{"title":"Royer Labs","description":"","products":[{"product_id":"royer-r-121","title":"Royer Labs R-121 Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eThere's rarely a microphone that redefines how we approach recording. This has been the case for the Royer R-121 Ribbon mic. It's an instant classic!  Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/BdsMT46V7Vc\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-121 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eWe did away with the large, heavy, fragile \"classic\" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe R-121 redefined ribbon microphones so completely that Recording Magazine wrote \"...the Royer R-121 is destined to become one of the classic microphones of the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums - you name it, the R-121 will help you record it with realism you have to hear to believe.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe build the R-121 solid enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we'll stand behind it the whole way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePatented Offset Ribbon Technology\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-121's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• High SPL Capabilities\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• No internal active electronics to overload or produce distortion up to maximum SPL rating\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extremely low residual noise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon element is not affected by heat or humidity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Absence of high frequency phase distortion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Equal sensitivity from front or back of element\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Consistent frequency response regardless of distance \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-121 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e• Acoustic Operating Principle: Electrodynamic pressure gradient\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polar Pattern: Figure-8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Generating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Magnets: Rare Earth Neodymium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Sensitivity: -50 dBv Re. 1v\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Impedance: 300 Ohms @ 1K (nominal)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rated Load Impedance: \u0026gt;1500 Ohms @ 300 Ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Maximum SPL: \u0026gt;135dB @ 20 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Dimensions: 58mm L, 25mm W (6.13\" L, 1\" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel\/Matte Black Chrome optional\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.royerlabs.com\" title=\"Royer R-121 Ribbon Microphone\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info on the Royer Labs R-121? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":922419569,"sku":"R121","price":2535.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-121-ribbon-microphone-1.jpg?v=1553505438"},{"product_id":"royer-r-122","title":"Royer Labs R-122 Active Ribbon Microphone","description":"\u003cp class=\"p1\"\u003eGet the worlds first ever active ribbon microphone from the worlds best ribbon microphone manufactures - David Royer.  The R-122 is the world's first phantom powered, active ribbon™ microphone. Its unique electronics package gives the R-122 greater output than standard, non-powered ribbons, and places a perfect impedance load on the ribbon element, greatly expanding the number of preamps the mic operates well with. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/VUIcnFjcZf4\" allowfullscreen=\"allowfullscreen\" height=\"315\" frameborder=\"0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-122 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eBefore the R-122, all ribbon microphones were passive devices. Tracking strings, acoustic guitars, vocals and other quieter sound sources required pre's with a lot of gain and a high input impedance. With the R-122, gain and impedance issues are a thing of the past, letting you use more pre's with great results.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGain\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eConventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources. The R-122 is as sensitive as a condenser microphone, allowing you to use practically any mic preamplifier or board pre's to record even the quietest sounds. The R-122 contains a fully balanced, discrete head amplifier system utilizing a specially wound toroidal transformer and ultra-low noise FET's. This system is extremely quiet, can handle 135 dB SPL, and brings the R-122's sensitivity to 37 dB! Go ahead and plug an R-122 into any preamp with average gain - you'll get full Royer performance and enough level to drive any recording medium.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's higher sensitivity does not create additional self-noise. All of the R-122's increased sensitivity comes from its large, specially wound toroidal transformer - that wonderful thing called \"free gain.\" The phantom powered circuitry provides impedance conversion only, adding no noise of its own.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eImpedance Matching\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's active electronics put a perfect load on the ribbon element at all times, allowing the R-122 to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic pre. Due to its low-impedance output, R-122's can be used on extremely long cable runs with minimal signal loss. In addition, the ribbon element can't be damaged by phantom power, miswired cables or electrical glitches.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePatented Offset Ribbon Technology\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• Phantom powered circuitry provides high output and impedance matching\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• High SPL Capabilities\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• No distortion up to maximum SPL rating\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extremely low residual noise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon element is not affected by heat or humidity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Absence of high frequency phase distortion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Equal sensitivity from front or back of element\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Consistent frequency response regardless of distance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rear side of mic records slightly brighter when three feet or closer to sound source \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-122 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e• Acoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polar Pattern: Figure-8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Generating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Magnets: Rare Earth Neodymium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Sensitivity: -37 dB (referenced 1v\/pa +\/- 2dB)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Self-Noise: \u0026lt; 20 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Impedance: 200 Ohms, balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rated Load Impedance: 1K-Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Maximum SPL: \u0026gt;135dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Connector: Male XLR 3 pin (Pin 2 Hot).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Dimensions: 206mm L X 25mm W (8 1\/8\" L X 1\" W)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Weight: 309 grams (10.9 oz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Finish: Dull Satin Nickel\/Matte Black Chrome optional.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.royerlabs.com\" title=\"Royer R-122 Active Ribbon Microphone\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info on the Royer Labs R-122? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Royer Labs","offers":[{"title":"Default","offer_id":922419565,"sku":"R122","price":3290.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-122-active-ribbon-microphone-1.jpg?v=1553505447"},{"product_id":"royer-sf-2-active-ribbon-microphone","title":"Royer SF-2 Active Ribbon Microphone","description":"\u003cp\u003eThe frequency response of the Royer SF-2 Active Ribbon Microphone is outstanding, regardless of the angle of sound striking the ribbon!  The SF-2's magnet\/pole piece transducer structure gives a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbon element delivers superb transient response. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/XPSpEG8FgBk?list=PL0C5371E36FD3DAD4\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer SF-2 Active PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eThe SF-2 ribbon microphone is a phantom powered version of our original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with our exclusive active electronics for ribbon microphones. The SF-2's output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pre's regardless of gain characteristics. The unique electronics and custom designed FET's used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Our Active Series ribbon mics are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording quieter sound sources like acoustic instruments, vocals, room ambiance, etc. The SF-2 contains a fully balanced, discrete head amplifier system which utilizes a specially wound toroidal transformer and ultra-low noise FET's to deliver a sensitivity of -38 dB. Even with extremely quiet sound sources, you'll have enough level to drive any recording medium.