{"title":"Studio Compressors","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"115\" data-end=\"185\"\u003eDiscover professional studio compressors in Sydney at Sounds Easy.\u003c\/strong\u003e Our selection delivers precise dynamic control, adding punch, warmth, and consistency to vocals, instruments, and mixes. From transparent mastering compressors to character-rich analog units, we offer top brands, expert advice, competitive prices, and fast Australia-wide shipping.\u003c\/p\u003e","products":[{"product_id":"warm-audio-wa76","title":"Warm Audio WA76 1176 Style FET Compressor","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eWarm Audio are kicking some major goals - low cost, high quality outboard processing. The Warm Audio WA76 is a no different. You get faithful recreation of the original classic 1176 using CineMag transformers at a fraction of the cost. We've run this compressor up and it sounds awesome. The WA76 Limiting Amplifier is a modern reproduction of the Classic 1176 Revision D. Every effort was made to remain faithful to the original designs including the use of Reichenbach Engineering's (now CineMag) transformer design that was originally used.\u003c\/p\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/f9xeWhWMpIY\" height=\"315\" width=\"560\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003ch2\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe classic 1176 was a major breakthrough in limiter technology - the first true peak limiter with all transistor circuitry offering superior performance with a signature sound - and set the standard for all limiters to follow. The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the 1176 - Peter Frampton, Joe Satriani, Joe Chiccarelli, Vance Powell, and Mike Elizondo are just a few names on a list that's continued to grow, for nearly 50 years. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWarm Audio are often asked how they are able to produce such high quality gear at affordable prices. Many assume they must be cutting corners on the designs themselves but my answer to this question continues to be “NO”. Warm Audio stays true to original discrete schematics and does this without cheapening components such as our continued use of world class Reichenbach\/CineMag transformers. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA few reasons Warm Audio is able to do this:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThere is only one total employee\/owner, so overhead costs are very low.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThey manufacture in very high quantities, usually at least 500 pieces at a time. They receive extreme quantity breaks from both our assembly house and CineMag transformers for this.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThey do not make much profit off of each unit, but sell quite a few units. They started the company more out of passion than for the desire to turn huge profits. They enjoy shaking the price floor of this industry a bit where prices in many cases are just too high in their opinion.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBecause their products are so impressive at their respective price points, word of mouth spreads the word. This leaves little work for us to do to promote and sell the products. \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e• True to the Classic 1176 compressor in design and performance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Completely discrete signal path\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Modeled after the D revision\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Utilizes USA made CINEMAG input and output transformers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Supports the famous “all buttons in” ratio setting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Ultra fast attack time\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Class A line level output amplifier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Input impedance - 600 ohms, bridges-T control (floating) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Frequency Response ± 1 dB 20 Hz to 20kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• XLR and TRS inputs. XLR and TRS outputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• 55db of gain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Less than 0.4% total harmonic distortion from 50 Hz to 20 kHz with limiting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Signal to noise ratio is greater than 74 dB at +25 dBm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• EIN -104.1 dbm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Attack time, 20 microseconds to 800 microseconds\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Release time, 50 milliseconds to 1 second\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Meter provides dB gain reduction and dB output\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Internal power supply, external 24v AC power transformer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• 19″ Rackmount chassis, 2U\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• 1-year warranty\u003c\/span\u003e\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":922419157,"sku":"WAR-WA76","price":899.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-warm-audio-wa76-1176-style-fet-compressor-1.jpg?v=1605497245"},{"product_id":"retro-doublewide","title":"Retro DOUBLEWIDE Original 500 Series Compressor","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eThe Retro DoubleWide 500 series compressor sounds fantastic! This all tube design is built from the ground up taking its cue from the famous 1960's STA Compressor. The Doublewide features \u003cspan\u003efour NOS 6BJ6 small variable-mu tubes that function as the actual compression circuit and is configured in a fully complementary push-pull design. The sound is big and ballsy, fat and rounded. Exceptional on vocals and guitars and in the convenience of the 500 series format! \u003c\/span\u003e \u003c\/p\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003eFEATURES\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhile not precisely like any other tube compressor, the Doublewide methodology takes after the Sta-Level. As such, it excels at processing delicate sources like bass and vocals. It's all Retro and is built with the same quality components in our U.S. shop alongside our other products.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe tubes and transformers in a fully complementary push-pull topology deliver sonic characteristics typical of a full sized tube compressor. The Doublewide incorporates four NOS 6BJ6 variable-mu tubes in two gain stages as well as two high-quality Cinemag transformers. Input and output are fully floating and transformer balanced for use with line level signals. A hard-wire bypass switch allows for quick evaluation of the compression signature. Compression attack and recovery times are continuously variable. Like the Sta-Level and 176, the Doublewide has two timing characteristic modes; Single and Double. Double mode provides a dynamic program-controlled attack and recovery timing. With these two modes, the Doublewide is versatile in the studio, with full control of weight and punch versus transparency.\u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe Doublewide is designed to provide the user with years of reliable service. Special circuitry eliminates excess current inrush and component stress when power is applied. Power required is 180 milliamps (6 watts), which is well within a two-slot power allowance. The tubes are self-biased and balanced without the need for user adjustments and there are no internal controls. A meter-zero adjustment is accessible from the side of the unit to compensate for tube variations. Tube replacement is straightforward and the tubes are readily available. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003eSPECIFICATIONS\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSingle channel tube compression in a two-slot 500 series module\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eContinuously variable input and output levels with fixed threshold\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eContinuously variable attack and recovery time\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSingle and Double time-constants\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFully complementary push-pull signal path\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCinemag transformer balanced, fully-floating Input and Output\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eHard wire bypass switch with gold-plated contacts\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eGold-plated edge card connections\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStainless steel chassis construction\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSide-accessible meter zero trim\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eUses new-old-stock U.S. Tubes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAuthentic U.S.-made Simpson gain reduction meter.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eHand built and tested in the U.S.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003ca title=\"Retro Double Wide Mono 500 series Compressor\" href=\"http:\/\/www.retroinstruments.com\/doublewide.php\/\" target=\"_blank\"\u003eNeed more info on the Retro DOUBLEWIDE? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Retro","offers":[{"title":"Default Title","offer_id":922419817,"sku":"DBWIDE","price":2415.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-retro-doublewide-mono-500-series-compressor-1.jpg?v=1553505455"},{"product_id":"universal-audio-la-610-mkii","title":"Universal Audio LA-610 MkII Valve Microphone Preamp \u0026 Compressor","description":"\u003cp class=\"p1\"\u003eGet a classic tube microphone preamp and LA-2A style compressor in a single recording channel strip from pioneers Universal Audio. The LA-610 MkII combines an all-tube, vintage mic preamp design - heard on classic albums ranging from The Beach Boys' Pet Sounds to Van Halen I - with authentic Teletronix T4 opto-compression circuitry. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/sjdVLGRrm0E\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eUniversal Audio LA-610 MkII  PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cspan\u003eThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\u003c\/span\u003e \u003cspan\u003eThe LA-610 MkII also boasts much lower noise specs versus vintage models. Elegant and highly popular “Black on Black” cosmetics complete the package. For the serious project studio looking to get the UA sonic experience, the LA-610 MkII offers tone, quality and character at an accessible price.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e* All-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Authentic Teletronix LA-2A-style T4 opto-compressor section\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* MkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Mic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* High and Low frequency shelving EQ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Complete vintage channel strip at groundbreaking price within project studio reach\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* UA build quality and heritage, audiophile components, hand-assembled in-house\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Backed by 1-Year limited warranty\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eUniversal Audio LA-610 MkII TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e All-tube mic preamp design derived from legendary Bill Putnam-designed 610 modular console\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Authentic Teletronix LA-2A-style T4 opto-compressor section\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* MkII exclusive features include: true compressor bypass, larger metering, increased output, and auto-switching power supply\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Mic pre with Gain and Level controls, variable impedance switching, and instrument DI for recording tone “color”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* High and Low frequency shelving EQ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Complete vintage channel strip at groundbreaking price within project studio reach\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* UA build quality and heritage, audiophile components, hand-assembled in the USA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Backed by 1-Year limited warranty\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMKII IMPROVEMENTS:\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e* True Bypass of the Compressor Circuit\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Larger and Better Lit Metering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Improved Output Signal Performance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Auto-Sensing Universal Power Supply\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Improved stability with feedback-style shelving EQ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Improved consistency with Input Gain values\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* LED Jewel Light Never Needs Replacing\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGENERAL\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e* Mic, Line and Hi-Z Input, Line Output\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Dual Impedance Mic and Hi-Z inputs (Mic: 2K, 500Ω, Hi-Z: 2.2M, 47KΩ)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* 5 position Stepped Preamp Input Gain, Continuous Preamp Output Level\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* -15dB Pad Switch (15dB Pad\/Off)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Phase reverse (0\/180º)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* 48 volt Phantom Power switch (+48v\/Off)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* +\/- 9 dB stepped High Shelving Filter (4.5, 7, 10 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* +\/- 9 dB stepped Low Shelving Filter (70, 100, 200 Hz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* T4 Optical Compressor with Continuous Peak Reduction and Makeup Gain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Compress\/Limit\/Bypass Modes of Dynamic Operation (3:1 \/ ∞: 1)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Meter Source Selector Switch (Preamp\/Gain Reduction\/Compressor)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Front Panel Power switch (On\/Off)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Custom Altran and Cinemag Transformers\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCONNECTIONS\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePreamplifier Section\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInputs\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMicrophone (Female XLR)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line (Female XLR)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnbalanced Line\/Instrument (1\/4\" jack) (D.I.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOutputs\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line (Male XLR) for use in \"Split Mode\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCompressor Section\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInput\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line (Female XLR) for use in \"Split Mode\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOutput\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line (Male XLR)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCONTROLS\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePreamplifier Section\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInput Select\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMicrophone: 500 ohm, 2 kOhm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHi-Z instrument: 47 kOhm, 2.2 MOhm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVariable Gain (Input Feedback Control)\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e5 dB increments @ -10, -5, 0, +5, +10 dB\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOutput Level Control\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHF Shelf EQ\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eSwitchable boost\/cut: 1.5, 3, 4.5, 6, 9 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCorner Frequency Select: 4.5 kHz, 7 kHz, 10 kHz\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLF Shelf EQ\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eSwitchable boost\/cut: 1.5, 3, 4.5, 6, 9 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCorner Frequency Select: 70 Hz, 100 Hz, 200 Hz\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOther\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e-15dB Pad Switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePolarity Reverse Switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e48 Volt Phantom Power Switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJoin\/Split Switch (for joint or independent compressor\/preamplifier operation)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.uaudio.com\/hardware\/channel-strips\/la-610-mkii.html\" title=\"Universal Audio LA-610 MkII Valve Preamp\/Compressor\" target=\"_blank\"\u003eNeed more info on the Universal Audio LA-610 MkII? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":926901281,"sku":"UNI-UA-LA610MKII","price":3599.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/preamps-channel-strips-universal-audio-la-610-mkii-valve-microphone-preamp-compressor-1.jpg?v=1553506410"},{"product_id":"empirical-labs-el8","title":"Empirical Labs EL8 Distressor Compressor","description":"\u003cp\u003eIntroduced in 1993, the Empirical Labs EL8 Distressor is revered in studios all over the world as the modern, “must-have” compressor. Versatile, super fast, and offering tons of colour, the Distressor picks up where the legendary UA 1176 and Teletronix LA-2A compressors leave off — a modern tool that’s equal parts utilitarian and creative, as heard on thousands of hit records.\u003cbr\u003e\u003cbr\u003eThe only authentic Distressor plug-in endorsed by Empirical Labs’ founder Dave Derr, the UAD Empirical Labs EL8 Distressor is available exclusively for UAD hardware and Apollo interfaces. An exhaustive end-to-end emulation of Derr’s iconic hardware, the UAD EL8 Distressor is the only faithful emulation of this true “desert island” compressor.\u003c\/p\u003e\n\u003ciframe src=\"\/\/www.youtube.com\/embed\/Y1qUPI7cCUA\" height=\"315\" width=\"560\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ePainstaking, end-to-end circuit emulation of the iconic hardware designed by Dave Derr, exclusively for Universal Audio\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eProvides the entire circuit path and control set of the original Empirical Labs hardware\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFeatures seven fixed ratios, including Optical and Nuke, Distortion Modes, and Detector Modes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ePlug-in-exclusive features include Dry\/Wet parallel processing and Headroom for user-customizable operating level\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eNow You Can\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTrack and mix with the only authentic emulation of the EL8 Distressor — the world's most popular modern compressor\u003c\/li\u003e\n\u003cli\u003eRadically shaped guitars, drums, and vocals with nearly infinite gain reduction variations\u003c\/li\u003e\n\u003cli\u003eHarness plug-in-only features like Dry\/Wet parallel processing and Headroom for user‑customizable operating level\u003c\/li\u003e\n\u003cli\u003eCreatively colour instruments and vocals with famous “Dist 2” and “Dist 3” modes\u003c\/li\u003e\n\u003cli\u003eEmbellish, pump up, or destroy bass, synth, and room mics with custom detector filtering\u003c\/li\u003e\n\u003cli\u003eMix with presets from Joe Chiccarelli (The Strokes), Vance Powell (Jack White), Jacquire King (Kings of Leon), Jimmy Douglass (The Rolling Stones), and more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eA prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.\u003c\/p\u003e\n\u003cp\u003eAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting - a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.\u003c\/p\u003e\n\u003cp\u003eAnother large part of the Distressor’s personality and power derive from three modes that colour the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors \u0026amp; limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, and one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.\u003c\/p\u003e\n\u003cp\u003eThe Distressor is available in either its original form (EL8), or in a modified version (EL8-X) with two additional functions  - British Mode, and Image Link.\u003c\/p\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003eSpecifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eFreq. the response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). The response is shaped in distortion modes (Dist 2, Dist 3).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in distort 3 modes.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDistortion ranges between .02% and 20% depending on distortion mode and release times set on the front panel.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDC-coupled output - High-quality input caps.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance is 20K Ohms, Output impedance is \u0026lt; 75 ohms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTime constants - Attack range 50uS - 50mS. Release range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 Opto mode. Time constants are dependent on the ratio.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMetal Chassis - single height 1.75\" high, 10\" deep, 19\" wide.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eShipping info - 12.1 lbs mono, 24.2 lbs Stereo pair. Mono box dimensions 22.5\" x 18.5\" x 3 1\/4\". \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStereo Pair box dimensions 22.5\" x 18.5\" x 6 1\/4\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.empiricallabs.com\/distressor.html\" title=\"Empirical Labs EL8 Distressor Compressor\" target=\"_blank\"\u003eNeed more info on the EL8? Click HERE for the official Empirical Labs product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003cbr\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":949310645,"sku":"EMP-EL8","price":2500.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-empirical-labs-el8-distressor-compressor-1.jpg?v=1553507021"},{"product_id":"vertigo-sound-vsc-2","title":"Vertigo Sound VSC-2 Quad Discrete Compressor","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe VSC-2 is the first product from Vertigo Sound - also known as the Quad Discrete Compressor.  It uses 4 hand-built VCAs with only discrete components; paying homage to the best VCA based compressors of the 70s and 80s!  The Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors have been complimented in the VSC. This classic based sound is combined with a modern mastering grade signal path. Some unique and innovative features lie beneath the bonnet, such as the ratio which increases with level in ‘Soft’ mode.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/NrR71yQqKPU?feature=player_detailpage\" allowfullscreen=\"\" width=\"640\" frameborder=\"0\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eVertigo Sound VSC-2 PRODUCT FEATURES:\u003c\/h2\u003e\n• One for all! True Mono and True Stereo\u003cbr\u003e • Dual - Mono, no shared contols\u003cbr\u003e • Stereo Mode Channel A controls become master\u003cbr\u003e • The Stereo signal is phase coherent under all settings\u003cbr\u003e • No phase shift or L-R problems can occur due to the innovative SC design\u003cbr\u003e • The Signal path is of Mastering quality\u003cbr\u003e • Real stereo mode! Channel A is stereo master\u003cbr\u003e • There is a minimum of circuitry with a hard relay bypass\u003cbr\u003e • Settings from Soft Knee (Soft=TipToe) to Hard Knee (Brick)\u003cbr\u003e • The Ratio selection switch compensates to provide equal loudness, allowing immediate comparison\u003cbr\u003e • Side chain High Pass Filters with two switchable frequencies are provided onboard\u003cbr\u003e • Metering is analogue with carefully chosen ballistics, and beautifully lit!\u003cbr\u003e • Handsome parameter control via customized scale ranges\u003cbr\u003e • Internal components are of the ultimate quality, modified where necessary\u003cbr\u003e • A Toroid transformer ensures no PSU noise\u003cbr\u003e • The ‘1979’ VCA is made of individual components, no Integrated Circuits\u003cbr\u003e • Encased in a ceramic material for thermal stability\u003cbr\u003e • This 1979 unit adds character to the sound, similar to some Vintage units;\u003cbr\u003e • The harder it compresses the more it colours\u003cbr\u003e • This VCA delivers Real Analogue punch, so difficult to achieve with modern software plug-ins\u003cbr\u003e • A Jensen transformer and a state of the art line-out driver complete the picture by providing perfectly balanced In and Outs\u003cbr\u003e\u003cbr\u003e\n\u003ctable cellspacing=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"titel\" colspan=\"2\"\u003eThe heart of the VSC-2 – the discrete VCA 1979\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"inhaltsmall\"\u003e99% of all newer designs use an I-ntegrated C-ircuit for this job which makes production easy and cost extensive.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHere's the big difference!\u003cbr\u003e \u003cbr\u003e The Vertigo Sound 1979 is a fully discrete handbuilt V-oltage C-ontrolled A-mplifier.\u003cbr\u003e \u003cbr\u003e This VCA colours the signal the more you compress and \"make up\" the output.\u003c\/p\u003e\nThis basic effect plus a very well thought out circuitry and choice of components gives you a fresh, punchy precise sound without sounding dull or nasty even if the unit is pushed hard.\u003c\/td\u003e\n\u003ctd class=\"imagesmall\"\u003e \n\u003cdiv class=\"lupe\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003ctable cellspacing=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"titel\"\u003eThe concept of the VSC-2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"inhalt\"\u003e\n\u003cdiv align=\"left\"\u003eThe Quad Discrete Compressor uses four discrete 1979 VCAs in it’s two channels. Each channel has one VCA in the Audio Path and another in the sidechain.\u003cbr\u003e In Stereo mode both sidechains are fully active; they are not summed together. \u003cbr\u003e The higher signal peak on either channel results in equal compression of both. \u003cbr\u003e The VSC-2 reacts even to out of phase signal peaks without image shift. \u003cbr\u003e This is a unique innovation, far removed from simple Stereo Linking.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"titelbild\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"inhalt\" height=\"66\"\u003eThe precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression.\u003cbr\u003e Mono Mode is the exact opposite. Each channel has entirely separate control and metering. Crosstallk is less than minus 100dB, like two separate units!\u003cbr\u003e This provides two world class Compressor\/Limiters for Tracking and Mixing.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cbr\u003eThe precision of this technique makes the Vertigo ideally suited for Mastering and Mix Buss compression. Mono Mode is the exact opposite. Each channel has entirely separate control and metering. Crosstallk is less than minus 100dB, like two separate units! This provides two world class Compressor\/Limiters for Tracking and Mixing.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eVertigo Sound VSC-2 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n• Stereo \/ Dual Mono switchable\u003cbr\u003e • Jensen Balanced In. That 1646 or Burr Brown Balanced Out\u003cbr\u003e • Dynamic Range: 115 db\u003cbr\u003e • Frequency response: 10 Hz ... 70 kHz (- 3 db)\u003cbr\u003e • Max. Output Level: + 25 dBu \/ 600 Ohm balanced floating\u003cbr\u003e • Signal to Noise Ratio at + 6 dBu = 97 db (20..20 kHz, unweighted, RMS)\u003cbr\u003e • Noise: – 91 dBu (20 Hz – 22 khz – unweighted, RMS) @ 0 db Unity Gain\u003cbr\u003e • Crosstalk between channels: \u0026gt; 100 db at any frequency\u003cbr\u003e • Power consumption: max 8 Watts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Vertigo Sound VSC-2 Quad Discrete Compressor\" href=\"http:\/\/www.vertigosound.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info on the Vertigo VSC-2? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Vertigo Sound","offers":[{"title":"Default Title","offer_id":1146488008,"sku":"VSVSC2","price":8640.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-vertigo-sound-vsc-2-quad-discrete-compressor-1.jpg?v=1553509161"},{"product_id":"drawmer-1968-mkii","title":"Drawmer 1968 MkII Dual Channel Tube Compressor","description":"\u003c!-- split --\u003e\nThe Drawmer 1968 MkII is a unique stereo bus compressor which delivers a transparent ‘open’ sound even during periods of heavy compression. The original Drawmer 1960 used a tube stage at the front of the compressor, whilst the 1968 MkII utilizes a J-FET (Field Effect Transistor) gain reduction circuit that operates faster than an opto-isolator. \u003cbr\u003e \u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/3jO2BqIPF0Q\" allowfullscreen=\"\" width=\"560\" frameborder=\"0\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eDrawmer 1968 mkII PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eThe original Drawmer 1960 used a tube stage at the front of the compressor, whilst the 1968 MkII utilisies a J-FET (Field Effect Transistor) gain reduction circuit that operates faster than an opto-isolator. The compressor uses a 12AX7 tube makeup gain amplifier where you can add, with the Output Gain control, up to 20 dB of additional gain. The need for a ratio control has been removed as the compressor operates on the soft knee principle where the onset of compression is progressive.\u003c\/p\u003e\n\u003cp\u003eThe 1968 MkII expands attack times to six choices: 2, 9, 15, 25, 30 and 50 ms. Release times come in three fixed times (100ms, 500 ms and 1 second) and three program-dependent choices--200 ms to 2 sec, 500 ms to 5 sec and 1 to 10 seconds--all program-dependent and automatic.\u003c\/p\u003e\nThe 1968 MkII provides full sidechain access for connecting an external equalizer for vocal stressing or de-essing. \u003cbr\u003e\u003cbr\u003e\n\u003cp\u003eFeatured on both channels is a switchable ‘BIG’ and ‘BIGGER’ mode which applies less processing to the fundamental low frequency but still disciplines the upward associated harmonics which if untamed can result in a ‘boomy’ or ‘boxy’ sound. The result - a solid bottom end with enhanced sub-bass and a smoother, wider frequency response overall. This lets the operator use more compression on an overall mix with less pumping action caused by a kick and\/or bass instrument.\u003c\/p\u003e\n\u003cp\u003eThe outputs of Channels 1 and 2 are monitored on two yellow illuminated VU meters - with a red warning glow to signify ‘approaching clipping’. A three-position switch adjusts the meters to show either normal output level, gain reduction or VU +10dB mode, which re-scales the meter for users working at ‘hot’ output levels.\u003c\/p\u003e\nAn output switch selects normal compressor output, hard-wired bypass and sidechain listen. \u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDue to customer demand we have introduced new features to the 1968 MkII\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExpanded the BIG to include BIGGER - setting the filters to 75Hz and 150Hz.\u003c\/li\u003e\n\u003cli\u003eAdded internal jumpers that can be configured to remove the soft clip section.\u003c\/li\u003e\n\u003cli\u003eAdded internal jumpers to make the output hotter by 6dB, if required.\u003c\/li\u003e\n\u003cli\u003eImprovement have been made to the PSU to lower the noise floor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eDrawmer 1968 mkII TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe key features are as follows:\u003cbr\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 Channel Tube\/FET Compressor.\u003c\/li\u003e\n\u003cli\u003e2 soft-knee compressors with variable threshold, attack, release and output gain.\u003c\/li\u003e\n\u003cli\u003eSwitchable BIG and BIGGER control on each channel.\u003c\/li\u003e\n\u003cli\u003eDual mono or true stereo link operation.\u003c\/li\u003e\n\u003cli\u003eSide chain access and side chain listen facility.\u003c\/li\u003e\n\u003cli\u003eVU metering of gain reduction and output levels.\u003c\/li\u003e\n\u003cli\u003eSwitchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.\u003c\/li\u003e\n\u003cli\u003eVU red warning glow to signify ‘approaching clipping’.\u003c\/li\u003e\n\u003cli\u003eBalanced +4dB XLR in\/outs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Drawmer 1968 MkII Dual Channel Tube Compressor\" href=\"http:\/\/www.drawmer.com\/products\/60s-series\/1968-dual-channel-tube-compressor.php?sort=series\u0026amp;series=60s\" target=\"_blank\"\u003eNeed more info on the 1968 MkII? Click HERE for the official Drawmer product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":1172341104,"sku":"DRA-1968","price":2720.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-drawmer-1968-mkii-dual-channel-tube-compressor-1.jpg?v=1553509508"},{"product_id":"drawmer-1960","title":"Drawmer 1960 Mic Pre \/ Vacuum Tube Compressor","description":"\u003cp\u003eWhat makes this compressor different is that it can function as 2 completely independent high-end valve compressor channels that can operate as a true stereo on a master buss as well. Add in a microphone stage and the Drwamer 1960 is a very powerful audio tool. In the minds of many engineers and producers, vacuum tubes possess a unique sound quality that provide a \"warmer, more alive\" sound. Combining eight active tube stages and the low noise and reliability of solid state electronics, the Drawmer 1960 provides the ultimate direct interface between the sound source and the recording medium!