{"title":"SEF-RME","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eTake advantage of the \u003cstrong data-start=\"130\" data-end=\"148\"\u003eRME Flash Sale\u003c\/strong\u003e at \u003cem data-start=\"152\" data-end=\"165\"\u003eSounds Easy\u003c\/em\u003e! For a limited time, score huge savings on world-class audio interfaces, converters, and professional recording solutions. Renowned for their rock-solid drivers, pristine sound quality, and reliability, RME gear is the top choice for studios, live engineers, and creators. Limited stock—shop now before the deals are gone!\u003c\/p\u003e","products":[{"product_id":"rme-mrc-multi-remote-control-for-adi-2-audio-interfaces","title":"RME MRC (Multi-Remote-Control) for ADI-2 Audio Interfaces","description":"\u003c!-- split --\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eNew extended Multi-Remote Support (MRC)\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ADI-2 DAC FS and ADI-2 Pro FS R Black Edition come with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labelled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe MRC remote control provides buttons for standby on\/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on\/off loudness, bass\/treble and EQ. In addition, there are four programmable buttons that provide access to up to 52 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control!\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":39953322901603,"sku":"SEF-RMEMRC","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/RMEMLC.jpg?v=1658792741"},{"product_id":"rme-digiface-ravenna","title":"RME Digiface Ravenna 256-Channel 192 kHz mobile USB Interface","description":"\u003c!-- split --\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RAVENNA Audio-over-IP protocol can be used in existing networks without the need for specialised routers or network switches. Compatible with AES67, RAVENNA enables uncompressed transmission of digital audio signals with low latency over long distances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned to support the growing popularity and presence of RAVENNA solutions in the professional audio sector, RME's compact Digiface Ravenna USB 3.0 interface adds an external option for fully mobile operation to the stationary RAVENNA solutions currently available.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Digiface Ravenna can be powered via an external power supply (for standalone operation), or via USB bus power.\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRAVENNA \u0026amp; MADI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThanks to the integration of RME's renowned MADI drivers (Mac\/Windows), the Digiface Ravenna offers, in addition to the 128 RAVENNA channels, the transmission of up to 64 MADI channels via USB 3.0. For this feature, both of the Word Clock I\/O BNC connectors can be switched to MADI I\/O.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe sum of 128 Ravenna and MADI channels can be easily controlled via the included RAVENNA web server, as well as the DSP-based RME TotalMix FX mixer, with its comprehensive routing and monitoring options. Among other features, TotalMix FX allows creating independent sub mixes according to the number of available outputs.\u003c\/p\u003e\n\u003cp\u003eOn the network side, the Digiface Ravenna has four freely configurable network ports that can be used multifunctionally as inputs and outputs, as a network switch, or for safe redundancy operation.\u003c\/p\u003e\n\u003cp\u003eIn addition, the interface can also be used as a mobile 64-channel RAVENNA\/MADI converter, without a USB connection to a computer.\u003c\/p\u003e\n\u003cp\u003eDirectOut's RAVENNA module features a full-fledged RAVENNA stack, with support for AES67, ST 2110-30 \/ ST 2110-31, redundant audio-over-IP streaming as per ST2022-7, NMOS IS-04 \/ IS-05, as well as browser GUI and globcon control.\u003cbr\u003e\u003cbr\u003eIn addition to its USB 3.0 port, RAVENNA network ports, word clock I\/O and power supply connector, the Digiface Ravenna also features a high-quality headphone monitoring output, which can also be used as an unbalanced stereo line output if needed.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eGigabit Ethernet Port\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRJ45\u003c\/li\u003e\n\u003cli\u003e100 Mbit\/s, 1 Gbit\/s\u003c\/li\u003e\n\u003cli\u003eStandard port LEDs: yellow connected, green data transmission\u003c\/li\u003e\n\u003cli\u003eSupports straight and crossover cables (Auto MDI-X)\u003c\/li\u003e\n\u003cli\u003eNetwork-based remote control of the unit (TotalMix Remote)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eRAVENNA Modul\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupports RAVENNA, AES67, ST\u003ctcxspan tcxhref=\"tel:21103031\" title=\"Call  2110-30 \/ -31, with 3CX Click to Call\"\u003e 2110-30 \/ -31,\u003c\/tcxspan\u003e ST 2022-7\u003c\/li\u003e\n\u003cli\u003eNetwork Layer 3\u003c\/li\u003e\n\u003cli\u003eModes: Switched and Redundancy according to ST 2022-7\u003c\/li\u003e\n\u003cli\u003e32 streams\u003c\/li\u003e\n\u003cli\u003e128 channels Single Speed, 64 channels Double Speed, 32 channels Quad Speed\u003c\/li\u003e\n\u003cli\u003eClock sources: PTP, Internal\u003c\/li\u003e\n\u003cli\u003eSample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, +\/-12.5 %\u003c\/li\u003e\n\u003cli\u003eRouting: Channel-based routing matrix\u003c\/li\u003e\n\u003cli\u003eConfiguration: Browser GUI, globcon control, NMOS IS-04 \/ IS-05\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMADI Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial via BNC, 75 Ohm, according to AES10-1991\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.2 Vpp)\u003c\/li\u003e\n\u003cli\u003eAccepts 56 channel and 64 channel mode, plus 96k Frame\u003c\/li\u003e\n\u003cli\u003eStandard: up to 64 channels 24 bit 48 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX: up to 32 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX4: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eLock range: 25 kHz – 54 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMADI Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial via BNC, 75 Ohm, according to AES10-1991\u003c\/li\u003e\n\u003cli\u003eOutput voltage 400 mVpp\u003c\/li\u003e\n\u003cli\u003eCable length: up to 50 m\u003c\/li\u003e\n\u003cli\u003eGenerates 56 channel and 64 channel mode, plus 96k Frame\u003c\/li\u003e\n\u003cli\u003eStandard: up to 64 channels 24 bit 48 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX \/ 96k Frame: up to 32 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eS\/MUX4: up to 16 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eOutput Analog Phones 129\/130\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 110 dB RMS unweighted, 113 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD @ -1 dBFS: - 96 dB, 0.0016 %\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS: -95 dB, 0.0017 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 100 dB\u003c\/li\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, 1 kOhm load: +9.5 dBu\u003c\/li\u003e\n\u003cli\u003eMax power @ 0.1% THD: 50 mW\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eWord Clock In\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC, not terminated (10 kOhm)\u003c\/li\u003e\n\u003cli\u003eSwitchable internal termination 75 Ohm\u003c\/li\u003e\n\u003cli\u003eAutomatic Double\/Quad Speed detection and conversion to Single Speed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eWord Clock Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC\u003c\/li\u003e\n\u003cli\u003eMax level: 5 Vss\u003c\/li\u003e\n\u003cli\u003eLevel with termination 75 Ohm: 4.0 Vss\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 10 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput Analog Phones 129\/130\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR): 110 dB RMS unweighted, 113 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD@-1dBFS:-96dB,0.0016%\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS: -95 dB, 0.0017 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 100 dB\u003c\/li\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, 1 kOhm load: +9.5 dBu\u003c\/li\u003e\n\u003cli\u003eMax power @ 0.1% THD: 50 mW\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, RAVENNA (PTP), word, MADI\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1 kHz up to 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":40052450689123,"sku":"SEF-RMEDIGIFACERAVENNA","price":2899.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/rme-digiface-ravenna.jpg?v=1662954967"},{"product_id":"rme-fireface-802-fs-anniversary-edition","title":"RME Fireface 802 FS Anniversary Edition - 60-Channel 192 kHz high-end USB Audio Interface","description":"\u003c!-- split --\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor the 20th anniversary of the legendary Fireface 800, RME presents an exclusive special edition: the Fireface 802 FS AE in an elegant and dark design, inspired by the successful ADI-2 series with an optionally available, new colour-matching ARC USB Remote Control.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS AE is technically identical to the Fireface 802 FS and offers the same powerful features and functions. These include 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz. Active SteadyClock FS jitter suppression, individually switchable reference levels for all inputs and outputs, DC-coupled outputs for all 8 analog line outputs, full stand-alone functionality, DigiCheck metering and analysis toolbox and identical operation on Windows PC and Mac completes the package.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS AE also offers an optional Class Compliant mode (30 channel I\/O with up to 192 kHz) and operation with TotalMix FX for iPad, RME’s app to fully control the Fireface 802 FS AE from the iPad without any computer.\u003c\/p\u003e\n\u003cp\u003eThe alternative CC mode can be activated via a recessed pushbutton switch directly at the back of the interface. For controlling TotalMix FX including the latest Room EQ feature, users will now find a USB-A port for direct connection of the optional available ARC USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity and Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e4 x XLR\/TRS Mic\/Inst\/Line\u003c\/li\u003e\n\u003cli\u003e2 x Phones Output\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU I\/O\u003c\/li\u003e\n\u003cli\u003e2 x ADAT I\/O\u003c\/li\u003e\n\u003cli\u003e2 x SPDIF I\/O\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e1 x RME USB 2.0\u003c\/li\u003e\n\u003cli\u003eClass Compliant Mode\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eARC USB Remote (Optional Accessory)\u003c\/li\u003e\n\u003cli\u003eIncluding FX\u003c\/li\u003e\n\u003cli\u003eSteadyClock FS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDC-coupled Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEnhance Your Recording Setup - Discover Unmatched Flexibility\u003cbr\u003eUltra-low latency operation with RME USB 2 technology, combined with the legendary RME driver stability and maintenance. SteadyClock FS jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality and identical operation on Windows PC and Mac completes the package.