\u003c\/p\u003e\n\u003cp\u003eThe SF-2's electronics create no additional self-noise. All of the SF-2's higher output comes from its large, specially wound toroidal transformer which provides an additional 14 dB of 'free gain.' The phantom powered system operates at less than unity, adding no noise of its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e The electronics in the SF-2 provide a perfect load to the ribbon element at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-2's can be used on extremely long cable runs with minimal signal loss.\u003c\/p\u003e\n\u003cp\u003eA proper impedance match is critical to the performance of ribbon microphones. Impedance mismatching loads a ribbon element improperly, resulting in loss of low end and body, lower sensitivity, and an overall diminished performance. With our Active Series ribbon mics, the ribbon element sees a perfect impedance at all times regardless of the preamp you choose, so its performance is never compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe SF-2 Story\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Twenty prototype SF-2's circulated in major studios and scoring stages for years before the microphone's release. They were extremely well received in classical circles, where they excel on choir, piano, woodwinds, strings and many other applications. They were also well received in studios focusing more on acoustic instruments, singer\/songwriters, etc. We couldn't get most of the prototypes back...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePackaging\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e The SF-2 ships in an aluminum presentation case with an SFS-2 shock mount, mic sock, documentation and manual.\u003c\/p\u003e\n\u003cp\u003eThe optional SF-2 Deluxe packaging includes a beautiful Padauk wood presentation case, a Royer-made 20' microphone cable, a premium RSM-24 shock mount, documentation and manual, all packaged in an aluminum carrying\/storage case.\u003c\/p\u003e\n  \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eHigh SPL capabilities (130 dB @ 70 Hz)\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon element not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion.\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front and back of microphone\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency toroidal transformer and gold plated output connector\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003cli\u003eMatte Black finish reduces reflected light for live and on-camera use\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer SF-2 Active TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eElectrodynamic pressure gradient with active \u003cbr\u003e electronics.\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30 HZ - 15,000 HZ +\/-2db\u003c\/li\u003e\n\u003cli\u003eSensitivity: -38 dBv Ref 1 Volt per Pascal\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 Ohms @ 1khz\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: \u0026gt; 1500 Ohms\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: \u0026gt; 130 dB SPL\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48-Volt Phantom\u003c\/li\u003e\n\u003cli\u003eSupply Current: 4 mA\u003c\/li\u003e\n\u003cli\u003eHigh grade neodymium magnet assembly\u003c\/li\u003e\n\u003cli\u003eStainless steel internal baffle and dampener\u003c\/li\u003e\n\u003cli\u003eWeight: 448 grams (15.8 oz.)\u003c\/li\u003e\n\u003cli\u003eDimensions: 142 mm x 39mm (base) x 25mm (top)\u003c\/li\u003e\n\u003cli\u003eFinish: Matte black\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Royer SF-2 Active Ribbon Microphone\" href=\"http:\/\/www.royerlabs.com\/SF-2.html\" target=\"_blank\"\u003eNeed more info on the Royer SF-2? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Royer Labs","offers":[{"title":"Default","offer_id":3465740100,"sku":"SF2","price":3373.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-sf-2-active-ribbon-microphone-1.jpg?v=1553511711"},{"product_id":"royer-rsm-ss1-sling-shock-microphone-shock-mount","title":"Royer RSM-SS1 Sling-Shock Microphone Shock Mount","description":"\u003cp\u003eThe Royer RSM-SS1 Sling-Shock is a revolutionary departure from traditional shock mount designs - sized to fit the R-121, R-122, R-122V, SF-1 and SF-12 ribbon microphones.  Royer have done away with the rubberized parts and elastic cords, producing a durable shock mount that gives superior isolation from vibrations.  \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/XPSpEG8FgBk?list=PL0C5371E36FD3DAD4\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer RSM-SS1 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eIn the Royer tradition, the Sling-Shock is hand-built in our Burbank, CA facility using only the finest materials.\u003c\/p\u003e\n\u003cp\u003eOur proprietary system of non-resonant nylon cable and damped steel springs acts to isolate the microphone from vibrations induced from the microphone stand. These vibrations can appear as rumble and\/or low-grade noises which create disturbances across the bandwidth, from low end thumps to harmonic disturbances at different frequencies. The Sling-Shock's superior vibration-reduction capabilities and lack of self-resonance allow engineers to capture performances free of vibration-related interference across the bandwidth.\u003c\/p\u003e\n\u003cp\u003eA European stand-adapter is included where applicable, allowing the Sling-Shock to be fitted to European specification microphone stands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSling Shock Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuperior isolation from vibration and shocks\u003c\/li\u003e\n\u003cli\u003eFelt-lined, scratch-free microphone chamber holds mic securely\u003c\/li\u003e\n\u003cli\u003eNo rubberized parts to degrade or stretch\u003c\/li\u003e\n\u003cli\u003eFlexible for easy microphone positioning\u003c\/li\u003e\n\u003cli\u003eLifetime warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer RSM-SS1 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cem\u003eSized to fit the R-121, R-122, R-122V, SF-1 and SF-12 ribbon microphones, but any cylindrical microphone measuring approximately one inch in diameter (+\/- 1\/8 inch) will work with the model RSM-SS1.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Royer RSM-SS1 Sling-Shock Microphone Shock Mount\" href=\"http:\/\/www.royerlabs.com\/sling-shock.html\" target=\"_blank\"\u003eNeed more info on the Royer RSM-SS1? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Royer Labs","offers":[{"title":"Default","offer_id":3466339460,"sku":"SLING","price":460.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/microphone-accessories-royer-rsm-ss1-sling-shock-microphone-shock-mount-1.jpg?v=1553511714"},{"product_id":"royer-labs-r-122v-vacuum-tube-ribbon-microphone","title":"Royer Labs R-122V Vacuum Tube Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe R-122V by Royer Labs is a vacuum tube mono ribbon microphone with a natural figure-8 polar pattern, designed for studio recording. A detailed and beautiful sounding mic, the R-122V excels in any context recording orchestral music and instruments. The R-122V has a vacuum tube that is driven by its included power supply, that offers a high output to the mic-pre. The R-122V ships with a carry case, elegant wooden microphone case, PSU \u0026amp; cable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/TyyQTctihbI\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-122V Features:\u003c\/h2\u003e\n\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003eVacuum tube electronics provide high output capability, optimal impedance to the ribbon element and low output impedance\u003cbr\u003eExtremely low self-noise\u003cbr\u003eEperates from a dedicated power supply\u003cbr\u003eHigh SPL capabilities for electric guitar and percussion instruments\u003cbr\u003eAbsence of high-frequency peaks, \"ringing\" and phase shifts\u003cbr\u003eRibbon element unaffected by impedance\/load, heat or humidity\u003cbr\u003eVery low magnetic leakage\u003cbr\u003eEqual sensitivity from front or back of element\u003cbr\u003eConsistent frequency response regardless of distance\u003cbr\u003eRear side of mic records slightly brighter when three feet or closer to sound source\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003cbr\u003eOrchestral miking, close and distant\u003cbr\u003eStrings - solo \u0026amp; sections\u003cbr\u003eAcoustic Piano, Harp, etc.\u003cbr\u003eElectric Guitar\u003cbr\u003eAcoustic Guitar\u003cbr\u003eVocals, Commercial Broadcast, Voice Over\u003cbr\u003eBrass, Horn Sections\u003cbr\u003eDrum Overheads, Room Miking\u003cbr\u003ePercussion Instruments\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-122V Specifications:\u003c\/h2\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient with vacuum tube electronics.\u003cbr\u003eVacuum Tube: JAN mil-spec 5840W pentode wired in triode configuration\u003cbr\u003ePolar Pattern: Figure-8\u003cbr\u003eGenerating Element: 2.5-micron aluminum ribbon\u003cbr\u003eMagnets: Rare Earth Neodymium\u003cbr\u003eFrequency Response: 30 -15,000 Hz +\/- 3dB\u003cbr\u003eSensitivity: -36 dB (re. 1v\/pa +\/- 1 dB)\u003cbr\u003eSelf-Noise: \u0026lt; 18 dB\u003cbr\u003eOutput Impedance: 200 Ohms, balanced\u003cbr\u003eRated Load Impedance: 1 K-Ohm\u003cbr\u003eMaximum SPL: \u0026gt;135dB SPL @ 20 Hz\u003cbr\u003ePower Requirements: Plate supply: 135 VDC @2ma, Filament supply: 6 VDC@ 150ma from dedicated power supply.\u003cbr\u003eDimensions: 206mm L, 25mm W (8 1\/8 \" L, 1\" W).\u003cbr\u003eWeight: 300g (10.9 oz )\u003cbr\u003eFinish: Dull Satin Nickel\/Matte Black Chrome optional\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/r-122v\/\" target=\"_blank\" title=\"Royer Labs R-122V\"\u003eRoyer Labs R-122V\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32643643076,"sku":"R122V","price":5235.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-122v-vacuum-tube-ribbon-microphone-1.jpg?v=1553517410"},{"product_id":"royer-labs-r-122v-vacuum-tube-ribbon-microphone-matched-pair","title":"Royer Labs R-122V Vacuum Tube Ribbon Microphone (MATCHED PAIR)","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Royer Labs R-122V in nickel is a vacuum tube mono ribbon microphone. Available here as a matched pair. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"box-shadow: 1px 2px 4px rgba(0, 0, 0, .5); padding: 4px; text-align: center;\"\u003eFor more info on the R-122V single, please \u003ca href=\"https:\/\/www.soundseasy.com.au\/products\/royer-labs-r-122v-vacuum-tube-ribbon-microphone\" target=\"_blank\" title=\"Royer Labs R-122V\"\u003eclick here\u003c\/a\u003e.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/TyyQTctihbI\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-122V Product Features:\u003c\/h2\u003e\nThe R-122V ribbon microphone is the world's first vacuum tube ribbon microphone. Originally developed in 2001 as a benchmark for testing R-122 designs against, the unique R-122V has evolved into a world class ribbon microphone with amazing depth and reach in the midrange frequencies and a lush-ness you'll need to hear for yourself to believe.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/r-122v\/\" target=\"_blank\" title=\"Royer Labs R-122V\"\u003eRoyer Labs R-122V\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32643800580,"sku":"R122VMP","price":10599.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-122v-vacuum-tube-ribbon-microphone-matched-pair-1.jpg?v=1553517413"},{"product_id":"royer-labs-sf-12-stereo-ribbon-microphone","title":"Royer Labs SF-12 Stereo Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Royer SF-12 is a stereo ribbon microphone of the highest quality found in professional studios the world over. The SF-12 is commonly used for recording film scores and orchestral ensembles. Of key importance to the design of the SF-12, is that it incorporates 2 x matched ribbon microphones aligned on top of each other in a Blumlien stereo configuration. The SF-12 includes a Y cable, splitting into 2 x XLR three pin connectors for patching into a mic-preamp. The Royer SF-12 has an exceptionally detailed sound, with superb transient response. Be sure to check out some recordings on \u003ca href=\"http:\/\/royerlabs.com\/sf-12-3\/\" target=\"_blank\" title=\"Royer Labs SF-12 Audio \/ Video Demos \"\u003eRoyer Labs website\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vaptCqD4IJI\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs SF-12 Features:\u003c\/h2\u003e\nTrue stereophonic (Blumlein and M-S) recording from one microphone.\u003cbr\u003eHigh SPL capabilities.\u003cbr\u003eNo internal active electronics to overload or produce distortion up to maximum SPL rating.\u003cbr\u003eExtremely low residual noise.\u003cbr\u003eRibbon element not affected by heat or humidity.\u003cbr\u003eAbsence of high frequency phase distortion.\u003cbr\u003eEqual sensitivity from front or back of elements.\u003cbr\u003eConsistent frequency response regardless of distance.\u003cbr\u003eHigh efficiency, matching toroidal transformers.\u003cbr\u003eVery low magnetic leakage.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003cbr\u003eDrum Overheads\u003cbr\u003ePercussion Instruments\u003cbr\u003eBrass and Woodwinds\u003cbr\u003eHorn Sections\u003cbr\u003eAcoustic Piano\u003cbr\u003eHarp\u003cbr\u003eChoirs\u003cbr\u003eSolo Strings\u003cbr\u003eString Sections\u003cbr\u003eOrchestra\u003cbr\u003eAcoustic \u0026amp; Electric Guitars\u003cbr\u003eBackground Vocals\u003cbr\u003eAmbiance\u003cbr\u003eStereo to Mono\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRecording in Mono:\u003c\/strong\u003e \u003cbr\u003ePhase compatibility between the two sides of the SF-12 is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the “sweet spot” of a mono microphone. Either side of the SF-12 can also be used individually as a mono microphone.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs SF-12 Specifications:\u003c\/h2\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient\u003cbr\u003ePolar Pattern: Symmetrical figure-8\u003cbr\u003eGenerating Element: 1.8-micron aluminum ribbon\u003cbr\u003eFrequency Response: 30-15,000 Hz +\/- 3dB\u003cbr\u003eSensitivity: \u0026gt; -52 dBv Re. 1v\/pa\u003cbr\u003eOutput Impedance: 300 Ohms @ 1K (nominal)\u003cbr\u003eRated Load Impedance: \u0026gt;1500 Ohms @ 300 nominal impedance\u003cbr\u003eMaximum SPL: \u0026gt;130dB\u003cbr\u003eOutput Connector: Male XLR 5 pin (stereo*)\u003cbr\u003eDimensions: 206 mm L X 25 mm W (8\" L X 1\" W)\u003cbr\u003eWeight: 369 Grams (13 Oz)\u003cbr\u003eFinish: Matte Black Chrome, Dull Satin Nickel (optional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/sf-12-3\/\" target=\"_blank\" title=\"Royer Labs SF-12\"\u003eRoyer Labs SF-12\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32644240900,"sku":"SF12","price":4565.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-sf-12-stereo-ribbon-microphone-1.jpg?v=1553517421"},{"product_id":"royer-labs-sf-24-stereo-active-ribbon-microphone","title":"Royer Labs SF-24 Stereo Active Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Royer SF-24 is a stereo active ribbon microphone. It is the powered version of the Royer Labs SF-12 - combining the brilliant stereo image and transient response of the SF-12 microphones, with Royer Labs’ exclusive powering system. The SF-24 has a 14dB better sensitivity as a result, making it on par with condenser microphones in terms of output. This opens up many more options for suitable microphone pre-amps. The Royer SF-24 has 2 x ribbon microphones that are aligned in a Blumlein stereo miking configuration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/EjyB1XDzfCs\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs SF-24 Features:\u003c\/h2\u003e\nPhantom powered circuitry provides high output and impedance matching\u003cbr\u003eTrue stereophonic (Blumlein and M-S) recording from one microphone\u003cbr\u003eHigh SPL capabilities\u003cbr\u003eNo distortion up to maximum SPL rating\u0026lt;\u003cbr\u003eExtremely low residual noise\u003cbr\u003eRibbon elements are not affected by heat or humidity\u003cbr\u003eAbsence of high frequency phase distortion\u003cbr\u003eEqual sensitivity from front or back of elements\u003cbr\u003eConsistent frequency response regardless of distance\u003cbr\u003eHigh efficiency, matching toroidal transformers\u003cbr\u003eVery low magnetic leakage\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003cbr\u003eDrum Overheads\u003cbr\u003ePercussion Instruments\u003cbr\u003eBrass and Woodwinds\u003cbr\u003eAcoustic Piano\u003cbr\u003eHarp\u003cbr\u003eChoirs\u003cbr\u003eSolo Strings\u003cbr\u003eString Sections\u003cbr\u003eOrchestra\u003cbr\u003eAcoustic \u0026amp; Electric Guitars\u003cbr\u003eVocal Groups \u003cbr\u003eAmbiance\u003cbr\u003eStereo to Mono\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRecording in Mono:\u003c\/strong\u003e \u003cbr\u003ePhase compatibility between the two sides of the SF-24 is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the “sweet spot” of a mono microphone. Either side of the SF-24 can also be used individually as a mono microphone.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs SF-24 Specifications:\u003c\/h2\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003cbr\u003ePolar Pattern: Crossed figure-8's\u003cbr\u003eGenerating Element: 1.8-micron aluminum ribbon\u003cbr\u003eFrequency Response: 40-15,000 Hz +\/- 2dB\u003cbr\u003eSensitivity: -38 dB (re. 1v\/pa +\/-1dB)\u003cbr\u003eSelf-Noise: \u0026lt; 18 dB\u003cbr\u003eOutput Impedance: 200 Ohms\u003cbr\u003eRated Load Impedance: 1K-Ohm\u003cbr\u003eMaximum SPL: \u0026gt;130dB\u003cbr\u003eOutput Connector: Male XLR 5 pin (stereo*)\u003cbr\u003ePower Requirements: 48-Volt Phantom Only\u003cbr\u003eSupply Current: 4 mA per channel\u003cbr\u003eDimensions: 270mm X 39mm (base) X 25mm (top) (10 5\/8\" X 1.5\" X 1\")\u003cbr\u003eWeight: 583 grams (20.5 oz)\u003cbr\u003eFinish: Optical Black, 18K Gold (optional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/sf-24-3\/\" target=\"_blank\" title=\"Royer Labs SF-24\"\u003eRoyer Labs SF-24\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32644378820,"sku":"SF24","price":6765.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-sf-24-stereo-active-ribbon-microphone-1.jpg?v=1553517423"},{"product_id":"royer-labs-sf-24v-vacuum-tube-stereo-ribbon-microphone","title":"Royer Labs SF-24V Vacuum Tube Stereo Ribbon Microphone","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Royer SF-24V is a vacuum tube stereo ribbon microphone, featuring 2 ribbon’s in a crossed figure-8 configuration. The SF-24V is the pinnacle of Royer’s world class microphone product line. The SF-24V captures a smooth detailed and natural sound, with an extraordinarily accurate stereo image. Being a ribbon mic, the SF-24V has that lovely rich and dark character. The tube section in the SF-24V offers extended clarity in the mid-frequencies too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/GwcdGf2uiuw\" allowfullscreen=\"\" width=\"854\" height=\"480\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs SF-24V Features:\u003c\/h2\u003e\nVacuum tube circuitry provides high output and impedance matching\u003cbr\u003eTrue stereophonic (Blumlein and M-S) recording from one coincident microphone\u003cbr\u003eHigh SPL capabilities\u003cbr\u003eNo distortion up to maximum SPL rating\u003cbr\u003eExtremely low residual noise\u003cbr\u003eRibbon elements are not affected by heat or humidity\u003cbr\u003eAbsence of high frequency phase distortion\u003cbr\u003eEqual sensitivity from front or back of elements\u003cbr\u003eConsistent frequency response regardless of distance\u003cbr\u003eHigh efficiency, matching toroidal transformers\u003cbr\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs SF-24V Specifications:\u003c\/h2\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient with vacuum tube electronics.