\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/fbIFcSkfiBk\" allowfullscreen=\"\" width=\"560\" frameborder=\"0\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eDrawmer 1960 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eThe Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding \"soft knee\" vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided. This powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console.\u003c\/p\u003e\n\u003cp\u003eThe Compressor: Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title 'Threshold' has been retained for the \"amount of compression\" control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold.\u003cbr\u003e The attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a choice of slow, medium and fast whilst release has six settings. Positions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear.\u003c\/p\u003e\n\u003cp\u003eBecause compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch.\u003c\/p\u003e\n\u003cp\u003eThe side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal, By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having.\u003c\/p\u003e\n\u003cp\u003eIn addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives direct access for guitars or electronic instruments. Equalization is provided along with sufficient gain to overload the tube pre-amp for sustain effects. The Aux input is a valuable addition as it combines the virtues of a D.I. box and equalizer with the compressor allowing the instrument to be simultaneously processed and routed to the mixing console or directly to the recorder.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eDrawmer 1960 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nINPUT IMPEDANCES LINE 20KÙ\u003cbr\u003eMIC 150Ù to 600Ù\u003cbr\u003eAUX 2M2Ù\u003cbr\u003eMIC INPUT NOISE -128.5dB (@ +60dB gain)\u003cbr\u003eMAXIMUM INPUT LEVEL +20dBu\u003cbr\u003eOUTPUT IMPEDANCE 50 Ù\u003cbr\u003eMAXIMUM OUTPUT LEVEL +22dBm (balanced)\u003cbr\u003eBANDWIDTH \u0026lt;10Hz to 22KHz -1dB\u003cbr\u003eCOMPRESSOR NOISE AT UNITY GAIN\u003cbr\u003eWideband 22Hz - 22KHz CCIR ARM IEC A Q-Pk CCIR\u003cbr\u003eAV -82dB -88dB -88dB -91dB -77dB\u003cbr\u003eRMS -81dB -87dB -87dB -90dB\u003cbr\u003eDISTORTION (THD \u0026amp; Noise) 1KHz\u003cbr\u003eLine Input with BYPASS selected \u0026lt; 0.1%\u003cbr\u003eLine Input with NORMAL selected \u0026lt; 0.3%\u003cbr\u003ePOWER REQUIREMENTS 230Volt or 115Volt at 50-60Hz, 38 Watts\u003cbr\u003eFUSE RATING 250mA for 230Volt, 500mA for 115Volt\u003cbr\u003eCONFORMING TO IEC 127-2\u003cbr\u003eFUSE TYPE 20mm x 5mm, Class 3 Slo-Blo, 250Volt working\u003cbr\u003eCASE SIZE 482mm (w) x 88mm (h) x 250mm (d)\u003cbr\u003eWEIGHT (incl packaging) 6.0 Kgs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Drawmer 1960 Mic Pre \/ Vacuum Tube Compressor\" href=\"http:\/\/www.drawmer.com\/products\/60s-series\/1960-mic-pre-vacuum-tube-compressor.php?sort=series\u0026amp;series=60s\" target=\"_blank\"\u003eNeed more info on the 1960 Mic Pre \/ Vacuum Tube Compressor? Click HERE for the official Drawmer product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":1172367320,"sku":"DRA-1960","price":3275.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-drawmer-1960-mic-pre-vacuum-tube-compressor-1.jpg?v=1553509513"},{"product_id":"radial-komit-compressor-500-series-module","title":"Radial Engineering Komit Compressor 500 Series Module","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Radial Komit™ is a feature-rich compressor-limiter that simplifies the process of dynamic manipulation while expanding upon creative tone shaping. At one end is a super-clean compressor that delivers amazing results with single knob control. At the other, an old-school diode bridge clipping limiter goes from 'vintage to nasty'. But don't let the minimalist approach deter; the Komit provides exceptional flexibility by integrating a series of automatic functions that are both musical and intuitive. Close your eyes and listen… the Komit does the hard work for you.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/fbIFcSkfiBk\" allowfullscreen=\"\" width=\"560\" frameborder=\"0\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRadial Komit PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSingle dial auto-tracking compressor-limiter\u003c\/li\u003e\n\u003cli\u003eOld school diode bridge clipping limiter\u003c\/li\u003e\n\u003cli\u003eBrick wall setting for set \u0026amp; forget recording\u003c\/li\u003e\n\u003cli\u003e100% discrete with Hammond broadcast transformers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRadial Komit TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cspan\u003e\u003cspan\u003eThe Komit is a unique dynamic shaping tool that combines a VCA compressor with a diode bridge clipping limiter. Although careful attention has been paid with respect to achieving world-class specifications, this has played second fiddle to delivering exciting audio results. Key to the performance is the way the Komit transitions from soft to hard knee while delivering less than 0.05% distortion in the critical range. And as shown in the Fast Fourier Transform (FFT), the Komit delivers a near perfect cascade of even-order harmonics for the sonic warmth that is characteristic of old-school transformer coupled inputs and discrete analogue circuitry.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003ctable width=\"450\" id=\"rounded-corner\" summary=\"specs\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth align=\"left\" class=\"rounded-company\" scope=\"col\"\u003eSpecifications\u003c\/th\u003e\n\u003cth width=\"229\" class=\"rounded-q4\" scope=\"col\"\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctfoot\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003cem\u003eSpecifications are subject to change without notice.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e*Refers to use with Radial Workhorse rack and mixer.\u003c\/em\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tfoot\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"159\"\u003eCircuit type:\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eFeed Forward with True RMS Sidechain. \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirement:\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e72mA, ± 16VDC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCompression Ratio - Normal:\u003c\/td\u003e\n\u003ctd\u003e1:1 to 10:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCompression Ratio - Brickwall:\u003c\/td\u003e\n\u003ctd\u003e1:1 to 25:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLimiter range:\u003c\/td\u003e\n\u003ctd\u003e+4dBu to +21dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response:\u003c\/td\u003e\n\u003ctd\u003e20Hz~20kHz, -2dB @ 20Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximunm Output:\u003c\/td\u003e\n\u003ctd\u003e+22dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Gain Make-Up: \u003c\/td\u003e\n\u003ctd\u003e+20dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N: \u003c\/td\u003e\n\u003ctd\u003e0.025% @ 1 kHz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIntermodulation Distortion: \u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.1% @ 80Hz\/3kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput impedance:\u003c\/td\u003e\n\u003ctd\u003e9.6k Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Impedance:\u003c\/td\u003e\n\u003ctd\u003e140 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eThreshold:\u003c\/td\u003e\n\u003ctd\u003e-10dBu or +4dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Gain:\u003c\/td\u003e\n\u003ctd\u003eKey input to detector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWarranty:\u003c\/td\u003e\n\u003ctd\u003e3 Years\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize:\u003c\/td\u003e\n\u003ctd\u003eStandard 500 Series format\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight:\u003c\/td\u003e\n\u003ctd\u003e1.5 lbs. (0.7 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCompliance API:\u003c\/td\u003e\n\u003ctd\u003eYes (VPR Alliance)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCompliance WHOS-Doc:\u003c\/td\u003e\n\u003ctd\u003eYes (Radial Workhorse 500 Rack)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConditions:\u003c\/td\u003e\n\u003ctd\u003eFor use in dry locations only between 5°C and 40°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.radialeng.com\/komit.php\" target=\"_blank\" title=\"Radial Engineering Komit Product Info\" rel=\"noopener noreferrer\"\u003eNeed more info on Komit? Click HERE for the Radial website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":1260512336,"sku":"RA-Komit-500","price":1149.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-radial-komit-compressor-500-series-module-1.jpg?v=1553510018"},{"product_id":"elysia-xpressor-500-stereo-compressor","title":"Elysia xpressor 500 Stereo Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eThe Elysia xpressor 500 is an extremely versatile stereo compressor for 500 series format. Featuring many unique features taken from Elysia's flagship products, the xpressor 500 provides great compression and precise control over your sound in a wide range of applications.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Zhi_PrnVQNc\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eElysia xpressor 500 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eNo matter if you want to set and forget or plunge deep into the secrets of compression, the xpressor 500 is for you. Its discrete audio path running in constant class-A mode provides a superior audio quality which combines a clear and open sound with a good lot of punch.\u003c\/p\u003e\n\u003cp\u003eStereo buss compression, processing single signals, approaching dynamics in creative ways – the xpressor 500 shines in many different applications. Best of elysia? You got it!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e Discrete Class-A Topology\u003c\/strong\u003e\u003cbr\u003e \u2028  Pristine audio quality.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Auto Fast Attack\u2028\u003c\/strong\u003e\u003cbr\u003e   Perfect attack in any situation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Switchable Release Characteristic\u003c\/strong\u003e\u003cbr\u003e \u2028  Smooth or crisp – the choice is yours.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Warm Mode\u2028\u003c\/strong\u003e\u003cbr\u003e   Transparency? Saturation? Both!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Parallel Compression\u003c\/strong\u003e\u003cbr\u003e   Mixing direct and compressed signals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Sidechain Filter\u003c\/strong\u003e\u003cbr\u003e   Frequency selective compression.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Gain Reduction Limiter\u003c\/strong\u003e\u003cbr\u003e   Ultimate control on the compression process.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Made in Germany\u003c\/strong\u003e\u003cbr\u003e   High grade components, solid aluminum knobs.\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003ci\u003eRequires compatible 500 series rack unit to operate. Sold separately.\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ca href=\"http:\/\/www.elysia.com\/hardware\/xpressor-500\/introduction\/\" target=\"_blank\" title=\"Elysia xpressor 500 Stereo Compressor\"\u003eNeed more info on the xpressor 500? Click HERE for the official Elysia product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":1778419140,"sku":"ELY-xpressor500","price":2075.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-elysia-xpressor-500-stereo-compressor-1.jpg?v=1553510670"},{"product_id":"api-525-discrete-compressor-re-issue","title":"API 525 Discrete Compressor, Re-Issue","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eThe API 525 Discrete Compressor was originally released in the 70's. Known as a \"feedback\" type compressor, the 525 makes use of the 2510 and 2520 op-amps and exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e\n\u003cp style=\"box-shadow: 1px 2px 4px rgba(0, 0, 0, .5); padding: 4px; text-align: center;\"\u003eRequires a 500 series rack unit to operate\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"854\" height=\"510\" src=\"https:\/\/www.youtube.com\/embed\/xNuWbVdacTs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eAPI 525 Discrete Compressor PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eA compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/pop reduction. The 525 design has been taken from the original blue prints and spec control drawings from the API archives.\u003c\/p\u003e\n\u003cp\u003eRelease times vary with frequency, with high frequency \/ full bandwidth content released faster than lower frequencies for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without \"pumping\". Equally useful as a tracking, mixdown or program compressor\/limiter, the 525 utilizes \"vintage\" dynamics control and an easy to use multi-function control set. The 525 has a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules. Two or more 525s can be linked for multi-channel compression.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eAPI 525 Discrete Compressor TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eExact reissue of API's original 525 from the early 70's\u003cbr\u003e\u003c\/span\u003ePeak detecting \"feedback\" compressor\/limiter\u003cbr\u003eVariable Threshold and Output levels\u003cbr\u003eUnique \"Ceiling\" control combines key functions\u003cbr\u003eAnalog VU meter for monitoring gain reduction\u003cbr\u003e4 Switchable release modes\u003cbr\u003eDe-Ess function\u003cbr\u003eTraditional API fully discrete circuit design\u003cbr\u003eActive Balanced Input\/Output\u003cbr\u003eHardwire bypass\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/apiaudio.com\/product.php?id=104\" target=\"_blank\" title=\"API 525 Discrete Compressor, Re-Issue\" rel=\"noopener noreferrer\"\u003eNeed more info on the 525 Discrete Compressor? Click HERE for the official API product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":1888655876,"sku":"API-525","price":2349.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-api-525-discrete-compressor-re-issue-1.jpg?v=1553510726"},{"product_id":"drawmer-1973-three-band-fet-stereo-compressor","title":"Drawmer 1973 - Three Band FET Stereo Compressor","description":"\u003cp class=\"p1\"\u003eAn incredible option for an outboard classic, and award winning stereo FET compressor at an enticing price. The 1973 from Drawmer is a versatile multi-band compressor, with sophisticated controls for shaping your sound. Expanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate - the 1973. The culmination of 30 years of development and experience, the 1973 combines the functionality and control of the world class Drawmer S3 with the familiarity and quality of the illustrious 1960 and 1968, providing three bands of transparent, intuitive compression for the price of a conventional single full band compressor.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/fbIFcSkfiBk\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eDrawmer 1973 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cstrong\u003eHow does the 1973 differ from a full band compressor?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e \u2028\u2028In essence, the 1973 comprises a set of crossover filters that splits the audio signal into three frequency bands, each split signal then passes through its own compressor and is independently adjusted, after which the signals are recombined and the final Wet\/Dry mix and levels can be adjusted. The advantage is that one band's compression has no affect on the others.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eWhat's so good about a three band compressor anyway?\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u2028\u2028The 1973 can pull off amazing feats that a single-band compressor could never accomplish. For example, it can easily prevent an acoustic guitar, cello, or double bass from sounding boomy on low notes without thinning the highs.\u003cbr\u003e \u003cbr\u003eAre you recording a vocal track that sounds too shrill? The timbre can easily be altered without eliminating detail and clarity. Adding heavier compression in the bass band can add to the thickness and richness of the voice, in the mid band raspiness is controlled, whilst compression to the high band can give sizzle and definition to an otherwise bland voice. In addition, sibilance can easily be tamed.\u003cbr\u003e \u003cbr\u003eIn a mastering situation, having independent control over each band can resolve a problem mix, pulling out individual instruments, brightening the brilliance\/air or making the bottom end of a mix sound huge while simultaneously avoiding \"pumping\" or \"breathing\" artifacts and increasing headroom.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eDrawmer 1973 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nStandard intuitive controls such as Threshold, Gain, Switched Attack \u0026amp; Release with Gain Reduction Metering on Each Band.