 270°\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eVertical: Level changes with angle, reduced HF response above and \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ebelow 0° \/ 180° axis, –35 dB null at 90° \/ 270° \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTransducer element\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRibbon Thickness: 1.8 μ (0.0000018 m) of pure aluminum \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRibbon Width: 4.7 mm\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRibbon Length: 59.7 mm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccessories:\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIncluded: Custom storage \/ shipping case, manual\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eOptional: Any length cable, inquire for price and delivery. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCustom laser engraving with your art or logo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimited Warranty: \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eWeight: 3 pounds in storage case with cable Length: 11.6”, Width: 3.9”, Depth: 2.5” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOptions \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDJV Designed for close vocal work and includes greater internal sheilding against plosives. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eOne year parts and labor, shipping not included. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003ch2\u003eSYSTEM REQUIREMENTS:\u003c\/h2\u003e\nN\/A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"AEA R84 Studio Ribbon Microphone\" href=\"http:\/\/www.ribbonmics.com\/aea\/R84.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":922421857,"sku":"AEA84","price":1705.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-aea-r84-studio-ribbon-microphone-1.jpg?v=1553505135"},{"product_id":"aea-r88-mk2","title":"AEA R88 mk2 Stereo Ribbon Microphone","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eIt takes two \u003ca title=\"AEA R44\" href=\"https:\/\/www.soundseasy.com.au\/products\/aea-r44c?_pos=1\u0026amp;_psq=r44\u0026amp;_ss=e\u0026amp;_v=1.0\" target=\"_blank\"\u003eR44\u003c\/a\u003e to make the R88. It's big, it's full! Put it on an acoustic guitar, add a little EQ shine and stand back and be amazed! The R88 mk2 is optimized for recording instruments and ensembles in stereo. The R88 uses the large ribbon configuration of the classic RCA 44 series mics, which gives the mic solid 20Hz bass response and a smooth high end which is flattering to complex tones.\u003c\/p\u003e\n\u003ciframe style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/156NiVpvjGM?si=9rnKzD2az-Z7EK_P\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere is no easier way to track in stereo than with a stereo microphone with two configured transducers in a single sleek package. A stereo microphone is highly useful in recording situations in which it is more convenient or aesthetically pleasing to have a single housing for both capsules, such as for drum overheads or live concert recordings.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe R88 has a natural sound because it is the pure sound of two undamped long ribbons. If the basic characteristics of a transducer element are in accordance with a few primary physical laws, it will sound good without requiring any extra acrobatics. The simpler the physics, the less adulterated the sound of a transducer will be because it will introduce fewer artifacts into the electrical signal that were not part of the original airborne sound signal. An undamped long ribbon is a good example of just such a transducer.\u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe R88 has been optimized to produce the most natural stereo pickup possible with ribbon transducers. The R88 has two figure-8 ribbons angled at 90 degrees to each other (Blumlein configuration). It has a uniform polar frequency response and excellent off-axis frequency response. The high quality passive electronics ensure a large dynamic range with minimal distortion. The R88 will sound best with a preamp that has at least 60dB of clean gain, a low noise floor (-127dB EIN or better) and input impedance of at least 1.5 kOhm.\u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe R88 has a well-defined center image, because of the phase characteristics of a coincident arrangement. In other words, the stereo effect comes primarily from level differences between the channels, with only minimal phase effect. This means that anywhere in the front quadrant of the microphone, will be recreated with a strong three dimensional sense; the location of instruments in the soundstage is easily and very precisely perceived. Recording in front of the center line on the caps will produce a solid and stable center image when played back over monitor speakers, with a sense of space and ambience that reflects the acoustic quality of the recording environment.\u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe R88 is minimally protected from wind blasts for the most natural sound quality possible, so a pop filter should be used when making close vocal recordings. The R88 may be used for both Blumlein stereo and M-S Stereo recording techniques. The mic is finished in Stealth black to reduce visibility in live recording situations, and features an integral shock suspension to reduce noise coupled through the mic stand.\u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe natural sound of the R88 makes it a great choice for the main mic that forms the backbone of your mix. The R88 is an excellent orchestral, chamber, and choral recording microphone, and shines on studio applications such as horn sections and stereo piano pickup. The R88 also flatters complex tones such as woodwinds, strings and cymbals. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli\u003eTransducers: dual 2\" ribbons oriented at 90 degrees\u003c\/li\u003e\n\u003cli\u003eSensitivity: -52dBV\/Pa\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz–15kHz (± 3dB)\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 270 ohms\u003c\/li\u003e\n\u003cli\u003eSPL Handling: 165dB SPL at 1 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003ca title=\"AEA R88 mk2 Stereo Ribbon Microphone\" href=\"https:\/\/aearibbonmics.com\/products\/r88-series\/\" target=\"_blank\"\u003eNeed more info? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":922421853,"sku":"AEA88","price":3204.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-aea-r88-mk2-stereo-ribbon-microphone-1.jpg?v=1553505138"},{"product_id":"royer-r-121","title":"Royer Labs R-121 Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eThere's rarely a microphone that redefines how we approach recording. This has been the case for the Royer R-121 Ribbon mic. It's an instant classic!  Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/BdsMT46V7Vc\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-121 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eWe did away with the large, heavy, fragile \"classic\" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe R-121 redefined ribbon microphones so completely that Recording Magazine wrote \"...the Royer R-121 is destined to become one of the classic microphones of the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums - you name it, the R-121 will help you record it with realism you have to hear to believe.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe build the R-121 solid enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we'll stand behind it the whole way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePatented Offset Ribbon Technology\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-121's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• High SPL Capabilities\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• No internal active electronics to overload or produce distortion up to maximum SPL rating\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extremely low residual noise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon element is not affected by heat or humidity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Absence of high frequency phase distortion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Equal sensitivity from front or back of element\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Consistent frequency response regardless of distance \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-121 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e• Acoustic Operating Principle: Electrodynamic pressure gradient\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polar Pattern: Figure-8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Generating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Magnets: Rare Earth Neodymium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Sensitivity: -50 dBv Re. 1v\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Impedance: 300 Ohms @ 1K (nominal)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rated Load Impedance: \u0026gt;1500 Ohms @ 300 Ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Maximum SPL: \u0026gt;135dB @ 20 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Dimensions: 58mm L, 25mm W (6.13\" L, 1\" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel\/Matte Black Chrome optional\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.royerlabs.com\" title=\"Royer R-121 Ribbon Microphone\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info on the Royer Labs R-121? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":922419569,"sku":"R121","price":2535.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-121-ribbon-microphone-1.jpg?v=1553505438"},{"product_id":"royer-r-122","title":"Royer Labs R-122 Active Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eGet the worlds first ever active ribbon microphone from the worlds best ribbon microphone manufactures - David Royer.  The R-122 is the world's first phantom powered, active ribbon™ microphone. Its unique electronics package gives the R-122 greater output than standard, non-powered ribbons, and places a perfect impedance load on the ribbon element, greatly expanding the number of preamps the mic operates well with. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/VUIcnFjcZf4\" allowfullscreen=\"allowfullscreen\" height=\"315\" frameborder=\"0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-122 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eBefore the R-122, all ribbon microphones were passive devices. Tracking strings, acoustic guitars, vocals and other quieter sound sources required pre's with a lot of gain and a high input impedance. With the R-122, gain and impedance issues are a thing of the past, letting you use more pre's with great results.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGain\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eConventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources. The R-122 is as sensitive as a condenser microphone, allowing you to use practically any mic preamplifier or board pre's to record even the quietest sounds. The R-122 contains a fully balanced, discrete head amplifier system utilizing a specially wound toroidal transformer and ultra-low noise FET's. This system is extremely quiet, can handle 135 dB SPL, and brings the R-122's sensitivity to 37 dB! Go ahead and plug an R-122 into any preamp with average gain - you'll get full Royer performance and enough level to drive any recording medium.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's higher sensitivity does not create additional self-noise. All of the R-122's increased sensitivity comes from its large, specially wound toroidal transformer - that wonderful thing called \"free gain.\" The phantom powered circuitry provides impedance conversion only, adding no noise of its own.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eImpedance Matching\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's active electronics put a perfect load on the ribbon element at all times, allowing the R-122 to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic pre. Due to its low-impedance output, R-122's can be used on extremely long cable runs with minimal signal loss. In addition, the ribbon element can't be damaged by phantom power, miswired cables or electrical glitches.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePatented Offset Ribbon Technology\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• Phantom powered circuitry provides high output and impedance matching\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• High SPL Capabilities\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• No distortion up to maximum SPL rating\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extremely low residual noise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon element is not affected by heat or humidity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Absence of high frequency phase distortion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Equal sensitivity from front or back of element\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Consistent frequency response regardless of distance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rear side of mic records slightly brighter when three feet or closer to sound source \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-122 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e• Acoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polar Pattern: Figure-8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Generating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Magnets: Rare Earth Neodymium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Sensitivity: -37 dB (referenced 1v\/pa +\/- 2dB)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Self-Noise: \u0026lt; 20 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Impedance: 200 Ohms, balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rated Load Impedance: 1K-Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Maximum SPL: \u0026gt;135dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Connector: Male XLR 3 pin (Pin 2 Hot).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Dimensions: 206mm L X 25mm W (8 1\/8\" L X 1\" W)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Weight: 309 grams (10.9 oz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Finish: Dull Satin Nickel\/Matte Black Chrome optional.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.royerlabs.com\" title=\"Royer R-122 Active Ribbon Microphone\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info on the Royer Labs R-122? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Royer Labs","offers":[{"title":"Default","offer_id":922419565,"sku":"R122","price":3290.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-122-active-ribbon-microphone-1.jpg?v=1553505447"},{"product_id":"se-electronics-rnr1","title":"sE Electronics RNR1 - Rupert Neve Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eThis ribbon microphone sounds fantastic. Designed by legend Rupert Neve with custom transformers. This is the ultimate in class.  For many decades ribbon mics have been used by engineers for their extremely natural sounding reproduction of source material. The nature of their performance differs greatly from condenser mics, which by comparison sound very 'up front' and lack the harmonic depth of a good ribbon.  Even at the high end of the market, the customary roll-off of almost all the top end frequencies has always been a major drawback. The frustration with all ribbons is - depending on the model - little or no performance past 7-10KHz, which is why condenser mics dominate the recording market.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/cgkEmisMq5M\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003esE Electronics RNR1 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eThe traditional appeal of the condenser then has been the assumption of consistent frequency response from 20Hz to 20KHz. The pay-off of course is that these mics require a certain degree of circuit board magic to achieve this, since the taughtness of the diaphragm - compared with relatively slack ribbon membranes - means condensers tend to be more 'coloured' in their sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTraditionally engineers using ribbons, however expensive, have had to accept their significant limitations or have had to augment the recording with a condenser mic to capture the high frequency absent from the ribbon output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSuch compromises have meant that ribbons have never been very widely accepted or used as a first choice for recording. For more information on the sE ribbon mic family, visit Ribbon Microphones. For more information on the sE Electronics and Rupert Neve partnership, visit sE Rupert Neve.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003esE Electronics RNR1 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003eAcoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenerating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePolar Pattern: Figure 8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrequency Response: 20Hz - 25KHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSensitivity: -32 dB (referenced 1v\/pa ±1dB)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEquivalent Noise Level: 15dB (A weighted)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOutput Impedance: 200 Ohms balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRated Load Impedance: 1000 Ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMax SPL: \u0026gt;135dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConnector: Male XLR 3 pin (Pin 2 Hot)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.seelectronics.com\/se-rnr1-rupert-neve-mic\" target=\"_blank\" title=\"sE Electronics RNR1 - Rupert Neve Ribbon Microphone\"\u003eNeed more info on the sE Electronics RNR1? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"sE Electronics","offers":[{"title":"Default","offer_id":932712289,"sku":"SEEL_RNR1","price":2599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-se-electronics-rnr1-rupert-neve-ribbon-microphone-1.jpg?v=1553506722"},{"product_id":"se-electronics-voodoo-vr1","title":"sE Electronics Voodoo VR1 PASSIVE RIBBON Microphone","description":"\u003cp class=\"p1\"\u003eWhen we first saw this microphone, our initial impression was...wow, that's tiny! However it certainly doesn't sound tiny when in use. The Voodoo Ribbons from sE are new for 2010 and mark a new era for Ribbon mic technology - until now the only Ribbon mic in the world to perform across 20Hz-20KHz was sE Electronics' own Rupert neve collaboration, the RNR1, crtically acclaimed as the best Ribbon mic in the world.  This was achieved using state of the art transformers and a Rupert neve designed circuit board to reveal HF usually absent. The Voodoo mics however achieve full frequency response using a new mechnical device (patent pending), designed by Siwei Zou, the company CEO. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/IhVmFjKKzH8\" height=\"390\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003esE Electronics Voodoo VR1 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eThis extraordinary technical acheivment allows the traditional Ribbon capsule to develop and capture frequencies from 20Hz to 20KHz like no other Ribbon on the planet. The sound is revcolutionary; where the RNR1 is simply a stunning mic in its own class entirely, the Voodoo range brings traditional ribbon sound to the project and commercial studio, but extends it to perform as well as most condensers do. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe result is superbly detailed and wonderfully open and natural sounding recordings of acoustic instruments and guitar cabs. The VR2 is an ‘active' version of the VR1, which is the more traditional ‘passive' Ribbon design. These mics' unique ability to perform, coupled with searingly good looks, is sure to make the VR1 and VR2 classics of their time.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003esE Electronics Voodoo VR1 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cb\u003eOperating Principle:\u003c\/b\u003e\u003cspan\u003e Pressure Gradient \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eDiaphragm 2μ:\u003c\/b\u003e\u003cspan\u003e aluminium ribbon \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eFrequency Response:\u003c\/b\u003e\u003cspan\u003e 20Hz-18KHz \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSensitivity:\u003c\/b\u003e\u003cspan\u003e 1.6mV\/Pa -56 ± 1.5dB \u003c\/span\u003e\u003cbr\u003e\u003cb\u003ePolar Pattern:\u003c\/b\u003e\u003cspan\u003e Figure 8 \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eImpedance:\u003c\/b\u003e\u003cspan\u003e ≤ 300 Ohms \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eEquivalent Noise Level:\u003c\/b\u003e\u003cspan\u003e 17dB(A weighted) \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eMax SPL for 0.5% THD@1000Hz:\u003c\/b\u003e\u003cspan\u003e 135dB \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eConnector:\u003c\/b\u003e\u003cspan\u003e 3-pin\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.seelectronics.com\/vr1-voodoo-ribbon-mic\" title=\"sE Electronics Voodoo VR1 PASSIVE RIBBON\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eNeed more info on the sE Electronics Voodoo VR1? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default","offer_id":932714177,"sku":"SEF-SEEL_VR1","price":569.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-se-electronics-voodoo-vr1-passive-ribbon-microphone-1.jpg?v=1553506733"},{"product_id":"se-electronics-voodoo-vr2","title":"sE Electronics Voodoo VR2 ACTIVE Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eWith a name like Voodoo you have to be intrigued right...this ribbon microphone is anything but spooky. Nice clear tops and a really even balance tone. The Voodoo Ribbons from sE mark a new era for Ribbon mic technology - until now the only Ribbon mic in the world to perform across 20Hz-20KHz was sE Electronics' own Rupert neve collaboration, the RNR1, critically acclaimed as the best Ribbon mic in the world.  This was achieved using state of the art transformers and a Rupert neve designed circuit board to reveal HF usually absent. The Voodoo mics however achieve full frequency response using a new mechnical device (patent pending), designed by Siwei Zou, the company CEO. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/IhVmFjKKzH8\" allowfullscreen=\"\" frameborder=\"0\" height=\"390\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003esE Electronics Voodoo VR2 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eThis extraordinary technical acheivment allows the traditional Ribbon capsule to develop and capture frequencies from 20Hz to 20KHz like no other Ribbon on the planet. The sound is revolutionary; where the RNR1 is simply a stunning mic in its own class entirely, the Voodoo range brings traditional ribbon sound to the project and commercial studio, but extends it to perform as well as most condensers do. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe result is superbly detailed and wonderfully open and natural sounding recordings of acoustic instruments and guitar cabs. The VR2 is an ‘active' version of the VR1, which is the more traditional ‘passive' Ribbon design. These mics' unique ability to perform, coupled with searingly good looks, is sure to make the VR1 and VR2 classics of their time.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003esE Electronics Voodoo VR2 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cb\u003eOperating Principle:\u003c\/b\u003e\u003cspan\u003e Pressure Gradient \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eDiaphragm 2μ:\u003c\/b\u003e\u003cspan\u003e aluminium ribbon \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eFrequency Response:\u003c\/b\u003e\u003cspan\u003e 20Hz-18KHz \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSensitivity:\u003c\/b\u003e\u003cspan\u003e 10mV\/Pa -40 ± 1.5dB \u003c\/span\u003e\u003cbr\u003e\u003cb\u003ePolar Pattern:\u003c\/b\u003e\u003cspan\u003e Figure 8 \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eImpedance:\u003c\/b\u003e\u003cspan\u003e ≤ 200 Ohms \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eEquivalent Noise Level:\u003c\/b\u003e\u003cspan\u003e 20dB(A weighted) \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eMax SPL for 0.5% THD@1000Hz:\u003c\/b\u003e\u003cspan\u003e 135dB \u003c\/span\u003e\u003cbr\u003e\u003cb\u003ePower Requirement:\u003c\/b\u003e\u003cspan\u003e Phantom power 48V±4V \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eConnector:\u003c\/b\u003e\u003cspan\u003e 3-pin\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.seelectronics.com\/voodoo-ribbons\" target=\"_blank\" title=\"sE Electronics Voodoo VR2 ACTIVE RIBBON\" rel=\"noopener noreferrer\"\u003eNeed more info on the sE Electronics Voodoo VR2? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":932715433,"sku":"SEF-SEEL_VR2","price":699.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-se-electronics-voodoo-vr2-active-ribbon-microphone-1.jpg?v=1553506743"},{"product_id":"golden-age-project-r1-mkiii","title":"Golden Age Project R1 MKIII Active Ribbon Microphone","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe R1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer amplifier. This means that you can use the R1 Active MkIII with long cables and virtually any pre-amp featuring 48V phantom power. A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments. The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitive vocal recording! And even more so now when the MKIII version includes switches for low cut and a 10dB pad.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFEATURES\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eA stunning realism with the feeling of being-there\u003c\/li\u003e\n\u003cli\u003eThe typical large and mellow ribbon sound quality with a very smooth top end and an extended low end.\u003c\/li\u003e\n\u003cli\u003eA fast and life-like transient reproduction.\u003c\/li\u003e\n\u003cli\u003eAn ultra-high SPL capability, 160 dB SPL (1% THD @ 1000Hz) and a very high sensitivity for a ribbon microphone, similar to many condenser microphones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone Type Large ribbon geometry\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRibbon Pure aluminium, 2 um thick, 50 x 5 mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolar Pattern Figure-8\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response 30 Hz to 18 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSensitivity -40 dB dBA\/Pa @ 1 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMaximum SPL @ 1 kHz: 150 dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput Impedance 50Ω, balanced\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecommended Load Impedance 1000Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDimensions 2.7 x 7.3″ (69 x 185 mm)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWeight 1.9 lbs (850 g)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":1010439952,"sku":"GOL-R1ActiveMK3","price":509.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-golden-age-project-r1-mkiii-active-ribbon-microphone-1.jpg?v=1553507975"},{"product_id":"royer-sf-2-active-ribbon-microphone","title":"Royer SF-2 Active Ribbon Microphone","description":"\u003cp\u003eThe frequency response of the Royer SF-2 Active Ribbon Microphone is outstanding, regardless of the angle of sound striking the ribbon!  The SF-2's magnet\/pole piece transducer structure gives a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbon element delivers superb transient response. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/XPSpEG8FgBk?list=PL0C5371E36FD3DAD4\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer SF-2 Active PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eThe SF-2 ribbon microphone is a phantom powered version of our original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with our exclusive active electronics for ribbon microphones. The SF-2's output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pre's regardless of gain characteristics. The unique electronics and custom designed FET's used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Our Active Series ribbon mics are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording quieter sound sources like acoustic instruments, vocals, room ambiance, etc. The SF-2 contains a fully balanced, discrete head amplifier system which utilizes a specially wound toroidal transformer and ultra-low noise FET's to deliver a sensitivity of -38 dB. Even with extremely quiet sound sources, you'll have enough level to drive any recording medium.\u003c\/p\u003e\n\u003cp\u003eThe SF-2's electronics create no additional self-noise. All of the SF-2's higher output comes from its large, specially wound toroidal transformer which provides an additional 14 dB of 'free gain.' The phantom powered system operates at less than unity, adding no noise of its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e The electronics in the SF-2 provide a perfect load to the ribbon element at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-2's can be used on extremely long cable runs with minimal signal loss.\u003c\/p\u003e\n\u003cp\u003eA proper impedance match is critical to the performance of ribbon microphones. Impedance mismatching loads a ribbon element improperly, resulting in loss of low end and body, lower sensitivity, and an overall diminished performance. With our Active Series ribbon mics, the ribbon element sees a perfect impedance at all times regardless of the preamp you choose, so its performance is never compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe SF-2 Story\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Twenty prototype SF-2's circulated in major studios and scoring stages for years before the microphone's release. They were extremely well received in classical circles, where they excel on choir, piano, woodwinds, strings and many other applications. They were also well received in studios focusing more on acoustic instruments, singer\/songwriters, etc. We couldn't get most of the prototypes back...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePackaging\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e The SF-2 ships in an aluminum presentation case with an SFS-2 shock mount, mic sock, documentation and manual.\u003c\/p\u003e\n\u003cp\u003eThe optional SF-2 Deluxe packaging includes a beautiful Padauk wood presentation case, a Royer-made 20' microphone cable, a premium RSM-24 shock mount, documentation and manual, all packaged in an aluminum carrying\/storage case.\u003c\/p\u003e\n  \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eHigh SPL capabilities (130 dB @ 70 Hz)\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon element not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion.\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front and back of microphone\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency toroidal transformer and gold plated output connector\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003cli\u003eMatte Black finish reduces reflected light for live and on-camera use\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer SF-2 Active TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eElectrodynamic pressure gradient with active \u003cbr\u003e electronics.\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30 HZ - 15,000 HZ +\/-2db\u003c\/li\u003e\n\u003cli\u003eSensitivity: -38 dBv Ref 1 Volt per Pascal\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 Ohms @ 1khz\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: \u0026gt; 1500 Ohms\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: \u0026gt; 130 dB SPL\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48-Volt Phantom\u003c\/li\u003e\n\u003cli\u003eSupply Current: 4 mA\u003c\/li\u003e\n\u003cli\u003eHigh grade neodymium magnet assembly\u003c\/li\u003e\n\u003cli\u003eStainless steel internal baffle and dampener\u003c\/li\u003e\n\u003cli\u003eWeight: 448 grams (15.8 oz.)\u003c\/li\u003e\n\u003cli\u003eDimensions: 142 mm x 39mm (base) x 25mm (top)\u003c\/li\u003e\n\u003cli\u003eFinish: Matte black\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Royer SF-2 Active Ribbon Microphone\" href=\"http:\/\/www.royerlabs.com\/SF-2.html\" target=\"_blank\"\u003eNeed more info on the Royer SF-2? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Royer Labs","offers":[{"title":"Default","offer_id":3465740100,"sku":"SF2","price":3373.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-sf-2-active-ribbon-microphone-1.jpg?v=1553511711"},{"product_id":"coles-4038-studio-ribbon-microphone-single-4071b-xlr-adaptor","title":"Coles 4038 Studio Ribbon Microphone Single. 4071B XLR Adaptor","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eThe Coles 4038 originally made it's name in broadcast circles, but has since become one of the most sought after ribbon microphones for studio recordings. Used extensively in classical music recordings too, the Coles 4038 has a dark and rich character, capturing low frequencies with exceptional accuracy and warmth. The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/fj2K_mJXW7c\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eColes 4038 PRODUCT FEATURES:\u003c\/h2\u003e\nThe 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC.\u003cbr\u003e\u003cbr\u003eThe frequency response of the 4038 is exceptionally flat from 30 to 15,000 c\/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up.\u003cbr\u003e\u003cbr\u003eStudio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears.\u003cbr\u003e\u003cbr\u003eIn the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eColes 4038 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eFor detailed technical specifications please visit the Coles Electroacoustic website via the link below and download the PDF for the 4038.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.coleselectroacoustics.com\/microphones\/4038-studio-ribbon-microphone\" title=\"Coles 4038 Ribbon Microphone\" target=\"_blank\"\u003eNeed more info on the 4038? Click HERE for the official Coles Electroacoustics product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default Title","offer_id":7138606916,"sku":"Coles 4038S","price":2695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-coles-4038-studio-ribbon-microphone-1.jpg?v=1553512823"},{"product_id":"golden-age-project-r-2-mkii","title":"Golden Age Project R 2 MKII Passive Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eThe R 2 MK2 from Golden Age Projects is a passive ribbon microphone design, with a much darker sonic character than the R 1 series. The R2 is a high quality vintage style ribbon microphone with some modern developments. It offers the unique and natural sound that has been available in classical microphones that are still used to make high quality recordings today after almost 70 years. \u003cem\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/-GNrzqALmMU\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eGolden Age Project R 2 MKII PRODUCT FEATURES:\u003c\/h2\u003e\nThe R 2 MkII is quite different from the R 1 series of mics. It features a ribbon transducer with a shorter and more narrow ribbon. It is darker sounding than the R 1 series since the higher frequencies roll off earlier.