\u003cbr\u003eVacuum Tube: JAN mil-spec 5840W pentode wired in triode configuration\u003cbr\u003ePolar Pattern: Crossed figure-8's\u003cbr\u003eGenerating Element: 1.8-micron aluminum ribbon\u003cbr\u003eFrequency Response: 30-15,000 Hz +\/- 3dB\u003cbr\u003eSensitivity: -38 dB (re. 1v\/pa +\/-1dB)\u003cbr\u003eSelf-Noise: \u0026lt; 18 dB\u003cbr\u003eOutput Impedance: 450 Ohms @ 1K\u003cbr\u003eRecommended Load Impedance: 1500 Ohms or greater\u003cbr\u003eMaximum SPL: \u0026gt;130dB\u003cbr\u003eMicrophone Output Connector: Male XLR 7 pin (stereo*)\u003cbr\u003ePower Supply Output Connectors: Two Male XLR-3 pin\u003cbr\u003ePower Requirements: Plate supply: 135 VDC @2ma, Filament supply: 6 VDC@ 150ma from dedicated power supply.\u003cbr\u003eSupply Current: 4 mA per channel\u003cbr\u003eMicrophone Dimensions: 270mm X 39mm (base) X 25mm (top) (10 5\/8\"X 1.5\" X 1\")\u003cbr\u003eWeight: 583 grams (20.5 oz)\u003cbr\u003eFinish: Dull Satin Nickel, Optical Black finish optional\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/royerlabs.com\/sf-24v-3\/\" target=\"_blank\" title=\"Royer Labs SF-24V \"\u003eRoyer Labs SF-24V\u003c\/a\u003e?","brand":"Royer Labs","offers":[{"title":"Default","offer_id":32644485892,"sku":"SF24V","price":8450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-sf-24v-vacuum-tube-stereo-ribbon-microphone-1.jpg?v=1553517426"},{"product_id":"royer-r-10-studio-live-ribbon-microphone","title":"Royer Labs R-10 Studio\/Live Ribbon Microphone","description":"\u003c!-- split --\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W4EiPoo1vYo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s 2.5-micron aluminium ribbon element is formed with our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s built-in windscreen provides superior protection from air blasts and plosives. It also reduces the proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. The R-10’s internally shock-mounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You’ll never overload an R-10! The mic’s open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sound\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRoyer ribbon mics are legendary on electric guitar and the R-10 shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favorite EQ unit or plugin.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 is excellent on brass and can handle close-miked trumpets, trombones, and other brass instruments. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments.\u003c\/p\u003e\n\u003cfigure data-mce-fragment=\"1\" class=\"thumbnail wp-caption alignleft\" id=\"attachment_1964\"\u003e\u003ca data-mce-fragment=\"1\" data-rel=\"lightbox\" href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\" data-mce-href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\"\u003e\u003cimg data-mce-fragment=\"1\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\u0026amp;ssl=1 300w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=150%2C84\u0026amp;ssl=1 150w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=768%2C429\u0026amp;ssl=1 768w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=268%2C150\u0026amp;ssl=1 268w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?w=800\u0026amp;ssl=1 800w\" height=\"151\" width=\"270\" alt=\"\" src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\" class=\"size-medium wp-image-1964\" loading=\"lazy\" data-large-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" data-medium-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=300%2C168\u0026amp;ssl=1\" data-image-description=\"\" data-image-title=\"R-10-mount-super-CU2\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\\u00a9 2017 Dana Hursey Photography\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-comments-opened=\"0\" data-orig-size=\"800,447\" data-orig-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" data-permalink=\"https:\/\/royerlabs.com\/r-10\/r-10-mount-super-cu2\/\" data-attachment-id=\"1964\" data-mce-src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\"\u003e\u003c\/a\u003e\n\u003cfigcaption data-mce-fragment=\"1\" class=\"caption wp-caption-text\"\u003eClose up of mount\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDrums are full-bodied with realistic (not over-hyped) transients response, and the R-10’s figure-8 pattern conveys superb ambiance and depth when used for room miking applications. A compressed R-10 in front of the kit sounds huge and punchy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eR-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos, and other stringed instruments are warm and natural and fit into mixes easily. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVocals record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialing in completely different sounds with liberal use of EQ. Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!). Some great vocal performances were recorded on highly EQ’d ribbon mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio\/Video Library\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoyer’s Patented Offset Ribbon Technology\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele, and vocals on the backside (3 feet or closer; phase reversed position). For more information on the R-series transducer design, see https:\/\/www.youtube.com\/watch?v=B-KaSiYYcDU\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":39381173108835,"sku":"R10","price":1010.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/royer-r10-mic.jpg?v=1621324760"},{"product_id":"royer-dbooster2-dual-in-line-signal-booster-di","title":"Royer Labs dBooster2  Dual In-Line Signal Booster \u0026 DI","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster2 is two channels of everything our original dBooster is, PLUS both channels double as high-quality, super clean Di’s for electric guitars and bass! Both channels are fully independent so you can plug in two mics at once or use both channels for DI’s, or mix them up; one side for a mic and the other for DI.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith microphones plugged in, the dBooster2 lets you switch between 12 dB and 20 dB of gain. When using the dBooster2’s DI inputs, you can select 0 dB (unity) gain, or switch to 8 dB of gain if you need more level.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn mic mode, the 20 dB setting gives loads of clean boost for recording softer instruments and singers. For higher volume instruments or loud singers, switch to the 12 dB setting to keep from overloading your preamp or digital interface.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster2’s dual Class A input stages give crystal clean gain with virtually no noise or self-distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster2’s low-impedance output gives optimal performance in the studio and also shines on live stages, driving long cable lengths and difficult loads like mic splitters and vintage-style preamps with no distortion, no loss of gain, and excellent headroom.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster2 gives outstanding performance with Royer R-121s, R-10s and stereo SF-12s, and it brings SM7s and other dynamic mics to life in a way you have to hear to believe.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster2 is built in the USA and ships from our Burbank headquarters.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":39736301518947,"sku":"DB DUAL","price":500.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/royer-dBooster2-front.jpg?v=1643842500"},{"product_id":"royer-r-121-25th-anniversary-distressed-rose","title":"Royer R-121 25th Anniversary Distressed Rose","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eLimited Edition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLimited to 350 total microphones in a Distressed Rose finish with a special, commemorative 25th Anniversary certificate personally signed by David Royer.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":40664490377315,"sku":"R-121","price":2535.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/00ab28_e5503425a790437a823c9935a4c47102_mv2.webp?v=1692066121"},{"product_id":"royer-r-10-hotrod-25th-anniversary-ribbon-microphone","title":"Royer R-10 Hotrod 25th Anniversary Ribbon Microphone","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTo kick off its 25th anniversary celebration, Royer Labs announces the R-10 “Hot Rod” 25th Anniversary microphone—a passive mono ribbon microphone designed for use both in the studio and on live stages. The limited-edition R-10 “Hot Rod” is fitted with a custom Anniversary Edition transformer, has 5dB hotter output than the standard R-10 with a punchier, more open sound characteristic, and comes with a 25th Anniversary trim package that sets it apart from the standard R-10.\u003c\/p\u003e\n\u003cp\u003eLike the original R-10, the R-10 Hot Rod handles extremely high SPLs (160dB @ 1kHz), has an internally shock-mounted ribbon transducer and 3-layer wind screen system that combine to give the ribbon element excellent protection (making it their best choice for live work), features lowered proximity effect that make it a excellent for close miking instruments and singers, and carries a 5-year warranty with the first re-ribbon free.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":40664491851875,"sku":"R-10","price":1129.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/00ab28_70678b9a890b4d2c9118a76ec5f0f04d_mv2.webp?v=1692066219"},{"product_id":"royer-r-10-dbooster-bundle","title":"Royer Labs R-10 \u0026 dBooster Bundle","description":"\u003c!-- split --\u003e\n\u003cp\u003e\u003cstrong\u003eThe Royer R-10 \u0026amp; dBooster Bundle gives you everything you need to get the best results out of you R-10 Ribbon Microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003eRoyer R-10 Ribbon Microphone\u003cspan\u003e \u003c\/span\u003eis a fantastic compact ribbon microphone ideal for the studio or live recording applications where a low profile microphone design is needed. Designed by Royer Labs so you know it's good! If you are recording guitars, brass instruments or drums then the Royer R-10 is the perfect microphone for you! It features a figure-8 pattern ideal when used as a room microphone. The smooth frequency response and low self-distortion make the Royer R-10 ideal for digital studio recordings. The Royer R-10 Ribbon Microphone's offset-ribbon design offers higher SPL handling from the front side of the microphone while offering a brighter response, on lower SPL, sources, from the back. this makes the R-10 a very versatile microphone that can be used in many different applications.