\u003cbr\u003e \u003cbr\u003eFast Reacting Soft Knee F.E.T. Design with excellent Left\/Right Tracking across the Full Range of compression.\u003cbr\u003e \u003cbr\u003eVariable Wet\/Dry Mix plus Output Gain Knobs give a 'Parallel Compression' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.\u003cbr\u003e \u003cbr\u003eVariable Band Split Filters at a 6dB Per Octave slope with Switch-able Mute and Bypass on Each Band make 'Tuning In' to a Frequency Simple.\u003cbr\u003e \u003cbr\u003e‘Big’ and 'Air' Modes Help to preserve the Very Deep Lows and Enhance the Sparkling Highs.\u003cbr\u003e \u003cbr\u003eTwo Analogue V.U. Meters with Switchable +10dB Meter Rescale Modes and a Switchable ‘Peak’ mode to Display Fast Transients Not Normally Seen on Conventional V.U.s.\u003cbr\u003e \u003cbr\u003eDedicated Gain Reduction Meters On Each Band.\u003cbr\u003e \u003cbr\u003eInternal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.\u003cbr\u003e \u003cbr\u003eClassic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.\u003cbr\u003e\u2028Intuitive Layout\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"1973 - Three Band FET Stereo Compressor\" href=\"http:\/\/www.drawmer.com\/products\/70s_series\/1973_three_band_compressor.php?sort=series\u0026amp;series=70s\" target=\"_blank\"\u003eNeed more info on the 1973? Click HERE for the official Drawmer product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":1936301380,"sku":"DRA-1973","price":2720.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/preamps-channel-strips-drawmer-1973-three-band-fet-stereo-compressor-1.jpg?v=1553510788"},{"product_id":"chandler-limited-little-devil-compressor-500-series-format-1","title":"Chandler Limited Little Devil Compressor - 500 Series Format","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eIf you're after some boutique, hand-crafted outboard gear for your 500 series rack, then check out the Little Devil series from Chandler - especially the compressor! CHANDLER LIMITED furiously enters the 500 race with its line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003c\/p\u003e\n\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003ciframe style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9CKV6zkGMMs?feature=player_embedded\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe Little Devil Compressor is a mixture of all that is Chandler. It combines elements of our LTD-2 and Germanium Compressor, as well as 2264 and 33609 units, into an all new compressor for a 500 format. Discrete transformer sound and handmade quality are the make up of the Devil Comp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIf you like any of the units that inspired it, you will enjoy seeing those sounds come to the next level. Revolutionary controls like wet\/dry, sidechain filter, and curve selection make the unit extremely flexible. When combined with its intense tone, this compressor gives you a powerful package in a small box!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes.  The upgrade has been tested in the racks listed above.  Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFORMAT:\u003c\/b\u003e \u003cbr\u003e 500 Series\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCHANNELS: \u003c\/b\u003e\u003cbr\u003e Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCIRCUIT: \u003c\/b\u003e\u003cbr\u003e Discrete, Transistor, Transformer Balanced\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eBYPASS:\u003c\/b\u003e \u003cbr\u003e Hardwire\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eCONNECTIONS\u003c\/b\u003e\u003cbr\u003e I\/O: 500 Series Enclosure\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Chandler Limited Little Devil Compressor - 500 Series Format\" href=\"http:\/\/chandlerlimited.com\/little-devil-compressor\/\" target=\"_blank\"\u003eNeed more info? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Chandler Limited","offers":[{"title":"Default","offer_id":3363153732,"sku":"CHLDC","price":1928.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-chandler-limited-little-devil-compressor-500-series-format-1.jpg?v=1553511485"},{"product_id":"chandler-limited-germanium-compressor","title":"Chandler Limited Germanium Compressor","description":"\u003cp\u003eThe Germanium series continues with the GERMANIUM Compressor - a musical powerhouse ready for tracking, mixing, and mastering. The Germ Comp starts with the same all class A amp found in the Germ Pre and Tone Control and is transformer balanced in and out. The compression circuit uses an FET gain reduction element but with the tricks and flexibility of all the Germ units. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/f9nmMplNjGg\" allowfullscreen=\"\" frameborder=\"0\" height=\"250\" width=\"415\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eChandler Limited Germanium Compressor PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eSome of the most notable additions include a Wet\/Dry mix (for “submixing” tracks within the comp), Comp Curve (which selects the knee using various diode combinations), Clean\/Dirty comp and Sidechain filter. Many of the Germ Comp parameters have been purposely set by studio use and listening not by over analyzing them with test gear. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eChandler Limited Germanium Compressor TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp\u003eCHANNELS: Mono\u003cbr\u003e CIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e Sidechain: TRS\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: +\/-28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Chandler Limited Germanium Compressor\" href=\"http:\/\/chandlerlimited.com\/germanium-compressor\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNeed more info on the Germanium Compressor? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Chandler Limited","offers":[{"title":"Default","offer_id":3433777796,"sku":"CHGERC","price":3755.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-chandler-limited-germanium-compressor-1.jpg?v=1553511552"},{"product_id":"lindell-audio-7x-500-500-series-compressor","title":"Lindell Audio 7X-500 - 500 Series Compressor","description":"\u003cp class=\"p1\"\u003eThe Lindell Audio 7X-500 is their own take on the classic Universal Audio 1176 - slimmed down into a 500-series module. The wet\/dry rotary encoder allows for instant parallel compression! Great for tracking and mixing drums.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eSYSTEM REQUIREMENTS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/HFITvKb3jfU\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eLindell Audio 7X-500 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHoney- we shrunk the compressor….\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe Seven X Five Hundred is a one channel compressor\/limiter. It’s a FET (field effect transistor) design that incorporate some new and exclusive features such as ”High Pass Sidechain Filter”, ”Mix Knob” mix between dry and wet signal (parallel compression).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe 7X-500 is our take on the classic ”1176 Sound”. It can be smooth or it can be a rock’n'roll monster when using ratio 100:1 (all in).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eLindell Audio 7X-500 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFET Style Compressor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVariable Mix Control For Precise Parallel Compression\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e3 Step Switched Attack Times\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e3 Step Switched Release Times\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e3 Step Switched High Pass Sidechain Filter. Off, 100Hz, 300Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e3 Step Swithched Ratio 4:1, 12:1, 100:1 (all in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTrue Hardware Bypass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTransformers Balanced Output\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e20-LED Gain Reduction Meter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eGold Plated Pcb\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003ch2\u003eLindell Audio 7X-500 SYSTEM REQUIREMENTS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePlease visit Lindell Audio’s website for more detailed documentation regarding their 500-series modules. Requires a 500-series power supply chassis to operate.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.lindellaudio.se\/index.php\/7x-500\/\" target=\"_blank\" title=\"Lindell Audio 7X-500\"\u003eNeed more info on the Lindell Audio 7X-500? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Lindell Audio","offers":[{"title":"Default","offer_id":4229693444,"sku":"LIN-7X-500","price":525.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-lindell-audio-7x-500-500-series-compressor-1.jpg?v=1553512117"},{"product_id":"awtac-channel-compressor-500-series-fet-compressor","title":"AwTAC Channel Compressor - 500 series FET compressor","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHand-build and wired in NYC, the AwTAC channel compressor for the 500 series format is a FET style compressor that sounds simply sublime. Some very cool features including the high pass filter and blend encoder, open up some very creative possibilities!\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eSYSTEM REQUIREMENTS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/kXcuVD4CfKc\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eAwTAC Channel Compressor PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eDrive Pot\u003c\/b\u003e sets the level to the FET Controlled Amp in the compressor circuit. Below unity, the Drive Pot will raise the level fed to the compressor. Above unity, the Drive Pot will raise the level of distortion in the compressor. Since the sidechain will not distort the FET controlled amp, the Drive Pot is there to add distortion when desired.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eHPF Switch\u003c\/b\u003e engages a 6 dB\/ Octave High Pass Filter to the side chain at 375 Hz. Seems like a high cut off point until you listen to it, the gradual slope allows your low end to breathe for a much more natural sounding vibe. Absolutely excellent on program material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eReduction Pot\u003c\/b\u003e controls the amount of compression applied to your input signal. Turn clockwise for more compression, fully counterclockwise for Off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eAttack Switch\u003c\/b\u003e is a three position toggle switch which selects Fast (1.5 mS) in the up position, Medium (15 mS) in the down position and Slow (40 mS) in the middle position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eRelease Pot\u003c\/b\u003e sets the release time from 75 mS to 3.4 Seconds. Fastest setting is full counterclockwise.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuto Switch\u003c\/b\u003e engages an auto release circuit when the toggle is in the up position. When engaged, Release Pot orientation has no effect. The auto circuit is program dependent and very, very, smooth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eBlend Pot\u003c\/b\u003e is the fader for the Blend Amplifier which sets output level for the Parallel, uncompressed, circuit. Only the Parallel Blend signal is effected by this pot. Blend circuit provides +9dB of gain “in hand” similar to what is found on a proper console. Unity gain is denoted by the hash mark at 1 O’ Clock. Full Counter Clockwise mutes the Parallel Blend signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eOutput Pot \u003c\/b\u003eis the fader for the Make-up Amp which sets the output level for the Compression Circuit. Only the compressed signal is effected by this Pot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eBypass Switch\u003c\/b\u003e activates the relay controlled true bypass. In the up position, the compression and parallel blend circuits are engaged. In the down position the entire circuit AND transformers are bypassed at the edge connector: input signal comes in off the edge connector, through the relay and back out to the edge connector completely bypassing the Channel Compressor circuitry. When powered off, the unit defaults to “bypass” so signal will flow through with the rack off, no need to unpatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003cb\u003eMeter\u003c\/b\u003e is an 8 segment peak detecting LED meter which displays gain reduction only in the following steps: -0.5 dB, -1 dB, -2 dB, -3dB, -4 dB, -6 dB, -10dB, -15dB The meter is always on, even with the unit in bypass.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eAwTAC Channel Compressor TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eInput Voltage Range: \u003c\/b\u003e\u003cbr\u003e +\/-15 to 18VDC\u003cbr\u003e \u003cb\u003ePower Consumption: \u003c\/b\u003e\u003cbr\u003e +\/-40mA\u003cbr\u003e \u003cb\u003eSize: \u003c\/b\u003e\u003cbr\u003e 5.24″ x 1.49″ x 6.06″\u003cbr\u003e \u003cb\u003eWeight: \u003c\/b\u003e\u003cbr\u003e 1lb\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCard Edge Connector\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePin 1 = Chassis (Earth)\u003cbr\u003e Pin 2 = Output +\u003cbr\u003e Pin 3 = N\/A\u003cbr\u003e Pin 4 = Output –\u003cbr\u003e Pin 5 = Signal Common (Ground)\u003cbr\u003e Pin 6 = DC Link\u003cbr\u003e Pin 7 = Fader Loop Return\u003cbr\u003e Pin 8 = Input –\u003cbr\u003e Pin 9 = Fader Loop Send\u003cbr\u003e Pin 10 = Input +\u003cbr\u003e Pin 11 = N\/A\u003cbr\u003e Pin 12 = +VDC\u003cbr\u003e Pin 13 = Signal Common (0VDC)\u003cbr\u003e Pin 14 = -VDC\u003cbr\u003e Pin 15 = N\/A\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eDrive Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eUnity gain (0 dB) at center (12 o’clock), with +7.8 dB fully clockwise and -9.6 dB fully counterclockwise, continuously variable\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eHigh Pass Filter (HPF) Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo-position toggle switch applies a first-order filter (6dB\/octave) at approximately 375 Hz to the side chain signal when engaged (up)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eReduction Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLevel of signal sent to side chain, continuously variable from -infinity fully counterclockwise to unity gain fully clockwise\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCompression Characteristic\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFixed attenuation followed by JFET-controlled variable amplification. Feedback design, peak-detecting, soft knee.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCompression Threshold\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVaries according to position of DRIVE and REDUCTION controls. An incoming signal of approximately -24 dBu @ 1kHz is required for compression to begin (defined as -0.5 dB of gain reduction) when these controls are set to their fully clockwise (maximum) positions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCompression Ratio\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVaries from 1:1 to 20:1 according to signal level and threshold (soft knee). Nominally 10:1 when INPUT and REDUCTION controls set to their fully clockwise (maximum) positions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAttack Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree-position toggle switch sets the side chain attack time\u003cbr\u003e 1.5mS (Fast) up\u003cbr\u003e 40mS (Slow) middle\u003cbr\u003e 15mS (Medium) down\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eRelease Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRelease time continuously variable from 75mS fully counterclockwise to 3.4 Seconds fully clockwise\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAuto Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo-position toggle switch defeats the release control and applies a program dependent release circuit when engaged (up)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eBlend Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLevel of uncompressed signal continuously variable from -infinity fully counterclockwise to +9.3 dB fully clockwise, with unity gain (0 dB) at 1:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eOutput Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLevel of compressed signal continuously variable from -infinity fully counterclockwise to +17.2 dB fully clockwise, with unity gain (0 dB) at 10:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eBypass Control\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo-position toggle switch controls relay true bypass circuit, which selects between processed outgoing signal (up) and unprocessed incoming signal (down). Reverts to bypass (unprocessed) position when unit is powered off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eGain Reduction Metering\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePeak-detecting LED indication from -0.5 to -15 dB, in eight carefully selected steps. Displays real-time side chain voltage, regardless of bypass status.