\u003cbr\u003e\u003cbr\u003eThe R 2 MkII will do wonders with both clean and distorted electrical guitar, with brass instruments and more. It is delivered with a metal shock mount.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eGolden Age Project R 2 MKII TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nType: Large ribbon geometry, pure aluminium,\u003cbr\u003e2,5um thick, 42 x 5mm size.\u003cbr\u003ePolar pattern: Figure 8\u003cbr\u003eFrequency response: 30Hz - 18kHz +\/- 3dB\u003cbr\u003eSensitivity: -50dB (0dB=1V\/Pa) @1kHz.\u003cbr\u003eMaximum SPL (\u0026lt;1% THD @1kHz): 137 dB.\u003cbr\u003eOutput impedance: 250 ohm.\u003cbr\u003eRecommended load impedance:\u003cbr\u003e\u0026gt; 1,2 kOhm.\u003cbr\u003eDimensions: 76x166 mm.\u003cbr\u003eWeight: 350 g.\u003cbr\u003ePlease note:\u003cbr\u003eSpecifications can be changed\u003cbr\u003eat any time without notice.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"https:\/\/www.facebook.com\/Golden-Age-Project-181337465217022\/\" target=\"_blank\" title=\"Golden Age Project\"\u003eNeed more info on the R 2 MKII? Click HERE for the official Golden Age Project product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Golden Age Project","offers":[{"title":"Default","offer_id":11658762244,"sku":"GOL-R2MK2","price":316.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-golden-age-project-r-2-mkii-passive-ribbon-microphone-1.jpg?v=1553513101"},{"product_id":"golden-age-project-r-1","title":"Golden Age Project R 1 Tube Active - Active Ribbon Microphone with Tube Electronics","description":"\u003cp class=\"p1\"\u003eThe R 1 series of ribbon microphones from Golden Age Project are all active models, and are a little more durable than there passive companions. The R 1 Tube Active has a valve based power supply and a very unique tone! The R1 Tube Active offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today after almost 70 years. On top of that, the active tube circuitry gives you that special tube intimacy, warmth and sparkle. It also raises the output level considerably to be similar to that of many condenser microphones. This has the good effect that one does not need special high gain microphone preamps when using the R1 Tube Active on quiet sound sources.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/-GNrzqALmMU\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eGolden Age Project R 1 Tube Active PRODUCT FEATURES:\u003c\/h2\u003e\nThe R 1 TUBE ACTIVE is like a missing link of true old-school vintage recording in that it combines three vintage elements:\u003cbr\u003e- A classic ribbon transducer.\u003cbr\u003e- Two transformers.\u003cbr\u003e- A tube buffer amplifier.\u003cbr\u003e\u003cbr\u003eYou might think that a ribbon, transformers and a tube amplifying stage will make the signal too smooth? \u003cbr\u003eIt´s true that the sound of the R1 Tube Active is truly warm and fat, but the combination of the tube stage and the transformers will generate overtones that makes the signal come alive.\u003cbr\u003e\u003cbr\u003eIf you are into mics, if instant no-need-to-mix good-sounding recording is your thing, if you are looking for a unique yet versatile mic, this is it!\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eGolden Age Project R 1 Tube Active TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eType: Large ribbon geometry, pure aluminium, 2 um thick, 50 x 5 mm size with active electronics. \u003cbr\u003e Polar pattern: Figure 8 \u003cbr\u003e Frequency response: \u003cbr\u003e 30 Hz – 18 kHz +\/- 3 dB \u003cbr\u003e Sensitivity: -40 dB (0 dB = 1V\/Pa) @ 1 kHz. \u003cbr\u003e Equivalent Noise Level (A-weighted per IEC 268-4): \u0026lt; 16 dB typical. \u003cbr\u003e Maximum SPL (\u0026lt;1% THD @ 1 kHz): 165 dB. \u003cbr\u003e Output impedance: 200 ohm, balanced. \u003cbr\u003e Recommended load impedance: \u0026gt; 1000 Ohms. \u003cbr\u003e Dimensions: 69x185 mm. Weight: 1500g. \u003cbr\u003e \u003ci\u003ePlease note: Specifications can be changed at any time without notice.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"https:\/\/www.facebook.com\/Golden-Age-Project-181337465217022\/\" target=\"_blank\" title=\"Golden Age Project\" rel=\"noopener noreferrer\"\u003eNeed more info? Click R 1 Tube Active CLICK HERE for the Golden Age Project product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Golden Age Project","offers":[{"title":"Default","offer_id":11660745476,"sku":"GOL-R1TubeActive","price":691.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-golden-age-project-r-1-tube-active-active-ribbon-microphone-with-tube-electronics-2.jpg?v=1554854881"},{"product_id":"mxl-r77-classic-ribbon-microphone","title":"MXL R77 Classic Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eThe MXL R77 is a ribbon microphone with a fixed figure-8 polar pattern. An extremely classy design with a chrome and gold aesthetic, the R77 delivers a classic ribbon mic recording at a very reasonable cost. An excellent choice of microphone for any studio application.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"200\" height=\"131\" src=\"https:\/\/www.youtube.com\/embed\/ZQq8_verdic\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eMXL R77 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe MXL R77 is a classic ribbon microphone that delivers unbelievably natural sound and stunning realism to vocal and instrument recordings. Powerful and versatile, the R77 incorporates a Figure-8 polar pattern for extended sweet spots as well as a 1.8-micron aluminum ribbon for smooth lows and natural highs. Manufactured with premium materials, the R77 performs beautifully on vocals, acoustic instruments, strings, horns and can handle the most demanding broadcast applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eDurable, high-quality ribbon microphone for instruments\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWarm sound with a robust low end and a full midrange\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFigure-8 polar pattern that captures instruments and room sound\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eHigh SPL capability—ideal for horns and electric guitars\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eMogami cable and wiring for exceptional audio fidelity\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eMXL R77 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eType:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003eRibbon Velocity Microphone\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eRibbon Element:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e1.8-micron aluminum ribbon\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFrequency Range:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e20Hz -18kHz\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ePolar Pattern:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003eFigure-8\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSensitivity:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e-55 dB (0 dB=1V\/Pa)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eImpedance:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e270 ohms\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eRated Load Impedance:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u0026gt;1500 Ohms\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eMax SPL for 0.1% THD:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u0026gt;135 dB @1 kHz\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSize:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e65mm x 180mm\/2.56 in x 7.09 in.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWeight:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e860g\/1.9lbs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eMetal Finish:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003eGold and Chrome\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.mxlmics.com\/microphones\/studio\/R77\/\" target=\"_blank\" title=\"MXL R77 Classic Ribbon Microphone\"\u003eNeed more info on the MXL R77? Click HERE for the official MXL product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"MXL","offers":[{"title":"Default","offer_id":12932089796,"sku":"MXL-R77","price":499.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-mxl-r77-classic-ribbon-microphone-1.jpg?v=1553513402"},{"product_id":"rode-ntr-active-ribbon-microphone","title":"RODE NTR Active Ribbon Microphone","description":"\u003ca title=\"Click to verify\" href=\"https:\/\/rode.com\/support\/authorised-dealers?badge=AU-C5997521\"\u003e\u003cdiv style=\"display:inline-flex; align-items:center;\"\u003e\n\u003cimg src=\"http:\/\/cdn.rode.com\/website\/images\/authorized_dealer\/rode_authorised-dealer-logo-primary.png\" width=\"120\" style=\"order:1; margin-right: 10px;\"\u003e\u003cspan style=\"order:2;\"\u003eAU-C5997521\u003c\/span\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe RØDE NTR Active Ribbon Microphone has been designed for studio recording. Offering transparency and warmth, the NTR has a beautiful rich sonic character. Addressing some of the frequency deficiencies common among more popular ribbon microphones, the NTR has a crisp and clear top end. Røde offer a free extended 10 year warranty on the NTR, plus a free replacement ribbon during the warranty period. This makes the NTR an unbeatable option for anyone after a high quality ribbon mic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/lEgRsHjoF4c\" allowfullscreen=\"\" width=\"1127\" height=\"585\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRØDE NTR Features:\u003c\/h2\u003e\nHighly sensitive 1.8 micron ribbon element\u003cbr\u003eBi-Directional Polar Pattern\u003cbr\u003eInternal Shock Mounting System\u003cbr\u003eCustom designed and manufactured transformer\u003cbr\u003eHeavy-duty matte black finish\u003cbr\u003eRibbon-securing travel screw supplied\u003cbr\u003eDesigned and manufactured in Australia\u003cbr\u003eOne free ribbon replacement during warranty period\u003cbr\u003e10 year extended warranty when you register your microphone\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRØDE NTR Specifications:\u003c\/h2\u003e\nAcoustic Principle: Velocity Transducer\u003cbr\u003eActive Electronics: Step-up Transformer and signal balanced preamp stage\u003cbr\u003ePolar Pattern: Figure-8     \u003cbr\u003eAddress Type: Side\u003cbr\u003eFrequency Range: 20Hz - 20kHz\u003cbr\u003eOutput Impedance: 200Ω\u003cbr\u003eMaximum SPL: 130dB SPL (@ 1kHz, 1% THD into 1KΩ load)\u003cbr\u003eSensitivity: -30.5dB re 1 Volt\/Pascal (30.00mV @ 94 dB SPL) +\/- 2 dB @ 1kHz\u003cbr\u003eEquivalent Noise Level (A-weighted): 15dB-A\u003cbr\u003ePower Options: +48V phantom power\u003cbr\u003eWeight: 1047gm\u003cbr\u003eDimensions: 216mmH x 65mmW x 65mmD\u003cbr\u003eOutput: XLR Output\u003cbr\u003eWarranty: 1 year with free extension to 10 years following registration here\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/www.rode.com\/ntr\" target=\"_blank\" title=\"RØDE NTR\" rel=\"noopener noreferrer\"\u003eRØDE NTR\u003c\/a\u003e?","brand":"RØDE Microphones","offers":[{"title":"Default Title","offer_id":32259596932,"sku":"NTR","price":949.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-rode-ntr-active-ribbon-microphone-1.jpg?v=1553516800"},{"product_id":"se-electronics-x1r-passive-ribbon-microphone","title":"sE Electronics X1R Passive Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe sE Electronics X1R is a passive ribbon microphone that has been designed to take on the road, and use in the studio too. The X1 range by sE Electronics, are cost-effective studio microphones for those that are after quality from a trusted and proven brand, without spending thousands. Despite the cheaper price tag, the X1R still maintains a handcrafted element.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/bXVC9ELw41I\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003esE Electronics X1R Features:\u003c\/h2\u003e\nThe second addition to the X1 Series, the X1 R brings the magic of traditional ribbon mics into the modern age with a tough construction that can handle any SPL. This is a ribbon you can take on the road.\u003cbr\u003e\u003cbr\u003eThe sE X1 R ribbon microphone is the new high performance passive ribbon from sE Electronics. The sE Electronics X1 R is suited to a variety of recording applications including guitar cabs, overhead drums, brass, woodwind, strings, commercial broadcast and voice-over.\u003cbr\u003e\u003cbr\u003eThis state of the art ribbon element enclosed by top-grade Neodymium magnets boasts some of our latest ribbon microphone technologies. We have combined our traditional ribbon technology with some of the mechanical elements of our own Voodoo microphone HF (High Frequency) extension technology to bring you a classic sounding ribbon mic with a gentle HF lift.\u003cbr\u003e\u003cbr\u003eThe X1 R doesn't quite offer the full-frequency response performance of the Voodoo VR1, VR2, or the widely acclaimed Rupert Neve Signature Series RNR1 - but its hybrid old and new ribbon technology gives you all the natural beauty of the ribbon sound, but with more versatility and ease of use than the majority of ribbons on today's market.\u003cbr\u003e\u003cbr\u003eThe X1 R comes standard with a mic clip that will securely attach it to any mic stand, but fits the Isolation Pack if a shockmount solution is desired.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003esE Electronics X1R Specifications:\u003c\/h2\u003e\nElectronics: Passive\u003cbr\u003eGenerating Element: Hand-tensioned 2.5µm aluminum ribbon\u003cbr\u003eDirectional Pattern: Figure-8\u003cbr\u003eFrequency range: 20 Hz - 16 kHz\u003cbr\u003eImpedance: 200 Ohms\u003cbr\u003eSensitivity: 1.78 mV\/Pa (-55 dB)\u003cbr\u003eMax SPL: 135 dB (0.5% THD @ 1kHz)\u003cbr\u003eSignal to Noise Ratio: 71 dB\u003cbr\u003eSelf Noise: 23 dB(A)\u003cbr\u003eMatching Connectors: XLR3F\u003cbr\u003ePower requirement: N\/A (phantom-protected)\u003cbr\u003eWeight: 510g \/ 17.99oz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/www.seelectronics.com\/se-x1r-ribbon-mic\" target=\"_blank\" title=\"sE Electronics X1R\" rel=\"noopener noreferrer\"\u003esE Electronics X1R\u003c\/a\u003e?","brand":"sE Electronics","offers":[{"title":"Default","offer_id":32537038276,"sku":"SEF-SEEL_X1R","price":419.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-se-electronics-x1r-passive-ribbon-microphone-1.jpg?v=1553517260"},{"product_id":"royer-labs-r-122v-vacuum-tube-ribbon-microphone","title":"Royer Labs R-122V Vacuum Tube Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe R-122V by Royer Labs is a vacuum tube mono ribbon microphone with a natural figure-8 polar pattern, designed for studio recording. A detailed and beautiful sounding mic, the R-122V excels in any context recording orchestral music and instruments. The R-122V has a vacuum tube that is driven by its included power supply, that offers a high output to the mic-pre. The R-122V ships with a carry case, elegant wooden microphone case, PSU \u0026amp; cable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/TyyQTctihbI\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-122V Features:\u003c\/h2\u003e\n\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003eVacuum tube electronics provide high output capability, optimal impedance to the ribbon element and low output impedance\u003cbr\u003eExtremely low self-noise\u003cbr\u003eEperates from a dedicated power supply\u003cbr\u003eHigh SPL capabilities for electric guitar and percussion instruments\u003cbr\u003eAbsence of high-frequency peaks, \"ringing\" and phase shifts\u003cbr\u003eRibbon element unaffected by impedance\/load, heat or humidity\u003cbr\u003eVery low magnetic leakage\u003cbr\u003eEqual sensitivity from front or back of element\u003cbr\u003eConsistent frequency response regardless of distance\u003cbr\u003eRear side of mic records slightly brighter when three feet or closer to sound source\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003cbr\u003eOrchestral miking, close and distant\u003cbr\u003eStrings - solo \u0026amp; sections\u003cbr\u003eAcoustic Piano, Harp, etc.\u003cbr\u003eElectric Guitar\u003cbr\u003eAcoustic Guitar\u003cbr\u003eVocals, Commercial Broadcast, Voice Over\u003cbr\u003eBrass, Horn Sections\u003cbr\u003eDrum Overheads, Room Miking\u003cbr\u003ePercussion Instruments\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-122V Specifications:\u003c\/h2\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient with vacuum tube electronics.\u003cbr\u003eVacuum Tube: JAN mil-spec 5840W pentode wired in triode configuration\u003cbr\u003ePolar Pattern: Figure-8\u003cbr\u003eGenerating Element: 2.5-micron aluminum ribbon\u003cbr\u003eMagnets: Rare Earth Neodymium\u003cbr\u003eFrequency Response: 30 -15,000 Hz +\/- 3dB\u003cbr\u003eSensitivity: -36 dB (re. 1v\/pa +\/- 1 dB)\u003cbr\u003eSelf-Noise: \u0026lt; 18 dB\u003cbr\u003eOutput Impedance: 200 Ohms, balanced\u003cbr\u003eRated Load Impedance: 1 K-Ohm\u003cbr\u003eMaximum SPL: \u0026gt;135dB SPL @ 20 Hz\u003cbr\u003ePower Requirements: Plate supply: 135 VDC @2ma, Filament supply: 6 VDC@ 150ma from dedicated power supply.\u003cbr\u003eDimensions: 206mm L, 25mm W (8 1\/8 \" L, 1\" W).\u003cbr\u003eWeight: 300g (10.9 oz )\u003cbr\u003eFinish: Dull Satin Nickel\/Matte Black Chrome optional\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/r-122v\/\" target=\"_blank\" title=\"Royer Labs R-122V\"\u003eRoyer Labs R-122V\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32643643076,"sku":"R122V","price":5235.