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS is based on a newly developed analog and digital board. While the analog board offers, for example, DC-coupled analog outputs as well as new AD and DA converters, the digital board also enables interesting new features thanks to updated high-tech components.\u003c\/p\u003e\n\u003cp\u003eThe front panel of the Fireface 802 FS provides four high-performance XLR\/TRS combo inputs for microphone, instrument and line signals and two stereo headphone jacks with +17 dBu output level, to provide high volumes even with hi-impedance headphones.\u003c\/p\u003e\n\u003cp\u003eThe rear panel reveals the full connectivity of the Fireface 802 FS. Besides MIDI and Word Clock I\/O, the two optical ADAT I\/Os, an AES\/EBU I\/O, and eight balanced analog inputs and outputs with line level are available. With the new Multi-Mode, the two ADAT I\/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I\/O. Users will also find a USB A port for connecting directly the optional available ARC USB.\u003c\/p\u003e\n\u003cp\u003ePowerful Applications for Mixing, Monitoring and Measurement included\u003cbr\u003eThe Fireface 802 FS comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DigiCheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows\/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX mixer with comprehensive routing, monitoring and effects options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB 2 Class Compliant Audio\u003c\/strong\u003e\u003cbr\u003eThe Fireface 802 FS operates in two different modes: driver-based USB 2 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The alternative CC mode can be activated via a recessed pushbutton switch directly at the back of the interface.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS offers full USB 2.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS. An iPad Pro with USB C can manage up to 60 channels for recording and playback in TotalMix FX for iPad and on system level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDC-Coupled Outputs - CV\/Gate Voltage Control\u003c\/strong\u003e\u003cbr\u003eMost audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.\u003c\/p\u003e\n\u003cp\u003eWhilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.\u003c\/p\u003e\n\u003cp\u003eAll of the Fireface 802 FS line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog\/MOTM\/Synthesizers formats) and other studio hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARC USB Remote Control - Plug’n Play Plus\u003c\/strong\u003e\u003cbr\u003eThe optional available ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 MIDI remote control for the Fireface 802 FS. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the 802 FS.\u003c\/p\u003e\n\u003cp\u003eDirect access to the most frequently used actions and commands of TotalMix FX\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExperience Uncompromising Audio Quality\u003c\/strong\u003e\u003cbr\u003eLike other RME products before the Fireface 802 FS combines excellent analog circuit design with latest digital conversion technology. All balanced TRS \u0026amp; XLR I\/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\n\u003cp\u003eEquipped with the latest low latency A\/D and D\/A converter chips, all I\/Os operate at up to 192 kHz and reach high dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used. Due to its efficient jitter reduction, RME’s superior SteadyClock FS guarantees state-of-the-art AD\/DA conversion, even when clocking to an external clock source.\u003c\/p\u003e\n\u003cp\u003eEvery input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale). 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A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe four inputs on the front use balanced XLR\/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required. Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I\/Os on the rear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStand Alone Operation with Setup Recall\u003c\/strong\u003e\u003cbr\u003eThe Fireface 802 FS can be set up and configured directly via iPad, MIDI remote and ARC USB. Additionally 6 memory slots are present where the current configuration can be stored permanently. This way the 802 FS operates independently from a computer. In stand-alone operation it can turn itself into different devices by the simple push on a button.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eICC - Intelligent Clock Control\u003c\/strong\u003e\u003cbr\u003eNot only displays every clock status, but will also retain the last valid input sample rate in case of failure of the external source. 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