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eLine Input\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eNominally 10,000 Ω balanced bridging, transformer isolated\u003cbr\u003e +4 dBu operating level\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eLine Output\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eNominally 90 Ω balanced, transformer isolated\u003cbr\u003e Max load 300 Ω or greater\u003cbr\u003e +4 dBu operating level\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTotal Gain\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e• +27 dB if DRIVE and OUTPUT controls both set fully clockwise, with REDUCTION and BLEND both set fully counterclockwise\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFrequency Response (dBu) (Compressed Output)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e+0\/-1 35Hz to 12kHz\u003cbr\u003e -6 @ 33.66kHz\u003cbr\u003e -3 @ 23.18kHz\u003cbr\u003e -3 @ 16 Hz\u003cbr\u003e -6 @ 9 Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFrequency Response (dBu) (Blend Output)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e+1\/-1 10Hz to 20kHz\u003cbr\u003e -6 @ 52kHz\u003cbr\u003e -3 @ 44kHz\u003cbr\u003e -0.3 @ 10Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ePhase Shift (Compressed Output)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e+102˚ @ 20kHz\u003cbr\u003e +3˚ @ 1kHz\u003cbr\u003e -45˚ @ 20Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ePhase Shift (Blend Output)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e+41˚ @ 20kHz\u003cbr\u003e +1˚ @ 1kHz\u003cbr\u003e -5˚ @ 20Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eDistortion (THD+N at 0dBu unity gain through, Compressed Output)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eNo greater than 0.3% 20Hz to 20kHz\u003cbr\u003e 0.57% @ 80k\u003cbr\u003e 0.04% @ 31k5\u003cbr\u003e 0.13% @ 20k\u003cbr\u003e 0.55% @ 10k\u003cbr\u003e 0.03% @ 1k\u003cbr\u003e 0.06% @ 100Hz\u003cbr\u003e 0.3% @ 20Hz\u003cbr\u003e 0.48% @ 10Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eDistortion (THD+N at 0dBu unity gain through, Blend Output)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eNo greater than 0.3% 20Hz to 20kHz\u003cbr\u003e 0.12% @ 80k\u003cbr\u003e 0.04% @ 31k5\u003cbr\u003e 0.03% @ 20k\u003cbr\u003e 0.03% @ 10k\u003cbr\u003e 0.03% @ 1k\u003cbr\u003e 0.08% @ 100Hz\u003cbr\u003e 0.26% @ 20Hz\u003cbr\u003e 0.52% @ 10Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eMax Output for 1% THD+N @ 1kHz\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eNominally +18 dBu (depending power supply voltages)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eMax Input for 1% THD+N @ 1kHz\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eGreater than +30 dBu (if controls turned counterclockwise, or gain reduction active, to sufficiently prevent max output condition)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eNoise (Compressed Output)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRMS 22 Hz to 22khz Unweighted = -78 dBu\u003cbr\u003e RMS 400Hz to IEC-A Weighted = -79 dBu\u003cbr\u003e Selectively Filtered (dBu) = -85 max @ 20kHz to -114 min @ 20Hz, with -95 nominal in the mid band (circa 1kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eNoise (Blend Output)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRMS 22 Hz to 22khz Unweighted = -90 dBu\u003cbr\u003e RMS 400Hz to IEC-A Weighted = -93 dBu\u003cbr\u003e Selectively Filtered (dBu) = -96 max @ 20kHz to -122 min @ 20Hz, with -109 nominal in the mid band (circa 1kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMeasurements taken from a randomly selected Channel Compressor module, installed in a Purple Audio Sweet Ten rack, using an Audio Precision Portable One Plus (GEN: 40Ω balanced floating, LOAD 20kΩ). Unless otherwise noted compressor signal path engaged, INPUT and OUTPUT controls set for unity gain, with all other controls at full counterclockwise, off, or resting positions. Specifications are subject to change without notice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eEach AwTAC Channel Compressor is assembled in Brooklyn, NY by a cheery staff of dedicated audio freaks, all of whom are full time NYC residents.\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eIt’s 1970 design done right in 2014. And we are doing it with pride, in the USA.\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003ch2\u003eAwTAC Channel Compressor SYSTEM REQUIREMENTS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eRequires 500-series PSU chassis to operate. For more detailed technical specifications and information regarding the AwTAC Channel Compressor, please click the link below.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/awtac.com\/products\/channel-compressor\" target=\"_blank\" title=\"AwTAC Channel Compressor - 500 Series FET Compressor\" rel=\"noopener noreferrer\"\u003eNeed more info on the AwTAC Channel Compressor? Click HERE for the official AwTAC product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"AwTAC","offers":[{"title":"Default","offer_id":4274437828,"sku":"","price":1800.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-awtac-channel-compressor-500-series-fet-compressor-1.jpg?v=1553512188"},{"product_id":"grace-design-m103-channel-strip-mic-preamplifier-eq-compressor","title":"Grace Design m103 Channel Strip - Mic Preamplifier \/ EQ \/ Compressor","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eCoupled with a delicate EQ section and optical compressor, the m103 is a channel-strip built from the m101 mic-pre. Plenty of head room, with all the features and character of the m101 \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6bnDlh_jdtA?feature=player_embedded\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eGrace Design m103 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eThe m103 starts with the tried and true m101 microphone preamplifier circuity. For many engineers, the m101 is an introduction to what quality mic preamplification is all about, and the perfect starting point for a channel strip – musical, transparent and pure. Headroom, detail, clarity – its all there. Complete with our exclusive ribbon mic mode, a 75Hz HPF and 48V phantom.\u003c\/p\u003e\n\u003cp\u003eThe 3 band EQ section is built around single stage parallel tuning architecture, which minimizes circuitry and delivers natural tonal shaping from 20Hz to 20kHz. Controls include a fully parametric mid, with sweepable high and low bands which can be operated in shelving or peak modes. Because of its accuracy of this design, smaller increments of cut or boost can be heard, providing a greater level of control over tone shaping.\u003c\/p\u003e\n\u003cp\u003eThe compressor circuit is based on an optical attenuator - the purest, high fidelity gain control mechanism available. It provides gentle limiting to fairly heavy compression, while remaining neutral and transparent. The perfect way to zip it all up and send it downstream - clean, intact and alive.\u003c\/p\u003e\n\u003cp\u003e10 segment gain reduction and output meters make monitoring compression and output levels simple. The front panel accessed HI-Z input makes this an amazingly high quality instrument preamp. Comprehensive I\/O options allow the mic pre and EQ\/COMP sections to be accessed independently of each other, and the order of the EQ\/COMP is switchable.\u003c\/p\u003e\n\u003cp\u003eA dual function link\/ sidechain input on rearpanel is provided for inserting external sidechain signals (for de-essing, ducking) or connecting two m103's together for stereo compression applications. Predictably, the m103 is built to last, and proudly backed by our 5 year transferable warranty. So there it is, we’ve done it. The m103 - a channel strip by name, a powerful tool by design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eCheck out the attached video of a track which features m103's on overheads and electric guitars!\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeature Summary:\u003cbr\u003e\u003c\/strong\u003eFast and musical transimpedance microphone preamplifier architecture\u003cbr\u003eUpdated audio path with 0.5% precision metal film resistors\u003cbr\u003eNew 12 position gold plated rotary gain switch\u003cbr\u003eHigh performance output line driver amplifier and HPF amplifier\u003cbr\u003eRibbon mic mode (also great for dynamic mics) -Relay bypass of phantom power decoupling capacitors, increased input impedance, and 48V lockout\u003cbr\u003e3-band presicion EQ, fully parametric mid band, peak and shelf mode for hi and low bands\u003cbr\u003enewly designed optical compressor\u003cbr\u003eMic amp direct output\u003cbr\u003eEQ\/COMP section line input\u003cbr\u003eBombproof laser-etched black anodized frontpanel\u003cbr\u003eSealed gold contact relay for Hi-Z input switching\u003cbr\u003eBuilt in power supply\u003cbr\u003eLed indicators for +48V, Ribbon mode, and HPF\u003cbr\u003epowerful 10 segment meters for gain reduction and output level\u003cbr\u003eFive year transferable warranty on parts and labor\u003cbr\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMade in the USA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eGrace Design m103 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN RANGE (5dB steps)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic input\u003c\/strong\u003e\u003cbr\u003e10-65dB\u003cbr\u003e\u003cstrong\u003eHi-Z input\u003c\/strong\u003e\u003cbr\u003e-10-45dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N 1kHz, 22Hz-22kHz BW\u003cbr\u003e\u003c\/strong\u003e@ 20dB Gain +20dBu out\u003cbr\u003e\u0026lt;0.00085%\u003cbr\u003e@ 40dB Gain +20dBu out\u003cbr\u003e\u0026lt;0.0010%\u003cbr\u003e@ 60dB Gain +20dBu out\u003cbr\u003e\u0026lt;0.0050%\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAXIMUM OUTPUT LEVEL\u003cbr\u003e\u003c\/strong\u003e100k Ohm load, 0.1% THD  \u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003e+28dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHT and DIMENSIONS\u003cbr\u003e\u003c\/strong\u003e2.05 kg           \u003cbr\u003e\u003cspan style=\"line-height: 1.4;\"\u003eH4.3cm x W48.3cm x D22.9cm\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePOWER CONSUMPTION\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e85-264VAC \/ 120-370VDC \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.5;\"\u003e14 Watts Max\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.gracedesign.com\/products\/m103\/m103.htm\" target=\"_blank\" title=\"Grace Design m103 Channel Strip - Mic Preamplifier \/ EQ \/ compressor\" rel=\"noopener noreferrer\"\u003eNeed more info on the m103? Click HERE for the official Grace Design product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Grace Design","offers":[{"title":"Default","offer_id":4702952644,"sku":"GRA AM 103","price":3749.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/preamps-channel-strips-grace-design-m103-channel-strip-mic-preamplifier-eq-compressor-1.jpg?v=1553512425"},{"product_id":"neve-ams-2264alb-500-series-mono-limiter-compressor-module","title":"Neve AMS 2264ALB 500 Series Mono Limiter\/Compressor Module","description":"\u003cp class=\"p1\"\u003eThe Neve 2264ALB is perfect module to compliment the award winning 1073LB pre-amp module in your 500 series rack. Build a serious channel strip, which was otherwise limited to commercial studios.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab4\"\u003eSYSTEM REQUIREMENTS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9x2mKCIxSew?feature=player_embedded\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eNeve AMS 2264ALB PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003eOriginally designed in 1974, the Neve 2264A mono Limiter\/Compressor unit quickly became a legend. Delivering similar facilities and performance as the earlier 2254 Limiter\/Compressor type, it did so despite being packaged in a more compact form-factor. Discrete, Class A\/B design and transformer-coupled circuits used in the input, innovative bridge-driver design, side-chain and output stages ensured a totally unique sound. The original 2264A units are still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment.\u003c\/p\u003e\n\u003cp\u003eAnd now the 2264A unit is available for your 500-series rack.\u003c\/p\u003e\n\u003cp\u003eCrafted in England by Neve engineers, the 2264ALB retains the original 2264A’s unique sonic characteristics by using the same architecture, matching components and original hand-wound transformers and adds new features: a Signal Presence indicator LED and a Slow Attack option. And it delivers it in a modern and portable form-factor which professional producers and engineers demand.\u003c\/p\u003e\nSimply install into an empty slot in your compatible 500-series rack, connect your line level signals and inject the legendary Neve dynamic sound into your audio creations. And it's the perfect pairing for the incredible Neve 1073LB microphone pre amp module. The 2264ALB module can be inserted between the input and output stages of the 1073LB module, creating an all-new Neve classic audio path.\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eFeature Summary:\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003eClassic mono Limiter\/Compressor, available in a 500-series format\u003c\/p\u003e\n\u003cp\u003eTransformer-coupled circuits used in Input, Bridge-driver, Side-chain and Output stages\u003c\/p\u003e\n\u003cp\u003eIndependent Limiter and Compressor IN\/OUT selectors\u003c\/p\u003e\n\u003cp\u003eBYPASS switch connects input terminals directly to output terminals\u003c\/p\u003e\n\u003cp\u003eSlow Attack switch changes between classic 2264A attack settings and new Slow Attack setting for buss compression work\u003c\/p\u003e\nDigital LED meter with approximate PPM ballistics indicates 0dB to 20dB of gain reduction\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003eAudio Processing Insert design allows the audio to\/from the 2264ALB module to be inserted into the audio path of an existing 1073LB module (modules must be fitted in the same LunchboxTM)\u003c\/p\u003e\nFully screened module, packaged in Mu-metal case helps eliminate stray electromagnetic fields from LunchboxTM PSU or other module types\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eNeve AMS 2264ALB TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLevels:           \u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eInput:\u003cbr\u003e\u003c\/strong\u003e10kΩ, bridging, balanced and earth-free.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput:          \u003cbr\u003e\u003c\/strong\u003eSource impedance 80Ω, balanced and earth-free.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum output:\u003cbr\u003e\u003c\/strong\u003e+26dB into 600Ω\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain:  \u003cbr\u003e\u003c\/strong\u003e0dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise:\u003cbr\u003e\u003c\/strong\u003e-70.5dBu (20Hz ~ 20kHz) for linear and limit modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response:        \u003cbr\u003e\u003c\/strong\u003eFlat, within 1dB from 20Hz ~ 20kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDistortion:    \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith limit switched IN, threshold set to +4dBu, recovery 800ms \u0026amp; input level +20dB:0.05% @ 1kHz (10Hz ~ 80kHz)With Compress \u0026amp; Limit switched OUT, input\/output level +9dB:\u003c\/p\u003e\n\u003cp\u003e0.05% @ 1kHz (10Hz ~ 80kHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimiter section:       \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThreshold:\u003c\/strong\u003e    \u003cbr\u003e Variable from +4dB ~ +15dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatio:\u003c\/strong\u003e \u003cbr\u003e Greater than 100:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack Time: \u003c\/strong\u003e\u003cbr\u003e 4mS\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecovery Time:\u003c\/strong\u003e       \u003cbr\u003e 50ms, 100ms, 200ms, 800ms and Auto1 (100ms\/2sec) and Auto2 (50ms\/5sec) settings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor section:          \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThreshold:\u003c\/strong\u003e    \u003cbr\u003e Variable from -20dBu ~ +10dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatio:\u003c\/strong\u003e \u003cbr\u003e 1.5:1, 2:1, 3:1, 4:1, 6:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack Time: \u003c\/strong\u003e\u003cbr\u003e 3ms with Slow Attack off, 12ms with Slow Attack active.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecovery Time:\u003c\/strong\u003e       \u003cbr\u003e 100ms, 400ms, 800ms, 1.5sec and Auto1 (100ms\/2sec) and Auto2 (50ms\/5sec) settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Make-up:\u003c\/strong\u003e          \u003cbr\u003e 0dB ~ +20dB extra gain when Compress switched IN.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeter:            \u003c\/strong\u003e\u003cbr\u003e Digital LED meter with approximate PPM ballistics indicates 0dB ~ 20dB of gain reduction.