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-122v-vacuum-tube-ribbon-microphone-1.jpg?v=1553517410"},{"product_id":"royer-labs-r-122v-vacuum-tube-ribbon-microphone-matched-pair","title":"Royer Labs R-122V Vacuum Tube Ribbon Microphone (MATCHED PAIR)","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Royer Labs R-122V in nickel is a vacuum tube mono ribbon microphone. Available here as a matched pair. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"box-shadow: 1px 2px 4px rgba(0, 0, 0, .5); padding: 4px; text-align: center;\"\u003eFor more info on the R-122V single, please \u003ca href=\"https:\/\/www.soundseasy.com.au\/products\/royer-labs-r-122v-vacuum-tube-ribbon-microphone\" target=\"_blank\" title=\"Royer Labs R-122V\"\u003eclick here\u003c\/a\u003e.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/TyyQTctihbI\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-122V Product Features:\u003c\/h2\u003e\nThe R-122V ribbon microphone is the world's first vacuum tube ribbon microphone. Originally developed in 2001 as a benchmark for testing R-122 designs against, the unique R-122V has evolved into a world class ribbon microphone with amazing depth and reach in the midrange frequencies and a lush-ness you'll need to hear for yourself to believe.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/r-122v\/\" target=\"_blank\" title=\"Royer Labs R-122V\"\u003eRoyer Labs R-122V\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32643800580,"sku":"R122VMP","price":10599.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-122v-vacuum-tube-ribbon-microphone-matched-pair-1.jpg?v=1553517413"},{"product_id":"royer-labs-sf-12-stereo-ribbon-microphone","title":"Royer Labs SF-12 Stereo Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Royer SF-12 is a stereo ribbon microphone of the highest quality found in professional studios the world over. The SF-12 is commonly used for recording film scores and orchestral ensembles. Of key importance to the design of the SF-12, is that it incorporates 2 x matched ribbon microphones aligned on top of each other in a Blumlien stereo configuration. The SF-12 includes a Y cable, splitting into 2 x XLR three pin connectors for patching into a mic-preamp. The Royer SF-12 has an exceptionally detailed sound, with superb transient response. Be sure to check out some recordings on \u003ca href=\"http:\/\/royerlabs.com\/sf-12-3\/\" target=\"_blank\" title=\"Royer Labs SF-12 Audio \/ Video Demos \"\u003eRoyer Labs website\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vaptCqD4IJI\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs SF-12 Features:\u003c\/h2\u003e\nTrue stereophonic (Blumlein and M-S) recording from one microphone.\u003cbr\u003eHigh SPL capabilities.\u003cbr\u003eNo internal active electronics to overload or produce distortion up to maximum SPL rating.\u003cbr\u003eExtremely low residual noise.\u003cbr\u003eRibbon element not affected by heat or humidity.\u003cbr\u003eAbsence of high frequency phase distortion.\u003cbr\u003eEqual sensitivity from front or back of elements.\u003cbr\u003eConsistent frequency response regardless of distance.\u003cbr\u003eHigh efficiency, matching toroidal transformers.\u003cbr\u003eVery low magnetic leakage.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003cbr\u003eDrum Overheads\u003cbr\u003ePercussion Instruments\u003cbr\u003eBrass and Woodwinds\u003cbr\u003eHorn Sections\u003cbr\u003eAcoustic Piano\u003cbr\u003eHarp\u003cbr\u003eChoirs\u003cbr\u003eSolo Strings\u003cbr\u003eString Sections\u003cbr\u003eOrchestra\u003cbr\u003eAcoustic \u0026amp; Electric Guitars\u003cbr\u003eBackground Vocals\u003cbr\u003eAmbiance\u003cbr\u003eStereo to Mono\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRecording in Mono:\u003c\/strong\u003e \u003cbr\u003ePhase compatibility between the two sides of the SF-12 is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the “sweet spot” of a mono microphone. Either side of the SF-12 can also be used individually as a mono microphone.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs SF-12 Specifications:\u003c\/h2\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient\u003cbr\u003ePolar Pattern: Symmetrical figure-8\u003cbr\u003eGenerating Element: 1.8-micron aluminum ribbon\u003cbr\u003eFrequency Response: 30-15,000 Hz +\/- 3dB\u003cbr\u003eSensitivity: \u0026gt; -52 dBv Re. 1v\/pa\u003cbr\u003eOutput Impedance: 300 Ohms @ 1K (nominal)\u003cbr\u003eRated Load Impedance: \u0026gt;1500 Ohms @ 300 nominal impedance\u003cbr\u003eMaximum SPL: \u0026gt;130dB\u003cbr\u003eOutput Connector: Male XLR 5 pin (stereo*)\u003cbr\u003eDimensions: 206 mm L X 25 mm W (8\" L X 1\" W)\u003cbr\u003eWeight: 369 Grams (13 Oz)\u003cbr\u003eFinish: Matte Black Chrome, Dull Satin Nickel (optional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/sf-12-3\/\" target=\"_blank\" title=\"Royer Labs SF-12\"\u003eRoyer Labs SF-12\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32644240900,"sku":"SF12","price":4565.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-sf-12-stereo-ribbon-microphone-1.jpg?v=1553517421"},{"product_id":"royer-labs-sf-24-stereo-active-ribbon-microphone","title":"Royer Labs SF-24 Stereo Active Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Royer SF-24 is a stereo active ribbon microphone. It is the powered version of the Royer Labs SF-12 - combining the brilliant stereo image and transient response of the SF-12 microphones, with Royer Labs’ exclusive powering system. The SF-24 has a 14dB better sensitivity as a result, making it on par with condenser microphones in terms of output. This opens up many more options for suitable microphone pre-amps. The Royer SF-24 has 2 x ribbon microphones that are aligned in a Blumlein stereo miking configuration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/EjyB1XDzfCs\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs SF-24 Features:\u003c\/h2\u003e\nPhantom powered circuitry provides high output and impedance matching\u003cbr\u003eTrue stereophonic (Blumlein and M-S) recording from one microphone\u003cbr\u003eHigh SPL capabilities\u003cbr\u003eNo distortion up to maximum SPL rating\u0026lt;\u003cbr\u003eExtremely low residual noise\u003cbr\u003eRibbon elements are not affected by heat or humidity\u003cbr\u003eAbsence of high frequency phase distortion\u003cbr\u003eEqual sensitivity from front or back of elements\u003cbr\u003eConsistent frequency response regardless of distance\u003cbr\u003eHigh efficiency, matching toroidal transformers\u003cbr\u003eVery low magnetic leakage\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003cbr\u003eDrum Overheads\u003cbr\u003ePercussion Instruments\u003cbr\u003eBrass and Woodwinds\u003cbr\u003eAcoustic Piano\u003cbr\u003eHarp\u003cbr\u003eChoirs\u003cbr\u003eSolo Strings\u003cbr\u003eString Sections\u003cbr\u003eOrchestra\u003cbr\u003eAcoustic \u0026amp; Electric Guitars\u003cbr\u003eVocal Groups \u003cbr\u003eAmbiance\u003cbr\u003eStereo to Mono\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRecording in Mono:\u003c\/strong\u003e \u003cbr\u003ePhase compatibility between the two sides of the SF-24 is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the “sweet spot” of a mono microphone. Either side of the SF-24 can also be used individually as a mono microphone.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs SF-24 Specifications:\u003c\/h2\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003cbr\u003ePolar Pattern: Crossed figure-8's\u003cbr\u003eGenerating Element: 1.8-micron aluminum ribbon\u003cbr\u003eFrequency Response: 40-15,000 Hz +\/- 2dB\u003cbr\u003eSensitivity: -38 dB (re. 1v\/pa +\/-1dB)\u003cbr\u003eSelf-Noise: \u0026lt; 18 dB\u003cbr\u003eOutput Impedance: 200 Ohms\u003cbr\u003eRated Load Impedance: 1K-Ohm\u003cbr\u003eMaximum SPL: \u0026gt;130dB\u003cbr\u003eOutput Connector: Male XLR 5 pin (stereo*)\u003cbr\u003ePower Requirements: 48-Volt Phantom Only\u003cbr\u003eSupply Current: 4 mA per channel\u003cbr\u003eDimensions: 270mm X 39mm (base) X 25mm (top) (10 5\/8\" X 1.5\" X 1\")\u003cbr\u003eWeight: 583 grams (20.5 oz)\u003cbr\u003eFinish: Optical Black, 18K Gold (optional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/sf-24-3\/\" target=\"_blank\" title=\"Royer Labs SF-24\"\u003eRoyer Labs SF-24\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32644378820,"sku":"SF24","price":6765.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-sf-24-stereo-active-ribbon-microphone-1.jpg?v=1553517423"},{"product_id":"royer-labs-sf-24v-vacuum-tube-stereo-ribbon-microphone","title":"Royer Labs SF-24V Vacuum Tube Stereo Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Royer SF-24V is a vacuum tube stereo ribbon microphone, featuring 2 ribbon’s in a crossed figure-8 configuration. The SF-24V is the pinnacle of Royer’s world class microphone product line. The SF-24V captures a smooth detailed and natural sound, with an extraordinarily accurate stereo image. Being a ribbon mic, the SF-24V has that lovely rich and dark character. The tube section in the SF-24V offers extended clarity in the mid-frequencies too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/GwcdGf2uiuw\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs SF-24V Features:\u003c\/h2\u003e\nVacuum tube circuitry provides high output and impedance matching\u003cbr\u003eTrue stereophonic (Blumlein and M-S) recording from one coincident microphone\u003cbr\u003eHigh SPL capabilities\u003cbr\u003eNo distortion up to maximum SPL rating\u003cbr\u003eExtremely low residual noise\u003cbr\u003eRibbon elements are not affected by heat or humidity\u003cbr\u003eAbsence of high frequency phase distortion\u003cbr\u003eEqual sensitivity from front or back of elements\u003cbr\u003eConsistent frequency response regardless of distance\u003cbr\u003eHigh efficiency, matching toroidal transformers\u003cbr\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs SF-24V Specifications:\u003c\/h2\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient with vacuum tube electronics.\u003cbr\u003eVacuum Tube: JAN mil-spec 5840W pentode wired in triode configuration\u003cbr\u003ePolar Pattern: Crossed figure-8's\u003cbr\u003eGenerating Element: 1.8-micron aluminum ribbon\u003cbr\u003eFrequency Response: 30-15,000 Hz +\/- 3dB\u003cbr\u003eSensitivity: -38 dB (re. 1v\/pa +\/-1dB)\u003cbr\u003eSelf-Noise: \u0026lt; 18 dB\u003cbr\u003eOutput Impedance: 450 Ohms @ 1K\u003cbr\u003eRecommended Load Impedance: 1500 Ohms or greater\u003cbr\u003eMaximum SPL: \u0026gt;130dB\u003cbr\u003eMicrophone Output Connector: Male XLR 7 pin (stereo*)\u003cbr\u003ePower Supply Output Connectors: Two Male XLR-3 pin\u003cbr\u003ePower Requirements: Plate supply: 135 VDC @2ma, Filament supply: 6 VDC@ 150ma from dedicated power supply.\u003cbr\u003eSupply Current: 4 mA per channel\u003cbr\u003eMicrophone Dimensions: 270mm X 39mm (base) X 25mm (top) (10 5\/8\"X 1.5\" X 1\")\u003cbr\u003eWeight: 583 grams (20.5 oz)\u003cbr\u003eFinish: Dull Satin Nickel, Optical Black finish optional\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/sf-24v-3\/\" target=\"_blank\" title=\"Royer Labs SF-24V \"\u003eRoyer Labs SF-24V\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32644485892,"sku":"SF24V","price":8450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-sf-24v-vacuum-tube-stereo-ribbon-microphone-1.jpg?v=1553517426"},{"product_id":"beyerdynamic-m-130-double-ribbon-microphone-figure-of-eight","title":"Beyerdynamic M 130 Double Ribbon Microphone (figure of eight)","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Beyerdynamic M 130 is a passive ribbon microphone with a figure-of-8 polar pattern, making it ideal for stereo miking configurations such as Mid\/Side (MS). The M 130 features Beyer’s classic double ribbon element, that has outstanding transient response and excellent off-axis rejection. Whilst designed for broadcast applications, the M 130 is a great choice in the studio too. Fanatic on drums and percussion, or any sound source with fast transients. Designed to be coupled with the \u003ca href=\"https:\/\/www.soundseasy.com.au\/products\/beyerdynamic-m-160-double-ribbon-microphone-hypercardioid\" target=\"_blank\" title=\"Beyerdynamic M 160 \"\u003eBeyerdynamic M 160\u003c\/a\u003e hypercardioid ribbon microphone for detailed, uncoloured MS recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/9XJ36UGyueI\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eBeyerdynamic M 130 Features:\u003c\/h2\u003e\n\u003cstrong\u003eApplications:\u003c\/strong\u003e \u003cbr\u003eStudio recordings\u003cbr\u003eInstruments\u003cbr\u003eOverhead\u003cbr\u003eAmbience recordings\u003cbr\u003eMS (together with the M 160) and Blumlein recordings\u003cbr\u003e\u003cbr\u003eBeyerdynamic is one of few microphone manufacturers world-wide that still produce ribbon microphones. One of them is the legendary M 130. The M 130's unique double ribbon element has a superb transient response, creating a highly detailed sound with unequalled accuracy and transparency. The bidirectional figure eight polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncoloured sound handles a wide variety of applications. In conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the MS- (Mid-Side) technique.\u003cbr\u003eThe M 130 gives excellent results when the Mid-Side technique is used to record or broadcast a true stereo image. Its rugged Design handles the demands of remote recording\/broadcast sessions as easily as those of the studio. Alone, the M 130 allows the recording of background audience noise and concert hall 'ambience' without unwanted resonances. In the recording studio it is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncoloured sound is well suited to such demanding audiophile applications as digital and direct-to-disc recording. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeature Summary:\u003c\/strong\u003e\u003cbr\u003eDouble ribbon microphone\u003cbr\u003eConsistent figure-eight polar pattern throughout frequency response\u003cbr\u003eSuperb transient response\u003cbr\u003eCompact and rugged design\u003cbr\u003eCharacteristically warm and natural sound\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eBeyerdynamic M 130 Specifications:\u003c\/h2\u003e\nDimensions Length: 128 mm; Shaft diameter: 23 mm; Head diameter: 38.5 mm\u003cbr\u003eNet weight without packaging: 213 g\u003cbr\u003eTransducer type: Ribbon (dynamic)\u003cbr\u003ePolar pattern: Figure of eight\u003cbr\u003eMicrophone frequency response: 40 - 18,000 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":33078681156,"sku":"BD129534","price":1199.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-beyerdynamic-m-130-double-ribbon-microphone-figure-of-eight-1.jpg?v=1553517970"},{"product_id":"aea-microphones-r84a-active-ribbon-microphone","title":"AEA Microphones R84A - Active Ribbon Microphone","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe AEA R84A is an active version of the R84 ribbon mic, and essentially offers the same tone colour, just with an additional 12 dB of gain. This makes the R84A a particularly special microphone for recording softer sound sources. The R84A has \u003c\/span\u003esuperseded the A840 ribbon microphone in AEA's catalogue.  \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eAEA Microphones R84A PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cstrong\u003eThe R84A: An Active Version\u003c\/strong\u003e\u003cbr\u003eFor those who cannot always have the right preamp available, AEA offers the Active R84A (formerly known as the A840), a premium version of the R84 complete with JFET electronics and the same custom transformer used in our active R44. It’s basically an R84 with a built-in preamp. \u003cbr\u003e\u003cbr\u003eThe extra 12db of output is a huge help when recording quiet sources like vocals and soft acoustic guitars. The active circuitry also prevents noise, interference on long cable runs or when operating near large lighting rigs. The R84A requires standard 48-volt phantom power to operate the active circuitry. The R84A also possesses an 18-carrot, gold-plated grill.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eAEA Microphones R84A TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nMax SPL: 141 + dB SLP (1% third harmonic \u0026gt; 1 kHz)\u003cbr\u003eSensitivity: 6.3 mV\/Pa (-44dBv\/Pa) into unloaded circuit\u003cbr\u003eOutput Impedance: 92 Ω broadband \u003cbr\u003eRecommended load Impedance: 1.0 KΩ or greater\u003cbr\u003ePhantom Power: P48 phantom power, 7 mA\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e\u003cbr\u003eSoftcase, user manual, captive 10” (3 meter) output cable with XLR-3M \u003cbr\u003econnector.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"https:\/\/www.aearibbonmics.com\/products\/r84-series\/\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"AEA Microphones R84A \"\u003eNeed more info on the AEA Microphones R84A? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":5270006005801,"sku":"AEA84A","price":3915.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-microphones-aea-microphones-r84a-active-ribbon-microphone-1.jpg?v=1553523758"},{"product_id":"coles-4030l-studio-ribbon-microphone","title":"Coles 4030L Studio Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eThe Coles 4030L ribbon microphone delivers an exceptionally flat frequency response and the sound quality that Coles are known for. The 4030L can be used alone, or as a pair with a stereo mount. The 4030L microphone is delivered in a foam lined rigid carrying case with an adjustable universal stand mount.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eColes 4030L Product Features:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEstablished in 1964 Coles Electroacoustics is renowned for designing and manufacturing the very highest quality Ribbon microphones. Its latest offering is the Coles 4030L, an entry level ribbon microphone with the superb sound quality one expects from this prestigious company.