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_m5Eb6h7m8Q?si=YNBaavlSvr1q1By6\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRoyer dBooster\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eIn-Line Signal Booster boosts the level of non-powered ribbon or dynamic microphones by 12 dB or 20 dB with virtually no noise or distortion. The 12 dB and 20 dB gain settings allow you to better control the levels hitting your preamp or DAW interface. The 20 dB setting gives loads of clean boost for recording soft instruments and singers, but when your singer is wailing or you use the dBooster on high volume instruments like electric guitar, switch it down to 12 dB to keep from overloading your preamp or digital interface.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OtFDpYc_M6s?si=WmnkeFn4KGyx4jzA\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eRoyer R-10 Ribbon Microphone Bundle Includes\u003c\/h3\u003e\n\u003cul class=\"blst\"\u003e\n\u003cli\u003eRoyer R-10 Ribbon Microphone\u003c\/li\u003e\n\u003cli\u003eRoyer dBooster\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42126411071587,"sku":"R10-DB-BUNDLE","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/royer-r10-bundle.jpg?v=1717727350"},{"product_id":"royer-labs-dbooster-mic-signal-booster","title":"Royer Labs dBooster Mic Signal Booster","description":"\u003ch1\u003e dBooster\u003c\/h1\u003e\n\u003ch2\u003eIn-Line Signal Booster\u003c\/h2\u003e\n\u003cp\u003eThe Royer dBooster is an extraordinary signal booster unlike any other inline lifter, with design and performance specs like the front end of a high-end preamplifier, and a sonic signature that will enable even the most familiar low output passive mics of all flavors to shine like never before.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OtFDpYc_M6s?si=iCfqYhtfW4-Ke2E9\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003edBooster delivers better than double your passive mic’s output; or, with the flick of a button, \u003cem\u003equadruple\u003c\/em\u003e the output!\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch5\u003e\u003cem\u003e* True Class-A input stage\u003c\/em\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cem\u003e* Extreme RF protection\u003c\/em\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cem\u003e* Crystal clear gain with virtually no noise or self-distortion\u003c\/em\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cem\u003e* Enormous amount of headroom – will not break up!\u003c\/em\u003e\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cem\u003e* Low impedance output handles splitter cables and long cable runs beautifully\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/h5\u003e\n\u003cdiv class=\"wrap contentclass\" role=\"document\"\u003e\n\u003cdiv id=\"content\" class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"main col-md-12 kt-nosidebar\" role=\"main\"\u003e\n\u003cdiv class=\"postclass pageclass clearfix entry-content\" temprop=\"mainContentOfPage\"\u003e\n\u003cp\u003eAssembled in the USA, the\u003cstrong\u003e dBooster\u003c\/strong\u003e is simple to use but an audio tech’s dream. It has an internal regulated power supply for true electrical isolation, along with an elaborate actively balanced line driver and a top-notch dual op-amp combination that \u003cstrong\u003eguarantees consistent gain and headroom regardless of the other components in the audio chain\u003c\/strong\u003e\u003cem\u003e.\u003c\/em\u003e Its low-impedance output keeps the audio path pristine for even the most demanding studio and podcasting applications. The \u003cstrong\u003edBooster \u003c\/strong\u003eis also invaluable on live stages, effortlessly driving long cable lengths and difficult loads like mic splitters and vintage-style preamps with zero loss of gain and no increased distortion.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003edBooster – because sonic integrity is a beautiful thing.\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv class=\"wp-block-image\"\u003e\n\u003cfigure class=\"aligncenter size-large\"\u003e\u003cimg decoding=\"async\" width=\"940\" height=\"626\" data-attachment-id=\"4081\" data-permalink=\"https:\/\/royerlabs.com\/dbooster\/dbooster-gtr\/\" data-orig-file=\"https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?fit=1400%2C933\u0026amp;ssl=1\" data-orig-size=\"1400,933\" data-comments-opened=\"0\" data-image-meta='{\"aperture\":\"4\",\"credit\":\"\",\"camera\":\"Canon EOS 5D Mark III\",\"caption\":\"\",\"created_timestamp\":\"1553099750\",\"copyright\":\"\",\"focal_length\":\"70\",\"iso\":\"8000\",\"shutter_speed\":\"0.0125\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"dBooster-gtr\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?fit=300%2C200\u0026amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?fit=940%2C626\u0026amp;ssl=1\" src=\"https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?resize=940%2C626\u0026amp;ssl=1\" alt=\"\" class=\"wp-image-4081\" srcset=\"https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?resize=1024%2C682\u0026amp;ssl=1 1024w, https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?resize=300%2C200\u0026amp;ssl=1 300w, https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?resize=150%2C100\u0026amp;ssl=1 150w, https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?resize=768%2C512\u0026amp;ssl=1 768w, https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?resize=400%2C267\u0026amp;ssl=1 400w, https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?resize=272%2C182\u0026amp;ssl=1 272w, https:\/\/i0.wp.com\/royerlabs.com\/wp-content\/uploads\/2024\/05\/dBooster-gtr.jpg?w=1400\u0026amp;ssl=1 1400w\" sizes=\"(max-width: 940px) 100vw, 940px\" data-recalc-dims=\"1\"\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfooter id=\"containerfooter\" class=\"footerclass\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-4 footercol1\"\u003e\n\u003cdiv class=\"widget-1 widget-first footer-widget\"\u003e\n\u003caside id=\"nav_menu-3\" class=\"widget widget_nav_menu\"\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/footer\u003e\u003c!----\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42126608662627,"sku":"DB LINE","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/royer-dbooster.jpg?v=1717728249"},{"product_id":"royer-r-10-amp-dbooster2-stereo-bundle","title":"Royer R-10  dBooster2 Stereo Bundle","description":"\u003ch2\u003eThe Royer R-10 \u0026amp; dBooster2 Stereo Bundle is a perfect bundle for your stereo recording projects. Featuring a matched pair of Royer R-10 Microphones and a Royer dBooster2 Dual In-Line Signal Booster this bundle give you everything you need to get recording with you ribbon microphone setup.\u003c\/h2\u003e\n\u003cp\u003eThe Royer R-10 Ribbon Microphone is a perfect choice for electric guitars, brass instruments and drums, and its figure-8 pattern conveys superb ambience and depth when used for room miking applications. The R-10's smooth frequency response, phase linearity and lack of self-distortion make it ideal for digital recording. The R-10  incorporates Royer's patented offset-ribbon technology and low mass, 2.5-micron (99.9% pure) aluminum ribbon element. A custom designed impedance-matching transformer minimizes saturation and the open grill configuration minimizes standing waves and associated comb-filtering effects. The transducer's flux-frame design and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. The Royer R-10 Ribbon Microphone's patented offset-ribbon design positions the ribbon element towards the front of the transducer, which allows for the higher SPL handling of the front (logo) side and the option of a brighter response when recording lower SPL sound sources on the back side (3 feet or closer; phase reversed position).\u003c\/p\u003e\n\u003cp\u003eThe Royer dBooster2 Dual In-Line Signal Booster is two channels of everything the original dBooster is, PLUS both channels double as high-quality, super clean Di’s for electric guitars and bass! Both channels are fully independent so you can plug in two mics at once or use both channels for DI’s, or mix them up; one side for a mic and the other for DI. With microphones plugged in, the dBooster2 lets you switch between 12 dB and 20 dB of gain. When using the dBooster2’s DI inputs, you can select 0 dB (unity) gain, or switch to 8 dB of gain if you need more level. In mic mode, the 20 dB setting gives loads of clean boost for recording softer instruments and singers. For higher volume instruments or loud singers, switch to the 12 dB setting to keep from overloading your preamp or digital interface. The dBooster2’s dual Class A input stages give crystal clean gain with virtually no noise or self-distortion. The dBooster2’s low-impedance output gives optimal performance in the studio and also shines on live stages, driving long cable lengths and difficult loads like mic splitters and vintage-style preamps with no distortion, no loss of gain, and excellent headroom. The dBooster2 gives outstanding performance with Royer R-121s, R-10s and stereo SF-12s, and it brings SM7s and other dynamic mics to life in a way you have to hear to believe.\u003c\/p\u003e\n\u003ch3\u003eRoyer R-10 \u0026amp; dBooster2 Stereo Bundle Includes\u003c\/h3\u003e\n\u003cul class=\"blst\"\u003e\n\u003cli\u003eRoyer R-10 Ribbon Microphone (Factory Matched)\u003c\/li\u003e\n\u003cli\u003edBooster2 Dual In-Line Signal Booster\u003c\/li\u003e\n\u003cli\u003e2x Adjustable Swivel Mount\u003c\/li\u003e\n\u003cli\u003eOne Carrying Case\u003c\/li\u003e\n\u003cli\u003eFive Year Warranty, First re-ribbon free in first year\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42126832369763,"sku":"R10-MP-DB2","price":2399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/royer-labs-r10-mp-bundle.jpg?v=1717731866"},{"product_id":"royer-labs-r-10mp-studio-live-ribbon-microphone-matched-pair","title":"Royer Labs R-10MP Studio\/Live Ribbon Microphone Matched Pair","description":"\u003ch1\u003eRoyer Labs R-10MP Studio\/Live Ribbon Microphone Matched Pair\u003c\/h1\u003e\n\u003c!