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel Controls:\u003c\/strong\u003e         \u003cbr\u003e Gain meter, Limiter Threshold \u0026amp; Recovery rotary controls with IN\/OUT switch \u0026amp; indicator LED, Compressor Threshold and Recovery rotary controls with IN\/OUT switch \u0026amp; indicator LED, Compressor Gain and Ratio rotary controls with LINK switch \u0026amp; indicator LED, Bypass switch, Signal Presence indicator LED, Slow Attack switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWidth x Height x Depth \u0026amp; Weight:(excluding front panel controls and rear connector)        \u003cbr\u003e 38mm (1½ inches) x 132mm (5¼ inches) x 145 mm (5¾ inches) – 1.1kg (2½ pounds)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2264ALB Module requirements: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRack:\u003c\/strong\u003e  \u003cbr\u003e Compliant LunchboxTM rack with integral PSU and external audio connections.\u003c\/p\u003e\n\u003cstrong\u003eAvailable Rack slots:          \u003c\/strong\u003e\u003cbr\u003e Single LunchboxTM rack slot required for each 2264ALB module.Two or three adjacent LunchboxTM rack slots required for each 1073LB\/2264ALB or 1073LB\/ 1073LBEQ\/2264ALB module configuration when the modules are used together in Audio Processing Insert mode.\u003c\/li\u003e\n\u003cli id=\"tab4\"\u003e\n\u003ch2\u003eNeve AMS 2264ALB SYSTEM REQUIREMENTS:\u003c\/h2\u003e\n\u003cem\u003eRequires 500 series PSU chassis to operate. For more information please visit the Neve AMS website via the link below.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.ams-neve.com\/products\/outboard\/2264alb-mono-limitercompressor-module\" target=\"_blank\" title=\"Neve AMS 2264ALB 500 Series Mono Limiter\/Compressor module\"\u003eNeed more info on the Neve AMS 2264ALB? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Neve AMS","offers":[{"title":"Default Title","offer_id":4734281156,"sku":"NEV-2264ALB500","price":1971.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-neve-ams-2264alb-500-series-mono-limiter-compressor-module-1.jpg?v=1553512485"},{"product_id":"chandler-limited-rs124","title":"Chandler Limited RS124 Valve Compressor","description":"\u003cp class=\"p1\"\u003eThe RS124 valve compressor from Chandler Limited is a re-creation of one of the most iconic pieces of gear found in Abbey Road Studios. The original RS124 can be heard on nearly all of the recordings from The Beatles.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iJv6hlGDgG0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eRS124 Valve Compressor PRODUCT FEATURES:\u003c\/h2\u003e\nThe Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI\/Abbey Road RS124, reimagined for use in the modern studio environment.\u003cbr\u003e\u003cbr\u003eFirst designed in 1960 by Abbey Road Head of Techncial Bill Livey, Deputy Head Len Page and seasoned EMI Audio Designer Mike Batchelor, the Abbey Road RS124 compressor is one of the most coveted pieces of recording gear ever developed.\u003cbr\u003e\u003cbr\u003eBorn out of the inadequate Altec 436Bs acquired by EMI in the late 1950s for Abbey Road Studios, the RS124 compressor is most closely associated with recordings made by The Beatles at Abbey Road Studios. Present on virtually every Beatles session, the RS124 left its remarkable signature across most of the catalog.\u003cbr\u003e\u003cbr\u003eThe RS124’s undeniably smooth character and ability to tame transients without muffling the sound at steep compression levels, quickly became popular with Abbey Road Studios engineers and widely used throughout the now historic studio, for tracking, buss compression, mixing, and mastering. They where so integral to the recording and mixing process that a pair can be seen in almost every control room photo in Abbey Road Studios during the 60s period.\u003cbr\u003e\u003cbr\u003eThe RS124 Compressor was built for use at Abbey Road Studios, and was never commercially available.\u003cbr\u003e\u003cbr\u003eThrough the years, from incomplete information and supposition, some have tried to recreate the holy grail of tube compressors, though never fully capturing the elusive Abbey Road RS124 in all its glory.\u003cbr\u003e\u003cbr\u003eSchematics themselves only told part of the story, and access to Abbey Road Studios’ historic units and various hand written modification notes would prove paramount towards understanding the true nature of the Abbey Road RS124 compressor and variances between units.\u003cbr\u003e\u003cbr\u003eMany revisions were carried out since its inception, and as a result, the Abbey Road RS124 valve compressor has remained a mystery for decades, until now.\u003cbr\u003e\u003cbr\u003eAvailable now, for the first time ever, the Chandler Limited RS124 Compressor harnesses the sound and personalities of Abbey Road Studios’ favorite historic RS124 Compressors (Ser. No’s 60070B, 60050A, and 61010B) still in use at the famed studio to this day, all in a single unit.\u003cbr\u003e\u003cbr\u003eAlong with features traditionally found on the original counterparts, Input control, Output attenuation, ‘Recovery’ (release) control and the unique ‘HOLD’ setting, the Chandler Limited RS124 Compressor includes modern facilities such as adjustable attack, selectable output impedance, and a special twist, dubbed the ‘SuperFuse’.\u003cbr\u003e\u003cbr\u003eBring home the sound of a legend reimagined for the modern era, today.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbbey Road Studios, EMI, RS and their associated logos are trademarks of EMI (IP) Limited.\u003c\/em\u003e\n\u003ch2\u003eRS124 Valve Compressor TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cstrong\u003eCHANNELS:\u003c\/strong\u003e \u003cbr\u003eMono\u003cbr\u003e\u003cstrong\u003eCIRCUIT:\u003c\/strong\u003e \u003cbr\u003eTube (6BC8,6CG7, 6AL5)\u003cbr\u003e\u003cstrong\u003eCONNECTIONS\u003c\/strong\u003e\u003cbr\u003eInputs: XLR (pin 2 hot)\u003cbr\u003eOutput: XLR (pin 2 hot)\u003cbr\u003eTransformer balanced I\/O (custom wound)\u003cbr\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003cbr\u003eInput Control: Variable (stepped special order)\u003cbr\u003eOutput Attenuator: Variable (stepped special order)\u003cbr\u003eAttack: Selectable, Stepped (9 settings, including 3 Abbey Road Historic serial numbers)\u003cbr\u003eRecovery: Selectable, Stepped (6 settings, and HOLD)\u003cbr\u003eSuperFuse (switchable mode)\u003cbr\u003eOutput Impedance: 200\/600 ohms, switchable\u003cbr\u003eStereo linkable: Standard 1\/4″ jack\u003cstrong\u003e\u003cbr\u003ePOWER\u003c\/strong\u003e\u003cbr\u003eInternal power supply \u003ca title=\"Chandler Limited RS124 Valve Compressor\" href=\"http:\/\/chandlerlimited.com\/rs124-compressor\/\" target=\"_blank\"\u003eNeed more info? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Chandler Limited","offers":[{"title":"Default","offer_id":10856621956,"sku":"CHRS124","price":5058.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-chandler-limited-rs124-valve-compressor-1.jpg?v=1553512915"},{"product_id":"warm-audio-wa-2a-tube-opto-compressor","title":"Warm Audio WA-2A Tube Opto Compressor","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe Warm Audio WA-2A Tube Opto Compressor looks to be the real deal! Well...a damn good re-creation of one! Based on the iconic Teletronix LA2A, the WA-2A has followed the original schematic, and uses Cinemag transformers, found in all of Warm Audio’s current product line. Another key design point is the type of tubes controlling the attack and release that Warm Audio have chosen - Kenetek, which Warm Audio claim to be the most sought after for recreating the legendary sound of the LA2A. The WA-2A also features an exceptional internal power supply (no wall-worts!), and a stereo-link feature for connecting two units together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/UkEoOryB-5A\" height=\"480\" width=\"854\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTrue to its inspiration; the WA-2A boasts an all tube, completely discrete signal path with through-hole component topology. It also features custom, large-core Cinemag input and output transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell, considered by many to be the world’s finest. \u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic optical tube compressor. For decades, the renowned ‘2A type circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003c\/span\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; display: inline !important;\"\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePlease visit the Warm Audio website via the link below. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Warm Audio WA-2A Tube Opto Compressor\" href=\"https:\/\/warmaudio.com\/wa-2a\/\" target=\"_blank\"\u003eNeed more info on the Warm Audio WA-2A? Click HERE for the official Warm Audio product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":14847586884,"sku":"SEF-WAR-WA2A","price":1429.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/wa2a.jpg?v=1662004108"},{"product_id":"dbx-560a-500-series-compressor","title":"DBX-560A 500 Series Compressor","description":"\u003cp class=\"p1\"\u003eFinally DBX has made a 500 series version of their classic DBX 160 VCA compressor with Overeasy at a significantly reduced price. This is the go to compressor for recording drums and guitars. The DBX160 has a super fast attack so it's great for slamming snare drums. It's also very simple to use with controls for threshold, ratio and output gain. It has a great 19 segment gain reduction LED for metering.  \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eDBX 560A PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing the same switch-selectable OverEasy® and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to \"brick wall\" peak limiting. \u003c\/span\u003eChoose low ratios and OverEasy compression to expertly smooth out fluctuating vocal and instrumental levels, or use the 560A's Hard Knee compression and high ratios for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals.\u003c\/p\u003e\n\u003cp\u003eThe 560A's 19-segment, switchable Input\/Output LEDs and 12-segment Gain Reduction LEDs provide precise analysis at a glance. And, the dbx 560A's unique \"INFINITY +\" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway mix levels.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eDBX 560A TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eInput Type     \u003cbr\u003eElectronically balanced\/unbalanced, RF filtered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInput Impedance      \u003cbr\u003e40kΩ balanced, 20kΩ unbalanced\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaximum Input Level          \u003cbr\u003e+22dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCMRR  \u0026gt;40 dB; typically \u0026gt;55 dB at 1 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOutput Type  \u003cbr\u003eElectronically balanced\/unbalanced, RF filtered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOutput Impedance   \u003cbr\u003eBalanced 30Ω , unbalanced 15Ω\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaximum Output Level       \u003cbr\u003e+22dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrequency Response            \u003cbr\u003e20 Hz – 20 kHz, + 0\/-0.5 dB; 0.5 Hz – 100 kHz, +0\/-3 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNoise   \u003cbr\u003e\u0026lt;-97 dBu, Unweighted (22 Hz – 22 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHD+Noise     \u003cbr\u003e\u0026lt;0.005% typical, No compression, 1 kHz input at 0 dBu; \u0026lt;0.07% typical, Any Amount of Compression up to 40 dB @ 1 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDynamic Range         \u003cbr\u003e\u0026gt;119 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompression Gain Adjustment Range        \u003cbr\u003eVariable from -20 dB to +20 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompressor Threshold Range         \u003cbr\u003e-40 dBu to +20 dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompressor Threshold Characteristic        \u003cbr\u003eSelectable OverEasy® or Hard Knee\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompressor Ratio      \u003cbr\u003eVariable 1:1 to \u003c\/span\u003e∞\u003cspan\u003e :1 thru to -1:1; 60dB Maximum Compression\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompressor Attack Time      \u003cbr\u003eProgram-Dependent; Typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompressor Release Time    \u003cbr\u003eProgram-Dependent; Typically 8ms for 1dB, 80ms for 10dB, 400ms for 50dB; 125dB\/Sec Rate\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePower Requirements            \u003cbr\u003e+\/- 16VDC\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrent Draw           \u003cbr\u003e 60mA per power rail\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePower Draw   \u003cbr\u003e1.92 watts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRack System Compatibility   \u003cbr\u003e500 Series Compatible Power-frame\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRack Space     \u003cbr\u003e1 Slot\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions (H x W x D)       \u003cbr\u003e5.25” x 1.5” x 6” (13.34cm x 3.81cm x 15.24cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeight            \u003cbr\u003e1.3 lbs (0.59 kg)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShipping Weight       \u003cbr\u003e1.7 lbs (0.77 kg)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e* Requires a 500 series rack unit to operate. Sold Separately.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/dbxpro.com\/en-US\/products\/560a\" target=\"_blank\" title=\"DBX 560 A compressor\" rel=\"noopener noreferrer\"\u003eNeed more info on the 560A? Click HERE for the official dbx product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":17458685444,"sku":"DBX 560a","price":595.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-dbx-560a-500-series-compressor-1.jpg?v=1553514199"},{"product_id":"golden-age-project-comp-3a-audio-leveler","title":"Golden Age Project Comp-3A Compressor","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Golden Age Project Comp-3A is a remake of the classic UA LA3A levelling amplifier and compressor with a few extra little tricks up it's sleeve. The Comp-3A maintains the same features as the original - mono channel, half-rack unit with VU metering. The beauty of this compressor is it's simple design with a one knob \"peak Reduction\" knob to control the amount of gain reduction. The Comp 3A is an opto, or optical compressor. This style of compression is a nice, gentle for of compression - great on vocals and acoustic instruments. You also have the option to link two units together for stereo bus compression \/ limiting. Golden Age Project have done an impressive job emulating the classic originally released in 1969. Check out the video below for some live examples in action! \u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/pLOtjMpSx3w\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eGolden Age Project Comp-3A PRODUCT FEATURES:\u003c\/h2\u003e\nThe LA-2A (tube version) and LA-3A (solid state version) are some truly classic compressors \/ leveling amplifiers. Having been used for decades on countless recordings, they are a perfect example of vintage designs that never goes out of favor. At the core of both products is the T4 electro-optical attenuator with its unique sound and compression characteristics and a very smooth, natural and program dependent operation. Add to that the easy of use with only two main controls, GAIN and PEAK REDUCTION and the wonderful sound of the fully discrete signal path and the transformers.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eGolden Age Project Comp-3A TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nVintage-style circuitry with no integrated circuits\u003cbr\u003eTransformer-balanced I\/O\u003cbr\u003eCapable of driving most balanced or unbalanced loads\u003cbr\u003eInternal jumper for selectable output-transformer loading\u003cbr\u003eLets you vary high-frequency response\u003cbr\u003eEmploys classic T4-style electro-optical attenuator for gain control\u003cbr\u003eProgram-dependent attack and release times\u003cbr\u003eEasy 2-control operation: Gain, Peak Reduction\u003cbr\u003eHF control increases sidechain circuit sensitivity to mid- and high-frequency content\u003cbr\u003eLarge meter selectable between gain reduction and output level at 2 reference levels\u003cbr\u003eHardwired bypass switch for 1-touch in\/out comparison\u003cbr\u003eXLR and TRS I\/O for flexible connectivity\u003cbr\u003eLink switch and jack for stereo operation with another Comp-3A\u003cbr\u003eExternal power supply (no interaction with audio circuitry)\u003cbr\u003eClassic sound, ideal for most sources and music styles\u003cbr\u003eRugged build quality will provide many years of service\u003cbr\u003eCompact, 2RU half-rackspace chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.goldenageproject.com\/outboards-old\/comp-2a-comp-3a\/\" target=\"_blank\" title=\"Golden Age Project Comp-3A Compressor\" rel=\"noopener noreferrer\"\u003eNeed more info on the Golden Age Comp-3A? Click HERE for the official Golden Age Project product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Golden Age Project","offers":[{"title":"Default","offer_id":21381717636,"sku":"GOL-COMP3A","price":905.