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 4030L is a studio ribbon microphone manufactured using the very latest CNC machinery and the latest magnet technology as used in the esteemed Coles 4040 and 4050 microphones. The frequency response of the 4030L is exceptionally flat from 50 to 20,000 c\/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes.  Sensitivity: -67db W.R.T IV\/Pa\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 4030L is a versatile microphone and ideally suited for critical recording applications. Its smooth frequency response characteristics and ability to capture detail make it a first-rate choice for many instruments. The 4030L can be used alone or as a pair with a stereo mount which can be rotated through 360 degrees; ideal for the popular \"Blumlein\" (crossed figure-of-eight) stereo configuration or other configurations of choice. The red dot indicates the front of the mic for phasing purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eColes 4030L Technical Specifications:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFREQUENCY RESPONSE: 50Hz to 20,000Hz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSENSITIVITY: -67Db W.R.T. 1v\/Pa. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIMPEDANCE: 300ohm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCONNECTION: by means of an XLR 3 pin plug. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWEIGHT: 240g. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDIMENSIONS: 125mm long x 70mm diameter top. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFINISH: black enamel paint. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBODY: aluminium with stainless steel screens. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePACKAGING: each microphone comes in a foam lined rigid plastic carrying case And soft cloth protective bag and stand adaptor.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default","offer_id":12461748715619,"sku":"Coles 4030L","price":2420.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-microphones-coles-4030l-studio-ribbon-microphone-1.jpg?v=1553524772"},{"product_id":"coles-4040-studio-ribbon-microphone","title":"Coles 4040 Studio Ribbon Microphone","description":"\u003cp\u003eThe Coles 4040 Studio Ribbon Microphone is one of the newest additions to the Coles line of ribbon microphones. With its own built-in shock mount, a bold look, greater output, and a wider frequency response, the Coles 4040 is sure to become a standard item in any professional studio microphone cabinet.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eColes 4040 Product Features:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis is the first ribbon microphone that Coles have developed using the very latest magnet technology. The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c\/s but where the 4038 starts to drop off, the 4040 carries on past 20,000 c\/s and throughout this range, like the 4038, the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up. There is also no discernible stray magnetic field, making it very easy to mount head to head in a \"Blumlein\" (crossed figure-of-eights) stereo configuration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 4040 has some unique features, the ribbon\/magnet assembly has its own in built shock mounts separating it from the main body of the microphone. Each microphone comes in a foam lined rigid plastic carrying case with an adjustable universal stand mount and a soft cloth protective bag, for safe keeping.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 4040 has been designed around neodymium super magnets mounted in a carrier, so external stray magnetism is eliminated, it also has inbuilt triple shock mounts and additional internal covers, which further protect the ribbon element.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe basic design of the ribbon microphone remains the same, but with the use of modern day magnetic materials, we are able to greatly reduce the size of the magnet and still have more magnetism, which in turn extends the frequency range of the microphone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe factors that give Coles ribbon microphones their unique character, are the smoothness of their sound, backed up with ruler-flat response curves. The bottom end is huge and has incredible subtlety and power and at the top end remains very detailed and warm. These microphones possess a smooth transparency and accuracy that you rarely hear from even the best condensers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eColes 4040 Technical Specifications:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFREQUENCY RESPONSE: 30Hz to 20,000Hz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSENSITIVITY: -65dB W.R.T. 1V\/Pa. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIMPEDANCE: 300ohm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCONNECTION: by means of an XLR 3 pin plug. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWEIGHT: 880g. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDIMENSIONS: 145mm long x 66mm diameter. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFINISH: gold coloured enamel paint. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBODY: brass with stainless steel screens. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePACKAGING: each microphone comes in a foam lined rigid plastic carrying case And soft cloth protective bag and stand adaptor.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default Title","offer_id":12464599531619,"sku":"Coles 4040S","price":2565.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-microphones-coles-4040-studio-ribbon-microphone-1.jpg?v=1553524775"},{"product_id":"coles-4050-studio-ribbon-microphone-with-matching-shock-mount","title":"Coles 4050 Studio Ribbon Microphone With Matching Shock Mount","description":"\u003c!-- Split --\u003e\n\u003cp\u003eThe Coles 4050 Studio Ribbon microphone has a sleek new look, larger output, and a wider frequency response that utilizes the latest magnet technology. Each microphone comes in a foam lined rigid plastic carrying case And soft cloth protective bag and stand adaptor shock mount.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eColes 4050 Product Features:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 4050’s come with their own unique shock mount which magnetically attaches the microphones And enables them to be used as a stereo pair or on their own and can be easily rotated through 360 degrees. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe frequency response of the 4050 is exceptionally flat from 30 to 20,000 c\/s, and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 4050 is a versatile microphone and is ideally suited to many critical recording applications. Its smooth frequency response characteristics and ability to capture detail make it a fine choice for many instruments. There is no discernible stray magnetic field and the 4050's come with their own unique shock mount which magnetically attaches the microphones and enables them to be used as a stereo pair or on their own. The microphones can be easily rotated through 360 degrees making them very easy to mount in a \"Blumlein\" (crossed figure-of-eight) stereo configuration or any other configuration of choice.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eColes 4050 Technical Specifications:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFREQUENCY RESPONSE: 30Hz to 20,000Hz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSENSITIVITY: -65dB W.R.T. 1V\/Pa. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIMPEDANCE: 300ohm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCONNECTION: by means of an XLR 3 pin plug. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWEIGHT: 362g (per mic) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDIMENSIONS: each mic, 102.5mm long x 50mm diameter. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFINISH: gold coloured enamel paint. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBODY: aluminium with stainless steel screens. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePACKAGING: each microphone comes in a foam lined rigid plastic carrying case And soft cloth protective bag and stand adaptor shock mount.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default","offer_id":12464647831651,"sku":"Coles 4050S","price":2675.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/coless.jpg?v=1752546068"},{"product_id":"coles-4104-commentator-lip-ribbon-microphone-with-xlr-connector","title":"Coles 4104 Commentator Lip Ribbon Microphone With XLR Connector","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eThe Coles 4104 Commentator's Noise Cancelling Ribbon Microphone is of British Broadcasting (BBC) design. The 4104 is an ideal tool for reproducing high-quality commentary speech when in noisy surroundings by canceling out a considerable amount of background noise.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab2\" class=\"active\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab2\" class=\"active\"\u003e\n\u003ch2\u003eColes 4104 Product Features:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 4104 has a proven reliable performance capability, being since its introduction used by such broadcasting networks as the BBC, IBA, CBS, and ABC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 4104 is not unduly affected by wind noise and can be used in air stream velocities up to 20 mph (32 km) without notable differences in speech quality. With the use of a simple windshield attachment good quality speech reproduction can also be achieved in winds ranging up to 40 mph (64 km) or more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eImportantly the polar response is effectively bi-directional allowing one or more commentators to make clear individual commentary close side by side without interference from mutual cross-over talk.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis microphone is generally regarded as the leader in its field. Wherever it is essential to single out a speaker's voice without transmitting background noise, this is the choice of buyers from all over the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOne example application is its use in sports reporting, selecting the spoken commentary and cutting out the roar of racing cars at Brands Hatch or the screams of the little old ladies in the ringside seats at wrestling contests. News reporters broadcasting eyewitness accounts of processions and street demonstrations have also depended on this type of microphone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEqually important is its application in noisy industrial environments; prompt information and explicit instruction may be matters of life and death in a shunting yard or rolling mill, and a noise-cancelling microphone of this quality is the most vital element in such communications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e(Also available with push and talk switch)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eColes 4104 Technical Specifications:\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTransducer\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRibbon microphone\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePolar Pattern\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCardioid\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrequency Response\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e60 Hz to 12 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDynamic Range (Typical)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNot specified by manufacturer\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSignal-to-Noise Ratio\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDistortion less than 1% at an SPL of 120 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMaximum Input Sound Level\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNot specified by manufacturer\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePower Requirements\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRibbon transducer—no external power required\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOutput Impedance\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e300 Ohms\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOutput Connectors\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3-pin XLR male\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePad\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLow Frequency Roll-Off\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLow frequency roll-off at 16 Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDimensions (L x W x D)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e7.9 x 2.2 x 3.0\" (20.1 x 5.6 x 7.6 mm)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWeight\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e10 oz (283 g)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default Title","offer_id":12467005554787,"sku":"Coles 4104","price":1575.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-microphones-coles-4104-commentator-s-noise-cancelling-ribbon-microphone-1.jpg?v=1553524782"},{"product_id":"aea-ku5a-active-ribbon-mic","title":"AEA KU-5A Active Ribbon Mic","description":"\u003c!-- split --\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eNever before has a ribbon mic delivered as much clarity and breadth of sound in a package so fit for both studio and live settings as the supercardioid KU5A.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe active KU5A comes complete with a custom transformer and JFET electronics. It features the same custom transformer as the A440, R84A, and NUVO ribbon mics, providing greater output, less audible noise, and stable impedance. This allows for consistent frequency response and greater flexibility with different preamps, including those within audio interfaces. The boosted output of the KU5A is beneficial when recording quiet sources like vocals and soft acoustic guitars, and the active circuitry prevents noise interference. The KU5A operates with standard 48-volt phantom power.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sQnoZUR6fvY\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eSuper-cardioid polar pattern that rejects room tone and instrument bleed\u003c\/li\u003e\n\u003cli\u003eDetailed, extended top end with ribbon smoothness and warmth\u003c\/li\u003e\n\u003cli\u003eSupreme durability for close-range, outdoor, and live use\u003c\/li\u003e\n\u003cli\u003eActive electronics and custom transformer optimized for all preamps\u003c\/li\u003e\n\u003cli\u003eFront address design with built-in yoke is simple to position\u003c\/li\u003e\n\u003cli\u003eIntegrated high-pass filter switch reduces proximity effect at close-range\u003c\/li\u003e\n\u003cli\u003eMatte black finish is discreet on camera\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe super-cardioid KU5A breaks new ground in ribbon technology with its acutely focused directionality that rejects bleed from other instruments, room reflections, and loud ambience in the studio and on stage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNever before has a ribbon mic delivered as much clarity and breadth of sound in a package so fit for both studio and live use. As a near-field ribbon designed for close range recording, the KU5A delivers the low-end heft and pronounced midrange one expects of AEA ribbons and with moderate, manageable proximity effect. Vocalists can sing directly into the grill of the KU5A, as its interior components are the most protected of any in the AEA lineup.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe KU5A is equipped with active electronics, fit for any preamp in the studio and on the road, as well as an integrated high-pass filter to roll off low end in close range recording applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe KU5A’s super-cardioid polar pattern captures pure, direct sound while rejecting room tone from behind the mic. This feature prevents excessive monitor and audience bleed when tracking musicians live in one room or on stage. Traditional figure-of-8 ribbons, which distinctly incorporate both direct sound and room sound, rely on sharp\u003cspan\u003e \u003c\/span\u003enulls\u003cspan\u003e \u003c\/span\u003eto reject unwanted bleed.\u003c\/p\u003e\n\u003cp\u003eThe KU5A’s end-address directionality and tight super-cardioid pattern allow for effortless positioning on snare, toms, and other instruments that may be difficult to access. Signal bleed captured by dynamic mics and condensers often sounds harsh and brittle due to top-end frequencies. The minimal bleed captured by the KU5A sounds more natural as a result of its smooth top end and coheres well in a mix.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":31805713973347,"sku":"AEAKU5A","price":2362.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/AEA-KU5A-Left__19165.1538664191.jpg?v=1576232109"},{"product_id":"aea-nuvo-n22-active-ribbon-mic","title":"AEA NUVO N22 Active Ribbon Mic","description":"\u003c!-- split --\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NUVO N22 is a modern near-field and active ribbon mic with a rugged lightweight design extended top-end clarity, and reduced proximity effect making it perfect for close miking of instruments.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eExtended top end with a ribbon’s classic warmth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNear-field\u003cspan\u003e \u003c\/span\u003eribbon mic with reduced proximity effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBalanced frequency response at 1 to 18 inches from the source\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompact, lightweight design with rugged durability\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eActive electronics\u003cspan\u003e \u003c\/span\u003eand custom transformer optimized for all preamps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMade in the U.S.A.