-- split --\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W4EiPoo1vYo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s 2.5-micron aluminium ribbon element is formed with our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s built-in windscreen provides superior protection from air blasts and plosives. It also reduces the proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. The R-10’s internally shock-mounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You’ll never overload an R-10! The mic’s open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sound\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRoyer ribbon mics are legendary on electric guitar and the R-10 shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favorite EQ unit or plugin.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 is excellent on brass and can handle close-miked trumpets, trombones, and other brass instruments. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments.\u003c\/p\u003e\n\u003cfigure id=\"attachment_1964\" class=\"thumbnail wp-caption alignleft\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\" data-rel=\"lightbox\" data-mce-href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\" data-mce-fragment=\"1\"\u003e\u003cimg data-attachment-id=\"1964\" data-permalink=\"https:\/\/royerlabs.com\/r-10\/r-10-mount-super-cu2\/\" data-orig-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" data-orig-size=\"800,447\" data-comments-opened=\"0\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\\u00a9 2017 Dana Hursey Photography\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"R-10-mount-super-CU2\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=300%2C168\u0026amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" loading=\"lazy\" class=\"size-medium wp-image-1964\" src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\" alt=\"\" width=\"270\" height=\"151\" srcset=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\u0026amp;ssl=1 300w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=150%2C84\u0026amp;ssl=1 150w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=768%2C429\u0026amp;ssl=1 768w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=268%2C150\u0026amp;ssl=1 268w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?w=800\u0026amp;ssl=1 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-mce-src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\n\u003cfigcaption class=\"caption wp-caption-text\" data-mce-fragment=\"1\"\u003eClose up of mount\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDrums are full-bodied with realistic (not over-hyped) transients response, and the R-10’s figure-8 pattern conveys superb ambiance and depth when used for room miking applications. A compressed R-10 in front of the kit sounds huge and punchy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eR-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos, and other stringed instruments are warm and natural and fit into mixes easily. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVocals record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialing in completely different sounds with liberal use of EQ. Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!). Some great vocal performances were recorded on highly EQ’d ribbon mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio\/Video Library\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoyer’s Patented Offset Ribbon Technology\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele, and vocals on the backside (3 feet or closer; phase reversed position). For more information on the R-series transducer design, see https:\/\/www.youtube.com\/watch?v=B-KaSiYYcDU\u003c\/p\u003e\n\u003c!----\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42447032778851,"sku":"R10MP","price":2110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/RoyerR10MPFrontView.png?v=1719271426"},{"product_id":"royer-labs-r-121-ribbon-microphone-copy","title":"Royer Labs R-121 Ribbon Microphone Matched Pair","description":"\u003c!-- split --\u003e\n\u003ch1 class=\"p1\"\u003eRoyer Labs R-121 Ribbon Microphone Matched Pair\u003c\/h1\u003e\n\u003cp class=\"p1\"\u003eThere's rarely a microphone that redefines how we approach recording. This has been the case for the Royer R-121 Ribbon mic. It's an instant classic!  Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab1\" class=\"active\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab1\" class=\"active\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/BdsMT46V7Vc\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-121 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eWe did away with the large, heavy, fragile \"classic\" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe R-121 redefined ribbon microphones so completely that Recording Magazine wrote \"...the Royer R-121 is destined to become one of the classic microphones of the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums - you name it, the R-121 will help you record it with realism you have to hear to believe.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe build the R-121 solid enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we'll stand behind it the whole way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePatented Offset Ribbon Technology\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-121's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• High SPL Capabilities\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• No internal active electronics to overload or produce distortion up to maximum SPL rating\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extremely low residual noise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon element is not affected by heat or humidity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Absence of high frequency phase distortion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Equal sensitivity from front or back of element\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Consistent frequency response regardless of distance \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-121 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e• Acoustic Operating Principle: Electrodynamic pressure gradient\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polar Pattern: Figure-8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Generating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Magnets: Rare Earth Neodymium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Sensitivity: -50 dBv Re. 1v\/pa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Impedance: 300 Ohms @ 1K (nominal)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rated Load Impedance: \u0026gt;1500 Ohms @ 300 Ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Maximum SPL: \u0026gt;135dB @ 20 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Dimensions: 58mm L, 25mm W (6.13\" L, 1\" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel\/Matte Black Chrome optional\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Royer R-121 Ribbon Microphone\" href=\"http:\/\/www.royerlabs.com\" target=\"_blank\"\u003eNeed more info on the Royer Labs R-121? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42447234302051,"sku":"R121MP","price":5240.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-121-ribbon-microphone-1.jpg?v=1553505438"},{"product_id":"royer-labs-r-122-active-ribbon-microphone-copy","title":"Royer Labs R-122 Active Ribbon Microphone Matched Pair","description":"\u003cp class=\"p1\"\u003eGet the worlds first ever active ribbon microphone from the worlds best ribbon microphone manufactures - David Royer.  The R-122 is the world's first phantom powered, active ribbon™ microphone. Its unique electronics package gives the R-122 greater output than standard, non-powered ribbons, and places a perfect impedance load on the ribbon element, greatly expanding the number of preamps the mic operates well with. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/VUIcnFjcZf4\" allowfullscreen=\"allowfullscreen\" height=\"315\" frameborder=\"0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer Labs R-122 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eBefore the R-122, all ribbon microphones were passive devices. Tracking strings, acoustic guitars, vocals and other quieter sound sources required pre's with a lot of gain and a high input impedance. With the R-122, gain and impedance issues are a thing of the past, letting you use more pre's with great results.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGain\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eConventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources. The R-122 is as sensitive as a condenser microphone, allowing you to use practically any mic preamplifier or board pre's to record even the quietest sounds. The R-122 contains a fully balanced, discrete head amplifier system utilizing a specially wound toroidal transformer and ultra-low noise FET's. This system is extremely quiet, can handle 135 dB SPL, and brings the R-122's sensitivity to 37 dB! Go ahead and plug an R-122 into any preamp with average gain - you'll get full Royer performance and enough level to drive any recording medium.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's higher sensitivity does not create additional self-noise. All of the R-122's increased sensitivity comes from its large, specially wound toroidal transformer - that wonderful thing called \"free gain.\" The phantom powered circuitry provides impedance conversion only, adding no noise of its own.