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-golden-age-project-comp-3a-compressor-1.jpg?v=1553514849"},{"product_id":"manley-elop-stereo-optical-compressor","title":"Manley ELOP+ Stereo Optical Compressor Limiter","description":"\u003cp class=\"p1\"\u003eThe 2016 Manley ELOP+ Stereo Optical Compressor has been completely re-engineered from the ground-up and has similarities to the legendary Universal Audio LA-2A. With careful reference to the sonic past, Manley have deployed their highest performance vacuum tube line amplifier and White Follower output stage in this new version! \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/O-bn-UhNda8\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eManley ELOP+ PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eSince the early 1990’s, the Manley ELOP® stereo electro-optical limiter has been a tracking hero effortlessly controlling dynamics on countless records around the globe, delivering the coveted classic, all-tube sound that Manley Labs is known for. So how do you improve on something this good?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWell, for starters, we have now added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. The 2016 ELOP+ has been completely re-engineered from the ground-up, beginning with our amazing modern high voltage switching power supply purpose-designed for our vacuum tube audio circuits. With careful reference to our sonic past, we have deployed our highest performance vacuum tube line amplifier and White Follower output stage in this new version all housed in a build-efficient chassis behind a drop-dead gorgeous precision-CNC-milled faceplate, all proudly made in America, of course. The new Manley ELOP+ is everything you love about our legendary ELOP, plus!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eManley ELOP+ TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e10:1 Limiter and 3:1 Compressor ratios\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eAll-tube audio path uses 5751 and 6922 dual triodes\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eBalanced Manley IRON® transformer-coupled XLR Inputs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eXLR impedance-balanced outputs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eBYPASS switches and AUTOMUTE with warm-up delay\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eLarge illuminated VU meters read Gain Reduction or Output levels\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eSTEREO LINK\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eSide-Chain High-Pass Filter\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eUniversal internal power supply operates worldwide 90-250V~AC 50\/60Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.manley.com\/products\/view\/manley-elop\" target=\"_blank\" title=\"Manley ELOP+ Stereo Optical Compressor\" rel=\"noopener noreferrer\"\u003eNeed more info on the Manley ELOP+? Click HERE for the official product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Manley","offers":[{"title":"Default","offer_id":21468281412,"sku":"MAN-ELOPL+","price":4928.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-manley-elop-stereo-optical-compressor-limiter-1.jpg?v=1553514981"},{"product_id":"golden-age-project-comp-54-mkiii-compressor","title":"Golden Age Project Comp-54 MkIII 2254 Vintage Style Compressor","description":"\u003c!-- split --\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eThe new MKIII features new knobs on the front panel as well as minor tweaks under the hood.\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGolden Age Project COMP-54 MKIII\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a one-channel vintage-style compressor. The signal path uses only discrete components like resistors, capacitors and transistors. The line input and output are transformer balanced and the unit also has a third interstage transformer. The MKIII features the following improvements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImproved knobs and switches\u003c\/li\u003e\n\u003cli\u003eImproved signal-to-noise ratio\u003c\/li\u003e\n\u003cli\u003eInline signal path insert (pre-makeup gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/D-lT8tbv8sE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eThis is the way audio components were built before integrated circuits became available. ICs are small and cheap and they are widely used in most modern designs. It is clear though that the audio component built with modern technology doesn’t always provide the best-perceived sound quality or character that the modern user desires. On the contrary, the subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second-hand market.\u003c\/p\u003e\n\u003cp\u003eThe Class A circuit used in the COMP-54 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to its totally unique sound character that is warm, smooth, sweet and musical. These characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cp\u003eThe COMP-54 uses a diode bridge as the gain control element, a method that is revered for its smooth way of operation. Some of the most sought-after vintage compressor designs, like 2254, 2264, 33609, Siemens and EMI used the same basic design.\u003c\/p\u003e\n\u003cp\u003eThe controls in the COMP-54 are very flexible covering broad ranges of Ratio, Attack and Release times, including two Auto positions. All controls except the Gain make-up one are stepped for easy resetting and stereo matching.\u003c\/p\u003e\n\u003cp\u003eThere are three selectable sidechain high-pass filter frequencies available to handle special situations. The Bypass switch is a true bypass where a relay switches the complete circuitry in or out. The IN\/OUT switch makes it possible to switch the compression on and off while retaining the colouring from the transformers and the electronic circuitry.\u003c\/p\u003e\n\u003cp\u003eThe meter can show output level or gain reduction. It is also possible to link two units for stereo operation.\u003c\/p\u003e\n\u003ch2\u003eSPECIFICATIONS\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul class=\"table\"\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eType: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eDiode Bridge Based Compressor\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eNumber of Channels: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eSingle channel\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eControls: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eThreshold, Ratio, Attack, Release, Sidechain Highpass, Make-up Gain\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eThreshold:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e-20dB to +10dB\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eRatio:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1.5:1 to 6:1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eInputs:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x XLR, 1 x 1\/4″\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eOutputs:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x XLR, 1 x 1\/4″\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eSidechain I\/O:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x 1\/4″ (insert)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003eOther I\/O:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x 1\/4″ (link)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\n\u003cp\u003e\u003cstrong class=\"table__header\"\u003ePower Source:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e24V Adapter power supply\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":21571116676,"sku":"GOL-COMP54MK3","price":714.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/GoldanAgeMKIII.jpg?v=1654213305"},{"product_id":"dbx-266xs-compressor-gate","title":"dbx 266xs Compressor \/ Gate","description":"\u003cp class=\"p1\"\u003eThe dbx 266xs is a two channel compressor, limiter and gate. An all in one dynamics solution that is equally suited to live or studio applications. The 266xs features dbx’s patented Overeasy compression allows for a musical and transparent character.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca href=\"#tab2\" class=\"active\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab2\" class=\"active\"\u003e\n\u003ch2\u003edbx 266xs PRODUCT FEATURES:\u003c\/h2\u003e\nError proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes\u003cbr\u003eNew gate timing algorithms ensure the smoothest release characteristics\u003cbr\u003eProgram-adaptive expander\/gates\u003cbr\u003eGreat sounding dynamics control for any type of program material\u003cbr\u003eSeparate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup\u003cbr\u003eStereo or dual-mono operation\u003cbr\u003eBalanced inputs and outputs on 1\/4\" TRS and XLR connectors\u003cbr\u003eSide Chain insert\u003cbr\u003eClassic dbx® \"Auto\" mode\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003edbx 266xs TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nInput Connectors: 1\/4” TRS and female XLR (pin 2 hot)\u003cbr\u003eInput Type: Electronically balanced\/unbalanced, RF filtered\u003cbr\u003eInput Impedance: 40kΩ balanced\/unbalanced\u003cbr\u003eMax Input: \u0026gt;+22dBu Balanced or Unbalanced\u003cbr\u003eOutput Connectors: 1\/4” TRS, female XLR (pin 2 hot)\u003cbr\u003eOutput Type: Impedance-balanced\/unbalanced, RF filtered\u003cbr\u003eOutput Impedance: +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced\u003cbr\u003eMax Output: \u0026gt;+21dBu balanced\/unbalanced into 2kΩ or greater; \u0026gt;+18dBm balanced\/unbalanced (into 600Ω)\u003cbr\u003eSidechain: 1\/4” TRS Phone, Normalled: Ring = Output (send); tip = Input (return)\u003cbr\u003eSidechain Impedance: Tip = \u0026gt;10kΩ (Input), Ring = 2kΩ (Output)\u003cbr\u003eSidechain Max Input Level: Tip = \u0026gt;+22dBu (Input)\u003cbr\u003eSidechain Max Output Level: Ring = \u0026gt;+20dBu (Output)\u003cbr\u003eDimensions: 1.75\" x 5.75\" x 19\" (4.45 cm x 14.6 cm x 48.26 cm )\u003cbr\u003eUnit Weight: 4.84 lbs (2.19 kg)\u003cbr\u003eShipping Weight: 6.6 lbs (2.99 kg)\u003cbr\u003eReference: 0dBu = 0.775Vrms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"http:\/\/www.moogmusic.com\/products\/minifoogers\/\" target=\"_blank\"\u003eNeed more info on the 266xs? Click HERE for the official dbx product listing \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":21578160708,"sku":"DBX 266XS","price":389.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-dbx-266xs-compressor-gate-1.jpg?v=1553515110"},{"product_id":"art-pro-vla-ii-two-channel-vactrol-based-compressor-1","title":"ART Pro VLA II Two Channel Vactrol-based Compressor","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe ART Pro VLA II is a dual-channel tube vactrol-based studio compressor and levelling amplifier. The Pro VLA II uses an Opto circuit, with a 12AT7 vacuum tube in the signal path. The transformerless design makes the Pro VLA II ideal for sculpting transients and dynamic range. With its soft-knee design, the Pro VLA II will give you smooth musical results in the studio. VU metering and XLR \/ TRS connectors make for a very professional, intuitive, and cost-effective dynamics processing unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003ciframe style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" height=\"315\" width=\"560\" src=\"\/\/www.youtube.com\/embed\/fbIFcSkfiBk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c!-- split --\u003e\n\u003ch2\u003eART Pro VLA II Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eVCA-Less Vactrol Opto-Compression Design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEnhanced Link Mode - While in stereo link mode, channel 1 level control acts as a master output level and channel 2 becomes a balance control between them, - optimizing the Pro-VLA II for use as a mastering tool\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVariable Threshold, Ratio \u0026amp; Output Controls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLED Backlit VU Input\/Output Level Metering\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLED Metering Indicates Both Average Level And Peak Hold\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAccurate Ten Segment LED Gain Reduction Metering\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e+4dBu\/-10dBu Mode Switch Optimizes Pro-VLA II For Interface with Professional OR Consumer Grade Components\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eActive Balanced XLR And ¼-Inch Inputs \u0026amp; Outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eToroidal Transformer Reduces Mechanical \u0026amp; Electrical Hum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eART Pro VLA II Specifications:\u003c\/h2\u003e\n\u003cp\u003eEquivalent Input Noise: @+4dBu: -99dBu (''A'' weighted) \/ @-10 dBV: -107dBu (''A'' weighted)\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMaximum Attenuation: 30dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput Impedance: 10K Ohms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMaximum Input Level: +20dBu (in +4dBu mode) \/ +10dBV (in -10dBV mode)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMaximum Output Level: +20dB max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: 10Hz to 100KHz (+\/- 0.5dB)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: \u0026gt; 100dB (20-20KHz)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAttack Time: 0.25msec. to 50msec. variable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRelease Time: Variable 150ms to 3s\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTotal Harmonic Distortion: \u0026lt;0.1% (typical)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSlope: Variable 2:1 to 20:1\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDimensions: 3.5” x 19\" x 9.2\" (8.9cm x 48.3cm x 23.3cm)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWeight: 10.5lbs (4.76kg)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca title=\"ART Pro VLA II\" href=\"http:\/\/artproaudio.com\/compressors\/product\/pro_vla_ii\/\" target=\"_blank\"\u003eART Pro VLA II\u003c\/a\u003e?","brand":"ART (Applied Research \u0026 Technology)","offers":[{"title":"Default Title","offer_id":32786944708,"sku":"SEF-ARTP_PROVLAIICE","price":809.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-art-pro-vla-ii-two-channel-vactrol-based-compressor-1.jpg?v=1553517474"},{"product_id":"looptrotter-audio-monster-2-channel-compressor-with-tube-saturation","title":"Looptrotter Audio MONSTER - 2 Channel Compressor with Tube Saturation","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Looptrotter MONSTER is a dual channel compressor, that features three different dynamics processing functions. A compressor\/limiter, tube saturation and audio mixer of wet and dry signals. The MONSTER is an excellent studio tool, that allows you to combine its key features to process sub groups, add depth and color to individual tracks and even mastering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/lDR7zpMf0Uk\" allowfullscreen=\"\" width=\"800\" height=\"600\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eLooptrotter Audio MONSTER Features:\u003c\/h2\u003e\nMonster Compressor is a device with a \"character\". It was designed to complement the \"soulless\", \"super clean\" digital technology. The compression module evens the signal in a very musical way, before the tube saturation. The unique combination of compression and tube saturation makes the sound seem distinctly closer, every detail stand out and gives the energy to the processed sound. It makes the sound more tactile and ear friendly.\u003cbr\u003e\u003cbr\u003eMonster Compressor is built with the use of the best pieces of analog technology available. Within the highest quality minimalistic signal path there are integrated circuits, discreet circuits and electron tubes. The symmetrization and de-symmetrization circuits provide the neutrality of the sound, and those are based on integrated circuits dedicated to sound processing. The output of Monster Compressor is secured with capacitors also designed for sound.\u003cbr\u003e\u003cbr\u003eFET transistor is responsible for sound reduction and it’s optimized for adding low frequency harmonics. In its non-linear characteristics it reminds the electron tubes, so even with the deep compression the sound is close and detailed.\u003cbr\u003e\u003cbr\u003eThe amplification of the sound after the FET transistor is handled by the high quality operational amplifier build of discreet elements. The compressor’s signal path is rid of capacitors.\u003cbr\u003e\u003cbr\u003eIn the saturation circuit there are military grade electron tubes with a prolonged longevity (NOS). The unique feature of Monster Compressor is the option of boosting the even harmonics added by the tubes (2nd BOOST), especially handy during extreme processing of tracks and subgroups.\u003cbr\u003e\u003cbr\u003eThe MIX option is based on integrated circuits dedicated to sound processing. This makes it sound neutral, but widens the application of Monster Compressor.