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003enear-field\u003cspan\u003e N22 is a modern ribbon mic that challenges the expectations of traditional ribbon technology and can reframe the way you record with ribbons.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt delivers clarity and balance in frequency response, even when positioned just inches from the source, and can stand alone in a mix without the need for the blending of additional mic signals due to its extended top end.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe N22 can be positioned inches away from an instrument and retain a balanced sound with an extended top end while avoiding the room tone that can cause problems in smaller spaces or iso booths. This is what makes the N22 special.\u003c\/p\u003e\n\u003cp\u003eIt exhibits a high-frequency bump at 3kHz making it ideal for recording\u003cspan\u003e \u003c\/span\u003evocals, electric guitar, bass cabs,\u003cspan\u003e \u003c\/span\u003ekick drum,\u003cspan\u003e \u003c\/span\u003eacoustic guitar, and percussion. It is best to think of the N22’s placement in terms of inches instead of feet.\u003c\/p\u003e\n\u003cp\u003eThe N22 naturally reduces the proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. Naturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":32023333273699,"sku":"AEAN22","price":1987.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/AEA-Nuvo-N22.jpg?v=1579838793"},{"product_id":"aea-r92-nearfield-ribbon-mic-for-brass","title":"AEA R92 Nearfield Ribbon Mic","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWith a thick low-end and hefty midrange, the dual-toned and near-field R92 ribbon mic is an exceptional tool when building a classic sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eRich low-end, warm detailed mid-range and a smooth top-end\u003c\/li\u003e\n\u003cli\u003eDifferent tonality on front and back sides, giving users a sonic choice\u003c\/li\u003e\n\u003cli\u003eHas a similar character to the classic\u003cspan\u003e \u003c\/span\u003eR84 with less proximity effect\u003c\/li\u003e\n\u003cli\u003eNear-field\u003cspan\u003e \u003c\/span\u003eribbon mic with reduced proximity effect\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eOffering a classic ribbon character in the form of a near-field, the dual-tone R92 functions as a versatile creative tool with innumerable possibilities. Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne side of the R92 yields a tonality distinct from the other, essentially providing two mics in one giving options on different sources. When supplemented with a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWith its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature — tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies.\u003c\/span\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":32023415160931,"sku":"AEA92","price":1532.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/AEA-R92-ribbon-mic.jpg?v=1631906257"},{"product_id":"aea-nuvo-n8-ribbon-mic","title":"AEA NUVO N8  Ribbon Mic","description":"\u003c!-- split --\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe active NUVO N8 is a modern ribbon mic that records the live, natural sound of instruments within a space as it would sound in-person, with all subtlety and nuance present. It effortlessly captures complex sources like drums, strings, piano, and other instruments that can produce intricate transients, harsh highs, and bellowing lows.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eOpen and natural sound\u003c\/li\u003e\n\u003cli\u003eFar-field\u003cspan\u003e \u003c\/span\u003eribbon mic that retains low end and top end from a distance\u003c\/li\u003e\n\u003cli\u003eSame design philosophy as the\u003cspan\u003e \u003c\/span\u003eAEA R88 stereo ribbon mic\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight, and low-profile design\u003c\/li\u003e\n\u003cli\u003eFeatures\u003cspan\u003e \u003c\/span\u003eactive electronics\u003cspan\u003e \u003c\/span\u003eand custom transformer optimised for all preamps\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe N8 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room, above a drum set, or overhead a string section.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsh highs, and bellowing lows. The full potential of the N8 is perhaps best realized when configured in a stereo array, as it draws on the same successful sonic concepts as the \u003c\/span\u003eAEA R88\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe N8 is a\u003cspan\u003e \u003c\/span\u003efar-field ribbon mic, meaning it is designed to be positioned at an ideal distance of 12 inches or farther from the source of sound. This far-field design allows for a wide range of options when positioning the N8 to best capture an instrument within the context of a room.\u003c\/p\u003e\n\u003cp\u003eFrom as far away as 20 feet away, the N8 retains the low end frequencies of the sources it captures, and its open, natural tonality makes it perfect to record an entire orchestras or the full low end of a drum kit \u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84z5z65zw1z89zd6z76zz87zz90ztkvhz90zbmz69zil3sz79zxj1z88z7z75z\"\u003efrom overhead. The proximity effect of the N8 is present when recording a source from closer than 12 inches, so this feature can be used to accentuate the low-end of a vocal or string instrument. Potential damage from loud sources is of no concern, even at such a short distance, as the N8 can handle 141+dB SPL at 1 kHz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84z5z65zw1z89zd6z76zz87zz90ztkvhz90zbmz69zil3sz79zxj1z88z7z75z\"\u003eIf less proximity effect is desired when recording at close range, the near-field \u003c\/span\u003eAEA N22 \u003cspan class=\" author-d-iz88z86z86za0dz67zz78zz78zz74zz68zjz80zz71z9iz90z9z84z5z65zw1z89zd6z76zz87zz90ztkvhz90zbmz69zil3sz79zxj1z88z7z75z\"\u003eis an effective ribbon mic to complement the N8’s far-field performance.\u003c\/span\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":32023548854371,"sku":"AEAN8","price":1820.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/AEA-NUVO-N8.jpg?v=1579839752"},{"product_id":"audio-technica-at4081-pencil-type-bidirectional-active-ribbon-mic","title":"Audio-Technica AT4081 Pencil type bidirectional active ribbon mic","description":"\u003cp\u003e\u003cspan\u003eDelivering the warmth and natural sound of a classic ribbon microphone, Audio-Technica’s handcrafted AT4081 offers a robust build for long-lasting performance and higher output for maximum compatibility with microphone preamplifiers. With its low-profile stick design, this microphone is a natural for use on a wide range of instruments (horns, strings, drum overheads, orchestras and more) and guitar cabinets in recording studios and live-sound settings. \u003c\/span\u003e \u003c!-- split --\u003e \u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEqually at home in recording studios and live-sound settings, the microphone features Audio-Technica’s innovative MicroLinear™ ribbon imprint, which protects the dual ribbons from lateral flexing and distortion. With 18 patents pending, Audio-Technica’s innovative ribbon transducer advances the evolution of ribbon microphone design. Experience the difference.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul class=\"list-group\"\u003e\n\u003cli class=\"list-group-item\"\u003eLow-profile stick design maximizes placement options\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e Smooth, warm and natural sound tuned for instrument reproduction\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e Audio-Technica ribbon design with 18 patents pending including proprietary MicroLinear™ ribbon imprint for superior durability\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e Innovative dual ribbon construction for increased sensitivity\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e Extremely powerful N50 neodymium magnets for high output level\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e Superfine mesh guards against ribbon damage\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e High-SPL capability and extended frequency response\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e Handmade production – including ribbon corrugation, imprint and assembly\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e Phantom-powered active electronics provide stable impedance and higher output for maximum compatibility with microphone preamplifiers\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":32794163609699,"sku":"AT AT4081","price":999.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/at4081_1-FULL.jpg?v=1594292230"},{"product_id":"coles-4038-studio-ribbon-microphone-matched-pair","title":"Coles 4038 Studio Ribbon Microphone Matched Pair. 4071B XLR Adaptor","description":"\u003c!-- split --\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential. This listing is for a matched pair.\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe frequency response of the 4038 is exceptionally flat from 30 to 15,000 c\/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up.\u003c\/p\u003e\n\u003cp\u003eStudio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears.\u003c\/p\u003e\n\u003cp\u003eIn the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'.\u003c\/p\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default Title","offer_id":39252264648803,"sku":"Coles 4038MP","price":5370.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/coles-4038-matched-pair.jpg?v=1614463180"},{"product_id":"aea-r88a","title":"AEA R88A Stereo Active Ribbon Mic","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eR88A Series ribbon mic captures sound as your ears hear it, with an honest and open tonality. The R88A effortlessly record complex sources like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFeatures two Big Ribbons™ in a fixed\u003cspan\u003e \u003c\/span\u003eBlumlein\u003cspan\u003e \u003c\/span\u003eand mid-side configuration\u003c\/li\u003e\n\u003cli\u003eAstonishingly open and natural sound\u003c\/li\u003e\n\u003cli\u003eFar-field\u003cspan\u003e \u003c\/span\u003eribbon mic designed to retain low end and top end at a distance\u003c\/li\u003e\n\u003cli\u003eStereo version of the\u003cspan\u003e \u003c\/span\u003eAEA N8\u003c\/li\u003e\n\u003cli\u003eActive\u003cspan\u003e \u003c\/span\u003eR88A version has 12dB level increase and is optimised for all preamps\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe R88A retains the same sonic character of the R84 but offers an additional 12dB of output and a stable impedance that allows flexibility when recording quiet sources through any preamp.\u003c\/span\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":39287662870627,"sku":"AEA88A","price":3915.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/r88a.jpg?v=1631906256"},{"product_id":"royer-r-10-studio-live-ribbon-microphone","title":"Royer Labs R-10 Studio\/Live Ribbon Microphone","description":"\u003c!-- split --\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W4EiPoo1vYo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s 2.5-micron aluminium ribbon element is formed with our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s built-in windscreen provides superior protection from air blasts and plosives. It also reduces the proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. The R-10’s internally shock-mounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You’ll never overload an R-10! The mic’s open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sound\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRoyer ribbon mics are legendary on electric guitar and the R-10 shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favorite EQ unit or plugin.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 is excellent on brass and can handle close-miked trumpets, trombones, and other brass instruments. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments.\u003c\/p\u003e\n\u003cfigure data-mce-fragment=\"1\" class=\"thumbnail wp-caption alignleft\" id=\"attachment_1964\"\u003e\u003ca data-mce-fragment=\"1\" data-rel=\"lightbox\" href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\" data-mce-href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\"\u003e\u003cimg data-mce-fragment=\"1\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\u0026amp;ssl=1 300w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=150%2C84\u0026amp;ssl=1 150w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=768%2C429\u0026amp;ssl=1 768w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=268%2C150\u0026amp;ssl=1 268w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?w=800\u0026amp;ssl=1 800w\" height=\"151\" width=\"270\" alt=\"\" src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\" class=\"size-medium wp-image-1964\" loading=\"lazy\" data-large-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" data-medium-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=300%2C168\u0026amp;ssl=1\" data-image-description=\"\" data-image-title=\"R-10-mount-super-CU2\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\\u00a9 2017 Dana Hursey Photography\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-comments-opened=\"0\" data-orig-size=\"800,447\" data-orig-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" data-permalink=\"https:\/\/royerlabs.com\/r-10\/r-10-mount-super-cu2\/\" data-attachment-id=\"1964\" data-mce-src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\"\u003e\u003c\/a\u003e\n\u003cfigcaption data-mce-fragment=\"1\" class=\"caption wp-caption-text\"\u003eClose up of mount\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDrums are full-bodied with realistic (not over-hyped) transients response, and the R-10’s figure-8 pattern conveys superb ambiance and depth when used for room miking applications. A compressed R-10 in front of the kit sounds huge and punchy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eR-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos, and other stringed instruments are warm and natural and fit into mixes easily. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVocals record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialing in completely different sounds with liberal use of EQ. Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!). Some great vocal performances were recorded on highly EQ’d ribbon mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio\/Video Library\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoyer’s Patented Offset Ribbon Technology\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele, and vocals on the backside (3 feet or closer; phase reversed position). For more information on the R-series transducer design, see https:\/\/www.youtube.com\/watch?v=B-KaSiYYcDU\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":39381173108835,"sku":"R10","price":1010.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/royer-r10-mic.jpg?v=1621324760"},{"product_id":"tierra-audio-white-bamboo-active-ribbon-microphone","title":"Tierra Audio White Bamboo active Ribbon Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWhite Bamboo\u003c\/em\u003e, the little brother of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBlack Bamboo\u003c\/em\u003e, is a phantom-powered\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eactive microphone\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethat stands out mainly for its incredible\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003enaturalness in the mid-high frequencies\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eof the sound spectrum\u003c\/strong\u003e, with a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003elower bass content\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethat triggers\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003egreater definition in tight spaces\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eor where the sound pressure is very high.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt shares the same\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLundahl\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etransformer as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBlack Bamboo\u003c\/em\u003e, but its electronics make its sound much brighter and more balanced. You will be impressed by the naturalness with which it amplifies the signal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SBe0qFeBvVw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/b06V6-e9IkU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003c\/h2\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eSpecifications\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRibbon\u003c\/strong\u003e\u003cspan\u003e: Aluminum 99.1%, 46×6 mm, 1.8 μm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003cspan\u003e: Lundahl® Original\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMagnets\u003c\/strong\u003e\u003cspan\u003e: Neodymium (N52 Grade) con with epoxy coating\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePattern\u003c\/strong\u003e\u003cspan\u003e: Figure of eight\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRibbon impedance\u003c\/strong\u003e\u003cspan\u003e: 0,1 Ω\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003cspan\u003e: 60 Ω\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cspan\u003e: -50 dB (Ref. 1V\/Pa)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSelf-Noise\u003c\/strong\u003e\u003cspan\u003e: -122 dBV(A)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMax. SPL\u003c\/strong\u003e\u003cspan\u003e: \u0026gt;130 dB @ 1KHz\u003c\/span\u003e\u003c\/p\u003e","brand":"Tierra Audio","offers":[{"title":"Default Title","offer_id":39640273387619,"sku":"SEF-TIE-TA-BMB-002-001","price":999.