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eImpedance Matching\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's active electronics put a perfect load on the ribbon element at all times, allowing the R-122 to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic pre. Due to its low-impedance output, R-122's can be used on extremely long cable runs with minimal signal loss. In addition, the ribbon element can't be damaged by phantom power, miswired cables or electrical glitches.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePatented Offset Ribbon Technology\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe R-122's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• Phantom powered circuitry provides high output and impedance matching\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• High SPL Capabilities\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• No distortion up to maximum SPL rating\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extremely low residual noise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ribbon element is not affected by heat or humidity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Absence of high frequency phase distortion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Equal sensitivity from front or back of element\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Consistent frequency response regardless of distance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rear side of mic records slightly brighter when three feet or closer to sound source \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer Labs R-122 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e• Acoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polar Pattern: Figure-8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Generating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Magnets: Rare Earth Neodymium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Sensitivity: -37 dB (referenced 1v\/pa +\/- 2dB)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Self-Noise: \u0026lt; 20 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Impedance: 200 Ohms, balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rated Load Impedance: 1K-Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Maximum SPL: \u0026gt;135dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output Connector: Male XLR 3 pin (Pin 2 Hot).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Dimensions: 206mm L X 25mm W (8 1\/8\" L X 1\" W)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Weight: 309 grams (10.9 oz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Finish: Dull Satin Nickel\/Matte Black Chrome optional.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.royerlabs.com\" title=\"Royer R-122 Active Ribbon Microphone\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info on the Royer Labs R-122? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Royer Labs","offers":[{"title":"Default","offer_id":42447235907683,"sku":"R122MP","price":6595.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/ribbon-mics-royer-labs-r-122-active-ribbon-microphone-1.jpg?v=1553505447"},{"product_id":"royer-sf-2-active-ribbon-microphone-matched-pair","title":"Royer SF-2 Active Ribbon Microphone Matched Pair","description":"\u003ch1\u003eRoyer SF-2 Active Ribbon Microphone Matched Pair\u003c\/h1\u003e\n\u003cp\u003eThe frequency response of the Royer SF-2 Active Ribbon Microphone is outstanding, regardless of the angle of sound striking the ribbon!  The SF-2's magnet\/pole piece transducer structure gives a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbon element delivers superb transient response. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/XPSpEG8FgBk?list=PL0C5371E36FD3DAD4\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRoyer SF-2 Active PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eThe SF-2 ribbon microphone is a phantom powered version of our original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with our exclusive active electronics for ribbon microphones. The SF-2's output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pre's regardless of gain characteristics. The unique electronics and custom designed FET's used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOur Active Series ribbon mics are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording quieter sound sources like acoustic instruments, vocals, room ambiance, etc. The SF-2 contains a fully balanced, discrete head amplifier system which utilizes a specially wound toroidal transformer and ultra-low noise FET's to deliver a sensitivity of -38 dB. Even with extremely quiet sound sources, you'll have enough level to drive any recording medium.\u003c\/p\u003e\n\u003cp\u003eThe SF-2's electronics create no additional self-noise. All of the SF-2's higher output comes from its large, specially wound toroidal transformer which provides an additional 14 dB of 'free gain.' The phantom powered system operates at less than unity, adding no noise of its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe electronics in the SF-2 provide a perfect load to the ribbon element at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-2's can be used on extremely long cable runs with minimal signal loss.\u003c\/p\u003e\n\u003cp\u003eA proper impedance match is critical to the performance of ribbon microphones. Impedance mismatching loads a ribbon element improperly, resulting in loss of low end and body, lower sensitivity, and an overall diminished performance. With our Active Series ribbon mics, the ribbon element sees a perfect impedance at all times regardless of the preamp you choose, so its performance is never compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe SF-2 Story\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTwenty prototype SF-2's circulated in major studios and scoring stages for years before the microphone's release. They were extremely well received in classical circles, where they excel on choir, piano, woodwinds, strings and many other applications. They were also well received in studios focusing more on acoustic instruments, singer\/songwriters, etc. We couldn't get most of the prototypes back...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePackaging\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe SF-2 ships in an aluminum presentation case with an SFS-2 shock mount, mic sock, documentation and manual.\u003c\/p\u003e\n\u003cp\u003eThe optional SF-2 Deluxe packaging includes a beautiful Padauk wood presentation case, a Royer-made 20' microphone cable, a premium RSM-24 shock mount, documentation and manual, all packaged in an aluminum carrying\/storage case.\u003c\/p\u003e\n  \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eHigh SPL capabilities (130 dB @ 70 Hz)\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon element not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion.\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front and back of microphone\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency toroidal transformer and gold plated output connector\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003cli\u003eMatte Black finish reduces reflected light for live and on-camera use\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRoyer SF-2 Active TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eElectrodynamic pressure gradient with active \u003cbr\u003eelectronics.\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30 HZ - 15,000 HZ +\/-2db\u003c\/li\u003e\n\u003cli\u003eSensitivity: -38 dBv Ref 1 Volt per Pascal\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 Ohms @ 1khz\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: \u0026gt; 1500 Ohms\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: \u0026gt; 130 dB SPL\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48-Volt Phantom\u003c\/li\u003e\n\u003cli\u003eSupply Current: 4 mA\u003c\/li\u003e\n\u003cli\u003eHigh grade neodymium magnet assembly\u003c\/li\u003e\n\u003cli\u003eStainless steel internal baffle and dampener\u003c\/li\u003e\n\u003cli\u003eWeight: 448 grams (15.8 oz.)\u003c\/li\u003e\n\u003cli\u003eDimensions: 142 mm x 39mm (base) x 25mm (top)\u003c\/li\u003e\n\u003cli\u003eFinish: Matte black\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca title=\"Royer SF-2 Active Ribbon Microphone\" href=\"http:\/\/www.royerlabs.com\/SF-2.html\" target=\"_blank\"\u003eNeed more info on the Royer SF-2? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default","offer_id":42448981950563,"sku":"SF2MP","price":6927.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/royer-labs-sf2-pair_53760_1_1_480x480_8a966647-75eb-4df8-9a07-db6924c2d0e4.webp?v=1719295477"},{"product_id":"royer-labs-rsm-ss251-sling-shot-mount","title":"Royer Labs RSM-SS251 Sling Shot Mount","description":"\u003ch1\u003eRoyer Labs RSM-SS251 Sling Shot Mount\u003c\/h1\u003e\n\u003cp\u003eThe RSM-SS251 Sling-Shock was designed to fit certain iconic microphones that have long been plagued by traditional shock mount issues – stretched saggy cabling, loose fits that invite falls, and unreliable long-term service due to degraded rubberized parts. The RSM-SS251 does away with these problems permanently, while giving your precious classic a secure hold with superior isolation and flexibility in positioning.\u003c\/p\u003e\n\u003cp\u003eThe Sling-Shock (Patent No. 8,571,250) represents a major step forward in shock mount systems. With NO rubber parts or elasticized cables that often fail and need replacing, the Sling-Shock provides superior isolation from shocks, vibrations and self-resonance while holding the microphone securely. It’s built Royer-solid and comes with a lifetime warranty. For more information on Sling-Shocks, see\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/royerlabs.com\/accessories\/sling-shock\/\"\u003ehttps:\/\/royerlabs.com\/accessories\/sling-shock\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe felt lining in the RSM-SS251’s mic chamber protects the finish of your classic microphone and allows for a snug, no-scratch fit.\u003c\/p\u003e\n\u003cp\u003eThe RSM-SS251’s chamber accommodates microphones approximately two inches (50mm) in diameter.