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/whitebamboomic.jpg?v=1636090560"},{"product_id":"tierra-audio-bamboo-passive-ribbon-microphone","title":"Tierra Audio Bamboo Passive Ribbon Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-halign=\"left\" data-hspacer=\"no_spacer\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-20346184bd2bacd24 uvc-9863\" id=\"ultimate-heading-20346184bd2bacd24\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-responsive-json-new='{\"font-size\":\"desktop:35px;\",\"line-height\":\"\"}' data-ultimate-target=\".uvc-heading.ultimate-heading-20346184bd2bacd24 h2\" class=\"uvc-main-heading ult-responsive\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cem\u003eBamboo\u003c\/em\u003e, is our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epassive ribbon microphone\u003c\/strong\u003e, with pure creaminess, and personality. It provides a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003erounded sound\u003c\/strong\u003e, with a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003every low noise level\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ea frequency response rich in harmonics\u003c\/strong\u003e.\u003c\/p\u003e\nDesigned for those who pursue the naturalness and warmth characteristic of ribbon microphones. The figure of 8 works great for more harmonics and gain naturalness while capturing the ambiance of the room. It incorporates a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLundahl\u003csup\u003e®\u003c\/sup\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etransformer, to ensure maximum quality and durability, as well as coloring the sound in a way we love!\u003c\/div\u003e\n\u003cdiv data-responsive-json-new='{\"font-size\":\"desktop:35px;\",\"line-height\":\"\"}' data-ultimate-target=\".uvc-heading.ultimate-heading-20346184bd2bacd24 h2\" class=\"uvc-main-heading ult-responsive\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SBe0qFeBvVw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/b06V6-e9IkU\" height=\"315\" width=\"560\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.youtube.com\/embed\/b06V6-e9IkU\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eSpecifications\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRibbon\u003c\/strong\u003e\u003cspan\u003e: Aluminum 99.1%, 46×6 mm, 1.8 μm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003cspan\u003e: Lundahl® Original\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMagnets\u003c\/strong\u003e\u003cspan\u003e: Neodymium (N52 Grade) with epoxy coating\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePattern\u003c\/strong\u003e\u003cspan\u003e: Figure of eight\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRibbon impedance\u003c\/strong\u003e\u003cspan\u003e: 0,1 Ω\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003cspan\u003e: 150 Ω\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cspan\u003e: -50 dB (Ref. 1V\/Pa)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSelf-Noise\u003c\/strong\u003e\u003cspan\u003e: -122 dBV(A)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMax. SPL\u003c\/strong\u003e\u003cspan\u003e: \u0026gt;130 dB @ 1KHz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"wpb_wrapper\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tierra Audio","offers":[{"title":"Default Title","offer_id":39640273453155,"sku":"TIE-TA-BMB-001-001","price":930.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/bambooomic.jpg?v=1636090562"},{"product_id":"audio-technica-at4080","title":"Audio-Technica AT4080 Ribbon Microphone","description":"\u003c!-- split --\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the groundbreaking AT4080, Audio-Technica achieves the coveted ribbon microphone sound while solving the problems of fragility and low output that have historically plagued ribbon mics. Delivering the warm, smooth sound of a classic ribbon microphone, Audio-Technica’s handcrafted AT4080 Active Ribbon Microphone offers a robust build for long-lasting, reliable performance and higher output for maximum compatibility with microphone preamplifiers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEqually at home in recording studios and live-sound settings, the microphone features Audio-Technica’s innovative MicroLinear™ ribbon imprint, which protects the dual ribbons from lateral flexing and distortion. With 18 patents pending, Audio-Technica’s innovative ribbon transducer advances the evolution of ribbon microphone design. Experience the difference.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"list-group\"\u003e\n\u003cli class=\"list-group-item\"\u003eSmooth, warm and natural high-fidelity sound for professional recording, broadcast and sound reinforcement\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eGroundbreaking Audio-Technica ribbon design with 18 patents pending\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eProprietary MicroLinear™ ribbon imprint for superior durability\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eInnovative dual ribbon construction for increased sensitivity\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eExtremely powerful N50 neodymium magnets for high output level\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eUltra-fine mesh helps protect against ribbon damage\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eClassic bidirectional (figure-of-eight) polar pattern picks up sounds equally from the front and back of the element\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eHigh-SPL capability and extended frequency response\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eExtended frequency response for natural audio reproduction\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eAcoustic baffle system and extra large output transformer provide natural low-frequency response and extended dynamic range\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eHandmade production – including ribbon corrugation, imprint and assembly\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eOpen acoustical environment of the housing assembly minimizes unwanted internal reflections\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ePhantom-powered active electronics provide stable impedance and higher output for maximum compatibility with microphone preamplifiers\u003c\/li\u003e\n\u003cli class=\"list-group-item\"\u003e\n\u003ci class=\"fa fa-chevron-right\"\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eCustom shock mount provides superior isolation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":39796111376483,"sku":"AT AT4080","price":1379.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/at4080_1-FULL.jpg?v=1647345559"},{"product_id":"se-electronics-vr1-vintage-edition-passive-ribbon-microphone","title":"sE Electronics VR1 Vintage Edition Passive Ribbon Microphone","description":"\u003c!-- split --\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe VR1, is a passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe VR1’s extended frequency response is achieved by a clever mechanical device and a hand-tensioned ribbon constructed and designed by sE's R\u0026amp;D Team. The VR1 VE effortlessly brings a warm and modern tone to your recordings, while adding a retro vibe to any studio or stage!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuperbly detailed, open and natural sound\u003c\/li\u003e\n\u003cli\u003eA passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs\u003c\/li\u003e\n\u003cli\u003eHand-tensioned ribbon constructed by our highly specialized technicians in sE's capsule room\u003c\/li\u003e\n\u003cli\u003eFull frequency response using technology designed by Siwei Zou, the sE's CEO\u003c\/li\u003e\n\u003cli\u003eAll-metal housing and gold-plated XLR connector\u003c\/li\u003e\n\u003cli\u003eA secret weapon for top musicians and engineers worldwide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan class=\"body-subtitle\"\u003eRECOMMENDED USE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"body-regular\"\u003e\n\u003cp\u003eVocals, drum kit, OH, room, acoustic guitar, electric guitar cab, orchestral + strings, piano, woodwinds, brass\u003c\/p\u003e\n\u003c\/div\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":40071471497315,"sku":"SEF-SEEL_VR1VE","price":659.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/VR1-Vintage-Edition-1080.webp?v=1663801063"},{"product_id":"cloud-microphones-44-a-active-ribbon-microphone","title":"Cloud Microphones 44-A Active Ribbon Microphone","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Cloud 44-A is the first and only active ribbon microphone with switchable Voice\/Music response curves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_6\"\u003e\u003cstrong\u003eVoice or Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_6\"\u003e\u003cspan\u003eThe Cloud 44-A is the first and only active ribbon microphone with switchable Voice\/Music response curves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_6\"\u003e\u003cstrong\u003eVoice Setting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_6\"\u003e\u003cspan\u003eInstantly reduces the bass proximity effect associated with being close to the microphone. Reduces rumble and vibration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_6\"\u003e\u003cstrong\u003eMusic Setting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_6\"\u003e\u003cspan\u003eFull bass response at close proximity for a variety of sources that require that special ribbon mic sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMade in the USA\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003eCloud Microphones are 100% Made in the USA. \u003cbr\u003eTwo year ribbon warranty and free limited lifetime warranty on all other parts.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6 class=\"font_6\"\u003e\n\u003cspan\u003e\u003cspan class=\"wixGuard\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch2 class=\"font_6\"\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eFrequency Response: 20 Hz to above 20 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eMaximum SPL: 138 + dB SPL above 1 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eOutput Sensitivity: -28 dBv\/Pa\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eOutput Impedance (in Ohms): 150 ohms\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003ePhantom Powered “Cloudlifter” Class A, Discrete Circuity\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eRibbon dimensions: .19\" wide, 2.35\" long, 1.8 microns thick\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eNew mount offers 180 degree range of motion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eInternally shock mounted\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003e2 year ribbon warranty\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eFree limited lifetime warranty on all other parts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eHandmade entirely in the USA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eDimensions: 7.75” x 3” x 1.75”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eWeight: 1.07lbs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eRecommended Load (in Ohms): 1kohm or greater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eSupply Current: 4mA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eFilter Frequency: 80Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eAccessories: cover\u003c\/span\u003e\u003c\/p\u003e","brand":"Cloud Microphones","offers":[{"title":"Default Title","offer_id":40242089885795,"sku":"SEF-CLO-44A","price":1899.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/cloud-44a-active-ribbon-mic.jpg?v=1674479973"},{"product_id":"golden-age-r1-mk-ii-vintage-style-ribbon-microphone","title":"Golden Age R1 Mk II Vintage Style Ribbon Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R 1 MKII is a high-quality vintage-style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high-quality recordings today, after almost 70 years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R1 Mk2 is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications.\u003c\/p\u003e\n\u003cdiv class=\"site-content\" id=\"content\"\u003e\n\u003cdiv class=\"ast-container\"\u003e\n\u003cdiv class=\"elementor elementor-3031\" data-elementor-id=\"3031\" data-elementor-type=\"wp-page\"\u003e\n\u003csection data-element_type=\"section\" data-id=\"7bff411c\" class=\"elementor-section elementor-top-section elementor-element elementor-element-7bff411c elementor-section-boxed elementor-section-height-default elementor-section-height-default\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"646ee225\" class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-646ee225\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003csection data-element_type=\"section\" data-id=\"24b2eb5b\" class=\"elementor-section elementor-inner-section elementor-element elementor-element-24b2eb5b elementor-section-boxed elementor-section-height-default elementor-section-height-default\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"4db13871\" class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-4db13871\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"3e0910f7\" class=\"elementor-element elementor-element-3e0910f7 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"rad\"\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer: Ribbon\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30 Hz to 18 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 160 dB SPL\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; 1%\u003c\/li\u003e\n\u003cli\u003eImpedance: 600 Ohms\u003c\/li\u003e\n\u003cli\u003eLoad Impedance: 3000 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: -52 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003eOutput Connectors: 1 x\u003c\/li\u003e\n\u003cli\u003e3-Pin XLR\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":40282041417827,"sku":"GOL-R1MK2","price":440.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/r2.jpg?v=1677556194"},{"product_id":"royer-r-10-hotrod-25th-anniversary-ribbon-microphone","title":"Royer R-10 Hotrod 25th Anniversary Ribbon Microphone","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTo kick off its 25th anniversary celebration, Royer Labs announces the R-10 “Hot Rod” 25th Anniversary microphone—a passive mono ribbon microphone designed for use both in the studio and on live stages. The limited-edition R-10 “Hot Rod” is fitted with a custom Anniversary Edition transformer, has 5dB hotter output than the standard R-10 with a punchier, more open sound characteristic, and comes with a 25th Anniversary trim package that sets it apart from the standard R-10.\u003c\/p\u003e\n\u003cp\u003eLike the original R-10, the R-10 Hot Rod handles extremely high SPLs (160dB @ 1kHz), has an internally shock-mounted ribbon transducer and 3-layer wind screen system that combine to give the ribbon element excellent protection (making it their best choice for live work), features lowered proximity effect that make it a excellent for close miking instruments and singers, and carries a 5-year warranty with the first re-ribbon free.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":40664491851875,"sku":"R-10","price":1129.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/00ab28_70678b9a890b4d2c9118a76ec5f0f04d_mv2.webp?v=1692066219"},{"product_id":"beyerdynamic-m-130-dynamic-double-ribbon-microphone-with-figure-eight-polar-pattern","title":"Beyerdynamic M 130 Dynamic double-ribbon microphone with Figure-eight polar pattern","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eM 130 - The Legendary Double-Ribbon Microphone\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e– Handmade in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUpdated 2023 iteration:\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-block-list__item product-block-list__item--description\"\u003e\n\u003cdiv class=\"card\"\u003e\n\u003cdiv class=\"card__section\"\u003e\n\u003cdiv class=\"rte text--pull\"\u003e\n\u003cp\u003eFor over 65 years the M 130 dynamic double-ribbon microphone continues to be considered the reference in the field of double-ribbon microphones due to its remarkably natural sound reproduction.\u003c\/p\u003e\n\u003cp\u003eThe M 130 is ideal for stereo, room and instrument recordings and brings a popular and special ribbon sound that is characterised by warmth and precision. Depending on positioning and spatial situation, the M 130 can be used for studio recordings of drums, electric guitar amps, piano, acoustic guitars, orchestras, choirs and for all kinds of atmospheric recordings.\u003cbr\u003e\u003cbr\u003eEquipped with a figure-of-eight polar pattern, the microphone classic can be used not only for picking up various instruments, but also for stereo recordings in Blumlein or M\/S stereo configuration.\u003c\/p\u003e\n\u003cp\u003eAs a stereo microphone system, two M 130 can be used to create a Blumlein stereo system for an excellent sounding room recording. M\/S recordings can be made together with a hypercardioid or supercardioid microphone such as the M 160 dynamic double-ribbon microphone or the MC 950 true condenser microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic double-ribbon microphone, Figure-eight polar pattern\u003c\/li\u003e\n\u003cli\u003eNatural sound reproduction and remarkable impulse fidelity\u003c\/li\u003e\n\u003cli\u003eHigh impulse fidelity and good transient response\u003c\/li\u003e\n\u003cli\u003ePerfect for stereo, ambient and instrument recordings\u003c\/li\u003e\n\u003cli\u003eIdeal for Blumlein or M\/S stereo configuration\u003c\/li\u003e\n\u003cli\u003eExcellent suppression of lateral noise\u003c\/li\u003e\n\u003cli\u003eHandmade in Germany since 1957\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer type: Dynamic\u003c\/li\u003e\n\u003cli\u003eOperating principle: Pressure gradient\u003c\/li\u003e\n\u003cli\u003eFrequency response:  40 - 18,000 Hz\u003c\/li\u003e\n\u003cli\u003ePolar pattern:  Figure-eight\u003c\/li\u003e\n\u003cli\u003eRear attenuation at 1 kHz:  \u0026gt; 30 dB at 90°\u003c\/li\u003e\n\u003cli\u003eSensitivity (0 dB = 1 V\/Pa): 1.3 mV\/Pa (= -57.5 dBV)\u003c\/li\u003e\n\u003cli\u003eNominal impedance: 200 Ω\u003c\/li\u003e\n\u003cli\u003eLoad impedance:  ≥ 1000 Ω\u003c\/li\u003e\n\u003cli\u003eDiaphragm:  Pure aluminium\u003c\/li\u003e\n\u003cli\u003eCase\/finish: Brass\u003c\/li\u003e\n\u003cli\u003eConnector: XLR, 3-pin, male\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLength:  128 mm\u003c\/li\u003e\n\u003cli\u003eShaft diameter: 23 mm\u003c\/li\u003e\n\u003cli\u003eHead diameter: 38.5 mm\u003c\/li\u003e\n\u003cli\u003eWeight:  160 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPLIED ACCESSORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMA-CL 25 Microphone clamp with3\/8\" internal thread,\u003cbr\u003ewith internal diameter of 25 mm . . . Order # 727.954\u003c\/p\u003e\n\u003cp\u003eSoft protective storage case to protect your investment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":40758053797987,"sku":"BD730173","price":1999.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/beyerdynamic_M130_900x_8e18b229-141f-4387-b9b5-dbf0a0611281.webp?v=1695536143"},{"product_id":"beyerdynamic-m-160-double-ribbon-microphone","title":"Beyerdynamic M 160 Double-Ribbon Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eM 160 - A Double-Ribbon Microphone that stands alone – Handmade in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUpdated 2023 iteration:\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-block-list__item product-block-list__item--description\"\u003e\n\u003cdiv class=\"card\"\u003e\n\u003cdiv class=\"card__section\"\u003e\n\u003cdiv class=\"rte text--pull\"\u003e\n\u003cp\u003eLike its famous users, the M 160 has achieved cult status. The M 160 impresses with its flexible application options. In addition to drum and amp miking, the wide frequency response and fine-detailing sound also comes into effect on acoustic guitars, brass instruments, and string instruments. Its outstanding technical properties make it predestined for use on other gear such as electric guitar amplifiers, Hihats or overhead.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eThe dynamic double-ribbon microphone is unique in terms of sound, production, and history. A special feature of the M 160 is its polar pattern. Due to its hypercardioid polar pattern, which is unusual for ribbon microphones, the M 160 is less susceptible to ambient noise, as it reduces background noise by 25 dB at 110° and picks up less sound from behind.\u003cbr\u003e\u003cbr\u003eThis makes it ideal primarily for the studio, but also on stage. Together with the M 130 double-ribbon microphone (polar pattern: figure-eight), the M 160 can be used for M\/S miking.\u003cbr\u003e\u003cbr\u003eDue to the M160s extremely complex production process, since 1957 the microphone has, and can only be made by hand by a few employees of beyerdynamic at the company's location in Heilbronn, Germany.\u003c\/p\u003e\n\u003cp\u003eIn 2019. The M 160 was Inducted into the NAMM TEC Awards Technology Hall of Fame\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBalanced treble, high impulse fidelity \u0026amp; very good transient reproduction\u003c\/li\u003e\n\u003cli\u003eIconic dynamic double-ribbon microphone with warm and silky sound\u003c\/li\u003e\n\u003cli\u003eExceptional on electric guitar amp, Hihat and overhead\u003c\/li\u003e\n\u003cli\u003eHypercardioid polar pattern\u003c\/li\u003e\n\u003cli\u003eHandmade since 1957\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer type: Dynamic\u003c\/li\u003e\n\u003cli\u003eOperating principle: Pressure gradient\u003c\/li\u003e\n\u003cli\u003eFrequency response: 40 - 18,000 Hz\u003c\/li\u003e\n\u003cli\u003ePolar pattern:  Hypercardioid\u003c\/li\u003e\n\u003cli\u003eRear attenuation at 1 kHz:  \u0026gt; 25 dB at 110°\u003c\/li\u003e\n\u003cli\u003eSensitivity (0 dB = 1 V\/Pa): .1.0 mV\/Pa (= -60 dBV)\u003c\/li\u003e\n\u003cli\u003eNominal impedance: 200 Ω\u003c\/li\u003e\n\u003cli\u003eLoad impedance:  ≥ 1000 Ω\u003c\/li\u003e\n\u003cli\u003eDiaphragm: Pure aluminium\u003c\/li\u003e\n\u003cli\u003eCase\/finish: Brass\u003c\/li\u003e\n\u003cli\u003eConnector: XLR, 3-pin, male\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLength:  164 mm\u003c\/li\u003e\n\u003cli\u003eShaft diameter: 23 mm\u003c\/li\u003e\n\u003cli\u003eHead diameter:  38 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 192 g\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPLIED ACCESSORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMA-CL 25 Microphone clamp with 3\/8\" internal thread,\u003cbr\u003ewith internal diameter of 25 mm . . Order # 727.954\u003c\/p\u003e\n\u003cp\u003eSoft protective storage case to protect your investment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":40758053863523,"sku":"BD730165","price":1339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/beyerdynamic_M160_900x_ac902544-e551-4070-9c3f-36052775504f.webp?v=1695536298"},{"product_id":"warm-audio-wa-44-ribbon-microphone","title":"Warm Audio WA-44 Ribbon Microphone","description":"\u003cp\u003e\u003c!-- split --\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe WA-44 is a faithful recreation of the most iconic studio ribbon microphone of all time. Just like the legendary RCA 44 ribbons of the 1930s, the WA-44 delivers warm, vintage, sultry tones and excels on loud audio sources. The tight figure-8 polar pattern removes side-address noise while its custom, vintage-matched ribbon and magnet together with a CineMag transformer deliver powerful bass with a pronounced proximity effect, lush mids, and a tamed top end, reducing excessive high end harshness. Featuring premium components and elite build quality, the WA-44 is the perfect choice for capturing lead tones on vocals, horns, acoustics, drums, piano, voice\u003cbr\u003ework and much more.\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/J5vKH_2QyN8?si=F29keOz-x1-1Mdr_\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRich Lows \u0026amp; Mids, No Harsh Highs \u003c\/li\u003e\n\u003cli\u003eVintage-Accurate Ribbon \u003c\/li\u003e\n\u003cli\u003eTrue-To-Size Neodymium Magnet \u003c\/li\u003e\n\u003cli\u003eTight Figure-8 Polar Pattern\u003c\/li\u003e\n\u003cli\u003ePremium, Vintage Build\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FSX6iyjw5bs?si=X5m_aW0pzze9XSEg\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":41922855534691,"sku":"WAR-WA44","price":1509.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/44_Front.jpg?v=1715032470"},{"product_id":"aea-r44ce-bi-directional-ribbon-micrphone","title":"AEA R44CE Bi-Directional Ribbon Micrphone","description":"\u003c!-- split --\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003eR44CE\u003cspan\u003e \u003c\/span\u003eis a bi-directional ribbon microphone based on an original classic RCA 44 design offering a high quality and more affordable alternative to the R44C.\u003c\/p\u003e\n\u003cp\u003eWith the AEA R44CE using all the same superb high performance internals of its sibling the R44, itself derived from the legendary RCA type 44, but equipped with lighter external materials for the shell, Audio Engineering Associates has created an alternative offering excellent value and performance.\u003c\/p\u003e\n\u003cp\u003eCapable of recording a wide variety of sounds, the polar pattern of the R44CE allows for great subtlety with only small changes in the angle of the microphone to the sound source.\u003c\/p\u003e\n\u003cp\u003eThe same smooth, warm appealing sound and precision build that has made all microphones from Audio Engineering Associates into modern classics, is also available for a lower price with the AEA R44CE - great news for anybody wishing to explore the sound of this wonderful range or just use a top-spec ribbon microphone.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAccurate reproduction of the original RCA Ribbon Mic\u003c\/li\u003e\n\u003cli\u003eSame ribbon material as the original\u003c\/li\u003e\n\u003cli\u003eSingle diaphragm Figure 8 ribbon microphone\u003c\/li\u003e\n\u003cli\u003eHigh null-axis rejection\u003c\/li\u003e\n\u003cli\u003eCustom AEA Transformer\u003c\/li\u003e\n\u003cli\u003eHigh SPL capability, max level of 140dB plus above 200Hz\u003c\/li\u003e\n\u003cli\u003eLow Self Noise\u003c\/li\u003e\n\u003cli\u003eConsistent polar response\u003c\/li\u003e\n\u003cli\u003eOperable in high humidity environments\u003c\/li\u003e\n\u003cli\u003eFrequency Response: Below 30 Hz to above 20 kHz\u003c\/li\u003e\n\u003cli\u003ePassive operation\u003c\/li\u003e\n\u003cli\u003eConnector: XLR-3M wired to a 3-metre captive cable\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Native bi-directional pattern\u003c\/li\u003e\n\u003cli\u003eHorizontal: Level changes with angle, frequency response is consistent, -90 dB null at 90 \/ 270 degrees\u003c\/li\u003e\n\u003cli\u003eVertical: Level changes with angle, reduced HF response above and below 0\/180 degree axis, null at 90\/270 degrees\u003c\/li\u003e\n\u003cli\u003eAccessories Included: Custom storage\/shipping case, stand adapter, manual and attached 3-metre microphone cable\u003c\/li\u003e\n\u003cli\u003eMade in California, USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":42119122059363,"sku":"AEA44CE","price":4966.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/aea-r44ce.jpg?v=1717561752"},{"product_id":"royer-labs-r-10mp-studio-live-ribbon-microphone-matched-pair","title":"Royer Labs R-10MP Studio\/Live Ribbon Microphone Matched Pair","description":"\u003ch1\u003eRoyer Labs R-10MP Studio\/Live Ribbon Microphone Matched Pair\u003c\/h1\u003e\n\u003c!-- split --\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W4EiPoo1vYo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s 2.5-micron aluminium ribbon element is formed with our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s built-in windscreen provides superior protection from air blasts and plosives. It also reduces the proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. The R-10’s internally shock-mounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You’ll never overload an R-10! The mic’s open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sound\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRoyer ribbon mics are legendary on electric guitar and the R-10 shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favorite EQ unit or plugin.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 is excellent on brass and can handle close-miked trumpets, trombones, and other brass instruments. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments.\u003c\/p\u003e\n\u003cfigure id=\"attachment_1964\" class=\"thumbnail wp-caption alignleft\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\" data-rel=\"lightbox\" data-mce-href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\" data-mce-fragment=\"1\"\u003e\u003cimg data-attachment-id=\"1964\" data-permalink=\"https:\/\/royerlabs.com\/r-10\/r-10-mount-super-cu2\/\" data-orig-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" data-orig-size=\"800,447\" data-comments-opened=\"0\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\\u00a9 2017 Dana Hursey Photography\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"R-10-mount-super-CU2\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=300%2C168\u0026amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" loading=\"lazy\" class=\"size-medium wp-image-1964\" src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\" alt=\"\" width=\"270\" height=\"151\" srcset=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\u0026amp;ssl=1 300w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=150%2C84\u0026amp;ssl=1 150w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=768%2C429\u0026amp;ssl=1 768w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=268%2C150\u0026amp;ssl=1 268w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?w=800\u0026amp;ssl=1 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-mce-src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\n\u003cfigcaption class=\"caption wp-caption-text\" data-mce-fragment=\"1\"\u003eClose up of mount\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDrums are full-bodied with realistic (not over-hyped) transients response, and the R-10’s figure-8 pattern conveys superb ambiance and depth when used for room miking applications. A compressed R-10 in front of the kit sounds huge and punchy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eR-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos, and other stringed instruments are warm and natural and fit into mixes easily. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVocals record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialing in completely different sounds with liberal use of EQ. Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!). Some great vocal performances were recorded on highly EQ’d ribbon mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio\/Video Library\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoyer’s Patented Offset Ribbon Technology\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele, and vocals on the backside (3 feet or closer; phase reversed position). For more information on the R-series transducer design, see https:\/\/www.youtube.com\/watch?v=B-KaSiYYcDU\u003c\/p\u003e\n\u003c!----\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42447032778851,"sku":"R10MP","price":2110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/RoyerR10MPFrontView.png?v=1719271426"},{"product_id":"royer-labs-r-121-ribbon-microphone-copy","title":"Royer Labs R-121 Ribbon Microphone Matched Pair","description":"\u003c!-- split --\u003e\n\u003ch1 class=\"p1\"\u003eRoyer Labs R-121 Ribbon Microphone Matched Pair\u003c\/h1\u003e\n\u003cp class=\"p1\"\u003eThere's rarely a microphone that redefines how we approach recording. This has been the case for the Royer R-121 Ribbon mic. It's an instant classic!  Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/BdsMT46V7Vc\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-121 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eWe did away with the large, heavy, fragile \"classic\" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe R-121 redefined ribbon microphones so completely that Recording Magazine wrote \"...the Royer R-121 is destined to become one of the classic microphones of the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums - you name it, the R-121 will help you record it with realism you have to hear to believe.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe build the R-121 solid enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we'll stand behind it the whole way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePatented Offset Ribbon Technology\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-121's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• High SPL Capabilities\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• No internal active electronics to overload or produce distortion up to maximum SPL rating\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extremely low residual noise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon element is not affected by heat or humidity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Absence of high frequency phase distortion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Equal sensitivity from front or back of element\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Consistent frequency response regardless of distance \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-121 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e• Acoustic Operating Principle: Electrodynamic pressure gradient\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polar Pattern: Figure-8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Generating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Magnets: Rare Earth Neodymium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Sensitivity: -50 dBv Re. 1v\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Impedance: 300 Ohms @ 1K (nominal)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rated Load Impedance: \u0026gt;1500 Ohms @ 300 Ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Maximum SPL: \u0026gt;135dB @ 20 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Dimensions: 58mm L, 25mm W (6.13\" L, 1\" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel\/Matte Black Chrome optional\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Royer R-121 Ribbon Microphone\" href=\"http:\/\/www.royerlabs.com\" target=\"_blank\"\u003eNeed more info on the Royer Labs R-121? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42447234302051,"sku":"R121MP","price":5240.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-121-ribbon-microphone-1.jpg?v=1553505438"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/collections\/ribbon.jpg?v=1755561337","url":"https:\/\/www.soundseasy.com.au\/collections\/ribbon-microphones-1.oembed?page=2","provider":"Sounds Easy","version":"1.0","type":"link"}