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/royerlabs.com\/sling-shock-rsm-ss251\/#ss251list\"\u003e\u003cstrong\u003e\u003cu\u003eList of microphones the RSM-SS251 fits.\u003c\/u\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSling Shock Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e– Superior isolation from vibration, shock and rumble\u003c\/p\u003e\n\u003cp\u003e– Lack of self-resonance on high SPL applications\u003c\/p\u003e\n\u003cp\u003e– Felt-lined, scratch-free microphone chamber holds mic securely\u003c\/p\u003e\n\u003cp\u003e– No rubberized parts to degrade or stretch\u003c\/p\u003e\n\u003cp\u003e– Built in microphone cable clip minimizes cable-related vibration\u003c\/p\u003e\n\u003cp\u003e– Flexible for easy microphone positioning\u003c\/p\u003e\n\u003cp\u003e– Lifetime warranty\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ch1pQ6MfA1c?si=Sx0lyxZBrzYEseEa\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42449058103395,"sku":"SLING251","price":590.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/Untitled-8.jpg?v=1719295966"},{"product_id":"royer-r-121-matched-pair-25th-anniversary-distressed-rose","title":"Royer R-121 Matched Pair 25th Anniversary Distressed Rose","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMATCHED PAIR\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLimited to 350 total microphones in a Distressed Rose finish with a special, commemorative 25th Anniversary certificate personally signed by David Royer.\u003c\/p\u003e\n\u003cp\u003eYes, the R-121 is 25 years old this year! The R-121 25th Anniversary model celebrates the R-121’s legacy with a unique, limited edition “Distressed Rose” finish that gives a variety of looks, from a dark bourbon color in lower studio lighting and onstage to a rich rose color in brighter light. We would not, could not modify the classic R-121’s design and function, but this stunning finish is our way of letting everyone in on the 25th Anniversary party! There will be 500 R-121 Distressed Roses made, no more.\u003c\/p\u003e\n\u003cp\u003eReleased in 1998, the R-121 was the first radically different modern ribbon microphone, singlehandedly creating the great ribbon microphone resurgence that is still growing and going strong today. The R-121 is a staple on electric guitars around the world and is also one of the finest brass mics available, along with drum rooms, kick drums, piano, snare drum, acoustic guitar, violin, all percussion, harp, cello… the list goes on and on. When you want to record an instrument as naturally as possible, you reach for an R-121. \u003c\/p\u003e\n\u003cp\u003eWhether you plan to use it every day or keep it safe as a collectible, the R-121 Distressed Rose will be one of the coolest looking, best sounding mics you’ll ever own.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42641231904867,"sku":"R121MP","price":5199.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/25th-anniversary-R-121-matched-pair.jpg?v=1723163675"},{"product_id":"royer-flexbar-dual-microphone-utility-mount","title":"Royer FlexBar Dual microphone utility mount","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDual microphone utility mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe FlexBar is a universal microphone holder designed to hold two microphones on a single microphone stand, with additional flexibility far beyond traditional stereo bar capabilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConstructed from aircraft-grade aluminum and finished in matte-black, the FlexBar is lightweight and handles most microphone types. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnlike traditional stereo bars, the FlexBar’s two movable arms provide a wide range of mic placement options, from the traditional Blumlein and spaced pair positions to however creative you want to get with it. Each arm has engraved gradient markers in centimeters, for precise repeatable distancing of the microphones.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe FlexBar was designed in conjunction with Triad-Orbit and accepts all Triad-Orbit accessories.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":43044212768867,"sku":"FLEX","price":305.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/00ab28_010d7a31b90741c5a67a9e1bba3c957b_mv2_png.webp?v=1711510711"},{"product_id":"royer-r12-active-ribbon-microphone","title":"Royer R-12 Active Ribbon Microphone","description":"\u003c!-- split --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003e\u003cstrong\u003eR-12 Active Ribbon Microphone\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cem\u003e \u003cstrong\u003eThe legacy continues…\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003eIdeal for both studio recording and live sound applications, the Royer R-12 active ribbon microphone delivers outstanding performance on electric and acoustic stringed instruments, vocals, brass, pianos and organs, as well as drums and percussion instruments at an easily affordable price point.\u003c\/p\u003e\n\u003cp\u003eThe R-12 is capable of extremely natural sound acquisition, making the microphone an exceptional choice for capturing an audio source just like it sounds to the ear with extraordinary sonic accuracy. Royer ribbons have always been known for their ability to deliver a warm sound capable of capturing the elusive nuances of the original performance. R-12 takes this capability to the next level.\u003c\/p\u003e\n\u003cp\u003eOf particular note, the R-12 uses the same 2.5 micron ribbon element found in the company’s legendary R-121 microphone. This feature delivers Royer’s well-known high SPL (Sound Pressure Level) capabilities measured at 160dB @ 1kHz. With its switchable -15dB pad, the R-12 can deliver excellent headroom for louder program material such as drums and dimed electric guitars. This important feature eliminates any potential for headroom-related distortion on even the loudest sound sources.\u003c\/p\u003e\n\u003cp\u003eAnother notable feature of the new R-12 microphone is its onboard active electronic circuitry, which significantly increases output level for quieter sound sources such as acoustic instruments and vocals. R-12’s active electronics consistently put a perfect load on the ribbon element, enabling the microphone to deliver its full sonic potential.\u003c\/p\u003e\n\u003cp\u003eThe R-12 is also outfitted with a switchable High Pass filter precisely tuned to reduce low end proximity buildup, making this microphone a perfect choice for capturing louder vocal performances and close-miking of instruments and loudspeaker cabinets.\u003c\/p\u003e\n\u003cp\u003eCompleting its rich feature set, the R-12 houses an internally shock-mounted ribbon transducer, which helps to protect the ribbon element while also reducing handling noise. Combined with its built-in triple-layer wind screen, the microphone’s ribbon is effectively protected against plosives and other wind-related noise.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mbybz1TqNrY?si=daUOvaNF1PwCzQN4\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eR-12 FEATURES\u003c\/h2\u003e\n\u003cp\u003e• Same ribbon element as the R-121\u003c\/p\u003e\n\u003cp\u003e• Internal transducer shock mount\u003c\/p\u003e\n\u003cp\u003e• Built-in triple layer windscreen\u003c\/p\u003e\n\u003cp\u003e• 15dB Pad and high pass filter switches\u003c\/p\u003e\n\u003cp\u003e• Comes with a mic mount and hard-shell carrying case.\u003c\/p\u003e\n\u003cp\u003e• Available in matched pairs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eRECOMMENDED APPLICATIONS\u003c\/h2\u003e\n\u003cp\u003e• Close miking in the studio and on live stages\u003c\/p\u003e\n\u003cp\u003e• Electric \u0026amp; acoustic guitars\u003c\/p\u003e\n\u003cp\u003e• Drum overheads, kick drum (see manual for position), room miking\u003c\/p\u003e\n\u003cp\u003e• Percussion instruments\u003c\/p\u003e\n\u003cp\u003e• Brass, horn sections\u003c\/p\u003e\n\u003cp\u003e• Strings - solo \u0026amp; sections\u003c\/p\u003e\n\u003cp\u003e• Acoustic piano\u003c\/p\u003e\n\u003cp\u003e• Vocals\u003c\/p\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cp\u003eAcoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003c\/p\u003e\n\u003cp\u003ePolar Pattern:  Figure-8\u003c\/p\u003e\n\u003cp\u003eGenerating Element:  2.5-micron aluminum ribbon\u003c\/p\u003e\n\u003cp\u003eMagnets:  Rare Earth Neodymium (Grade 52)\u003c\/p\u003e\n\u003cp\u003eFrequency Response:  30 – 15,000Hz +\/- 3dB\u003c\/p\u003e\n\u003cp\u003eSensitivity:  -36dB (re. 1V\/pa)\u003c\/p\u003e\n\u003cp\u003eSwitchable Pad:  -15dB\u003c\/p\u003e\n\u003cp\u003eSwitchable Bass Cut:  100Hz (6dB per octave)\u003c\/p\u003e\n\u003cp\u003eSelf-Noise:  \u0026lt; 16dB\u003c\/p\u003e\n\u003cp\u003eOutput Impedance: 200 ohms, balanced\u003c\/p\u003e\n\u003cp\u003eOutput Connector:  Male XLR 3-pin (Pin-2 hot)\u003c\/p\u003e\n\u003cp\u003eRated Load Impedance: 1k-Ohms, minimum\u003c\/p\u003e\n\u003cp\u003eMaximum SPL:  \u0026gt; 160dB @ 1kHz, \u0026gt; 135dB @ 30Hz\u003c\/p\u003e\n\u003cp\u003ePower Requirements:  48-Volt Phantom Power\u003c\/p\u003e\n\u003cp\u003eSupply Current:  4mA\u003c\/p\u003e\n\u003cp\u003eDimensions: Length including mounting base: 8 1\/4” (209.5mm) x 1 3\/8” (35mm)\u003c\/p\u003e\n\u003cp\u003eWeight: 462 grams (16.3oz)\u003c\/p\u003e\n\u003cp\u003eAccessories:  Microphone Holder, Mic Sock, Carrying Case\u003c\/p\u003e\n\u003cp\u003eMicrophone Warranty:  10-year full warranty coverage on materials, workmanship, and finishes to the original owner.   \u003c\/p\u003e\n\u003cp\u003eRibbon Element Warranty:  First re-ribbon free to the original owner within one year of purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":43471135965283,"sku":"R-12","price":1521.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/files\/R-12-with-mount-and-switches.jpg?v=1750320203"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/collections\/ROYER-LABS-LOGO.jpg?v=1568181652","url":"https:\/\/www.soundseasy.com.au\/collections\/royer-labs.oembed","provider":"Sounds Easy","version":"1.0","type":"link"}