\u003cbr\u003e\u003cbr\u003eAll parameters except the tube saturation are being controlled with switches. It guarantees the even processing of both channels, which is essential in working with stereo and very handy in case of recalling settings fast.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eLooptrotter Audio MONSTER Specifications:\u003c\/h2\u003e\nOriginal design guaranteeing unique sound\u003cbr\u003eMinimalistic signal path based on selected elements providing the ultimate sound quality\u003cbr\u003eFET transistor responsible for sound reduction provides a substantial compression velocity and introduces even harmonics to the signal which makes the tracks sound clear and distinct in the mix\u003cbr\u003eThe operational amplifier build of discreet elements amplifies the signal after the compressor\u003cbr\u003eThe saturation based on the military grade electron tubes with prolonged longevity provide seamless operation and superb sound\u003cbr\u003eThe option of boosting even harmonics in the tube saturation module\u003cbr\u003eThe \"MIX\" option allows mixing the dry and wet signal\u003cbr\u003eThe option of quick recall of settings thanks to regulation switches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/looptrotter.com.pl\/rack_en\/monster-compressor.html\" target=\"_blank\" title=\"Looptrotter Audio MONSTER\"\u003eLooptrotter Audio MONSTER\u003c\/a\u003e?","brand":"Looptrotter Audio Engineering","offers":[{"title":"Default Title","offer_id":32882235908,"sku":"MONCOMP","price":5494.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-looptrotter-audio-monster-2-channel-compressor-with-tube-saturation-1.jpg?v=1553517582"},{"product_id":"rupert-neve-designs-543-500-series-compressor","title":"Rupert Neve Designs 543 - 500 Series Compressor","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Rupert Neve Designs 543 is a versatile VCA 500 series mono compressor\/limiter, derivative of the RND Portico 5043 compressor. For such a small unit, the flexibility on the 543 is impressive. There are individual controls for threshold, attack, release, makeup gain, side chain high pass filter, along with separate metering for both level and gain reduction. Two 543 modules are able to be linked together to make a stereo bus compressor too. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/GKYx4sg6o9I\" allowfullscreen=\"\" frameborder=\"0\" width=\"640\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRupert Neve Designs 543 Features:\u003c\/h2\u003e\nThe 543 Mono Compressor delivers the unobtrusive, musical-sounding dynamic control and brick-wall limiting made famous in the Portico 5043 to the 500 series format. The 543 features a fully controllable compressor-limiter with feed-forward \/ feedback modes, Peak \/ RMS detection and a built in side chain high pass filter. With an unrivaled heritage and a tremendous feature set, the 543 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over.\u003cbr\u003e\u003cbr\u003eBuilt around Mr. Rupert Neve’s custom transformer designs, each 543 module encompasses individually controllable threshold, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward \/ Feed-back selection and Peak\/RMS detection modes. With the compressor inactive, the 543 may be used as a transformer-coupled, high-performance line amplifier, and two 543 may be linked for stereo operation as well. The chassis is built to standard 500 series specifications, with power and I\/O provided by the rack.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRupert Neve Designs 543 Specifications:\u003c\/h2\u003e\nGain Range: Continuously variable from 6 dB to +20 dB.\u003cbr\u003eThreshold Range: Continuously variable from 36 dB to +22 dB.\u003cbr\u003eRatio Range: Continuously variable from 1.1:1 to Limit (40:1).\u003cbr\u003eAttack Range: Continuously variable from 20mS to 75mS\u003cbr\u003eRelease Range: Continuously variable from 100mS to 2.5 Seconds.\u003cbr\u003eFF\/FB: Feed-Forward or Feed-Back VCA control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Output Level:\u003c\/strong\u003e\u003cbr\u003eBalanced and Floating Transformer Output\u003cbr\u003eMaximum output from 20 Hz to 40 kHz is +23 dBu.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTotal Harmonic Distortion and Noise:\u003c\/strong\u003e \u003cbr\u003e@ 1kHz, +20 dBu output level, no load.\u003cbr\u003eMain Output, compressor bypassed\u003cbr\u003eBetter than 0.0006%.\u003cbr\u003eMain Output, compressor engaged\u003cbr\u003eBetter than 0.02%\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise:\u003c\/strong\u003e\u003cbr\u003eMeasured at Main Output, un-weighted, 22Hz-22kHz, Terminated 40 Ohms.\u003cbr\u003eWith Gain at Unity, Compressor disengaged\u003cbr\u003eBetter than 103 dBu.\u003cbr\u003eWith Gain at Unity, Compressor engaged:\u003cbr\u003eBetter than 92 dBu\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003cbr\u003eMain Output, Unity Gain\u003cbr\u003e@ 18 Hz, +\/- .1dB\u003cbr\u003e@ 150 kHz -3 dB.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003cbr\u003eMeasured Channel to Channel:\u003cbr\u003eBetter than 90 dB @ 15kHz.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMETERS:\u003c\/strong\u003e\u003cbr\u003eMonitor INPUT LEVEL and GAIN REDUCTION\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRequires 500 series rack \/ power supply to operate. Sold separately.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/rupertneve.com\/products\/543\/#overview\" target=\"_blank\" title=\"Rupert Neve Designs 543\" rel=\"noopener noreferrer\"\u003eRupert Neve Designs 543\u003c\/a\u003e?","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":39501315332,"sku":"RUP-543","price":1725.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-rupert-neve-designs-543-500-series-compressor-1.jpg?v=1553519021"},{"product_id":"drawmer-1978-stereo-tone-shaping-fet-compressor","title":"Drawmer 1978 - Stereo Tone Shaping FET Compressor","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Drawmer 1978 is a stereo FET Compressor with a range of features for both mixing and mastering. Based on the 1973 FET multi-band compressor, the 1978 features 4 tone character switches that both vary the harmonic saturation of the sound, and offer different compression settings. The 1978 also has side-chain insert points with handy low frequency and high frequency controls.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003c!-- split --\u003e\u003c\/p\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/fbIFcSkfiBk\" allowfullscreen=\"\" height=\"315\" frameborder=\"0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eDrawmer 1978 Features:\u003c\/h2\u003e\nThe award winning Drawmer 1978 builds on the success of the 1973 multiband FET compressor and adorns an unparalleled array of controls to give complete mastering over your mix, and all in a deceptively simple 1U frame.\u003cbr\u003e\u003cbr\u003eIn addition to the usual Ratio, Threshold, Attack and Release controls, the 1978 features four character switches offering a wide range of compression flavours, as well as a variable saturation control to add harmonic distortion to the signal. Side chain functionality is also included with side chain insert points on both channels and a very comprehensive and flexible Side Chain EQ section which offers LF and HF controls with a choice of specific shapes and frequencies for precise frequency-conscious compression such as de-essing. A wet\/mix control also allows you to blend the processed signal with the dry for parallel compression.\u003cbr\u003e\u003cbr\u003eIn addition, a fast reacting Dual colour backlit VU Meter is employed to provide a visual indication of the amount of saturation added. Time delay relays are incorporated into the outputs to provide clean power-up and down with no pops or bangs, and a low hum toroidal linear power supply. The Drawmer 1978 is a truly flexible compressor made in the UK with high-quality components.\u003cbr\u003e\u003cbr\u003eThe 1978 is a Buss Compressor like no other - compression with character, controlled distortion, tonal shaping, wet\/dry mixing - others have tried but have never managed to build a compressor that is this versatile and yet intuative. It's never been easier to get that elusive characteristic sound that sets you apart from the rest. Glue your mix, bring out the bass, control the highs, add warmth, distortion, smoothen, widen, sound less digital more analogue - and at a price that's right for even the smallest studio. Winner of the Resolution Award 2016 in the dynamics category.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eDrawmer 1978 Specifications:\u003c\/h2\u003e\nFast Reacting Stereo FET Design compressor with excellent Left\/Right Tracking across the Full Range of compression and in a 1u rack mount housing.\u003cbr\u003e     \u003cbr\u003eThreshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.\u003cbr\u003e     \u003cbr\u003e4 character switches provide a multitude of compression flavour combinations that allow the 1978 to take on the characteristics of other compressors.\u003cbr\u003e     \u003cbr\u003eA Saturation knob allows you to dial in variable amounts of 2nd and 3rd harmonic distortion, and under complete control.\u003cbr\u003e     \u003cbr\u003eComprehensive side chain EQ giving simultaneous control of frequency and level of filtering for the low and high bands. This works in conjunction with the rear panel stereo insert points that provide even further control.\u003cbr\u003e     \u003cbr\u003eVariable Wet\/Dry Mix plus Output Gain Knobs give a 'Parallel Compression' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.\u003cbr\u003e     \u003cbr\u003eTwo Analogue V.U. Meters with Switchable +10dB Meter Rescale Mode. These have additional dual colour backlighting that act as a visual indication for the amount of saturation.\u003cbr\u003e     \u003cbr\u003eTime delay relays on outputs for clean power up\/down.\u003cbr\u003e     \u003cbr\u003eInternal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.\u003cbr\u003e     \u003cbr\u003eClassic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.\u003cbr\u003e     \u003cbr\u003eDesigned and manufactured by Drawmer in the UK.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":40541421892,"sku":"DRA-1978","price":1945.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-drawmer-1978-stereo-tone-shaping-fet-compressor-1.jpg?v=1553519335"},{"product_id":"drawmer-mx30-dual-gated-compressor-limiter","title":"Drawmer MX30 Pro Dual Gated Compressor Limiter","description":"\u003cp\u003eThe MX30 Pro is a low cost professional dynamics processor that combines a gate, a compressor, and a limiter, and is ideally suited for for the project studio or live sound applications. \u003cbr\u003eAimed squarely at the musician on a budget , but still delivering that pro sound.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe src=\"\/\/www.youtube.com\/embed\/fbIFcSkfiBk\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eDrawmer MX30 Features:\u003c\/h2\u003e\n\u003cp\u003eProgramme Adaptive’ Gate\u003c\/p\u003e\n\u003cp\u003eUsed to remove unwanted noise below a pre-set level, each channel consists of a variable Threshold Gate incorporating Drawmer’s ‘Programme Adaptive’ circuitry. Although quick and simple to operate, the gate’s auto-circuitry continually optimises such parameters as Attack, Hold, Ratio and Release, completely eliminating ‘chatter’ when the signal is fluctuating on or around Threshold. Two LEDs show when the signal is ‘above’ or ‘below’ Threshold and a push button switch allows additional control of Release time. This design approach also retains all ‘leading edge’ information making the gate ideal for ‘cleaning up’ vocals or retaining the ‘punch’ on gated drums. Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action.\u003c\/p\u003e\n\u003cp\u003eSoft Knee ‘Auto Compressor’\u003c\/p\u003e\n\u003cp\u003eThe gate is followed by a variable Threshold, variable Ratio, soft knee compressor with fully automatic Attack and Release. Large transients are controlled instantly whilst small signal variations are treated gently, retaining as much ‘life’ as possible and without generating unpredictable side effects. the MX30 Pro handles all compression levels with ease and displays the amount of compression on a high resolution Gain Reduction bargraph meter.\u003c\/p\u003e\n\u003cp\u003e Output\u003cbr\u003eThe Gain control is used to compensate for the amount of compression and brings the signal to the required output level as displayed by the output bargraph meter. A variable Threshold ‘zero overshoot’ limiter, essential for avoiding distortion when mastering to digital or speaker protection in a ‘live’ situation, adds the final polish to the signal by keeping control over signal peaks. The Limit threshold provides an absolute maximum peak level which no signal can pass. Fast transients are clipped instantly whilst more sustained peaks are dealt with by applying Gain Reduction, indicated by a single LED.\u003c\/p\u003e\n\u003cp\u003e Gate Threshold:\u003cbr\u003eThis control sets the level below which gating takes place and may be set anywhere in the range of -70dB to +20dB. A green LED illuminates to show when the signal is above threshold (i.e. gate open) and a red LED illuminates when the signal is below Threshold (i.e. gate closed).\u003c\/p\u003e\n\u003cp\u003e Release: Either a Fast or Slow auto release contour may be selected depending on the material being processed. An LED indicates when Slow release status is engaged. Percussive material with little or no reverb is generally treated using the Fast release setting, whereas with slow decays or a significant amount of added reverb will usually respond better to the Slow release setting.\u003cbr\u003e\u003cbr\u003eCompressor Threshold: This determines the input level above which gain reduction will be applied and may be set anywhere in the range of -40dB to +20dB. Soft Knee compression takes place for signals exceeding the threshold level by up to 10dB above which level, conventional ‘ratio’ compression is applied.\u003c\/p\u003e\n\u003cp\u003e Gain Reduction Bargraph Meter: A nine segment LED bargraph meter continuously monitors the gain reduction applied by the compressor over a range of 0dB to 30dB.\u003c\/p\u003e\n\u003cp\u003e Ratio: Sets the final compression ratio that will be applied once the 10dB soft knee region is exceeded. The ratio may be continuously adjusted from 1.2:1 to infinity:1 allowing the possibility of true hard limiting. The higher the ratio setting the more compression takes place (eg. A ratio of 8:1 means that an 8dB increase in volume at the input will appear as a 1dB increase in volume at the output).\u003c\/p\u003e\n\u003cp\u003e Stereo Link: The unit can function as two independent gated\/compressor\/limiters or when ‘link’ mode is engaged for stereo use Channel 1 becomes the master, automatically duplicating its parameters across to Channel 2. In this mode the same degree of gain reduction is applied to both audio channels to prevent image shifting.\u003c\/p\u003e\n\u003cp\u003e Output Gain: The output level may be attenuated or amplified by up to 20dB to compensate for level changes caused by compression. This control comes directly before the Peak Limiter detector and this fact should be taken into account when setting the Peak Limiter threshold.\u003c\/p\u003e\n\u003cp\u003e Peak Limit: This control sets an absolute limit that the output signal will not be permitted to exceed. The limiter is ‘zero response time’ and controls peaks without any audible distortion. For transparent ‘peak protection’ the output gain control should be set to ensure that the Peak Limiter operates only occasionally. Alternatively, the unit can be driven into heavy limiting for creative effects.\u003c\/p\u003e\n\u003cp\u003e Input\/Output Bargraph Meter: An eight segment LED bargraph level meter monitors the output signal level over a range of -20dB to +15dB. When Bypass is selected this meter reads input level.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eDrawmer MX30 Specifications:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eInput\/Output Connections: XLR (Pin 2+) and Jack (unbalanced)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInput Impedance: 20kOhm (bal) \/ 4kOhm unbalanced\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaximum Input Level: +21dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOutput Impedance: 50 ohm (balanced), 100 ohm (unbalanced)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBandwidth: \u0026lt;10Hz to 36kHz (-1dB)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNoise at Unity Gain (gate off)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRMS: -101dB, 22Hz-22kHz \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCrosstalk: @ 1kHz \u0026gt;-100dB \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e@ 10kHz \u0026gt;-94dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDistortion \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+4dBu input: \u0026lt;0.02%, 1kHz \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+14dBu input: \u0026lt;0.2%, 1kHz (10dB gain reduction)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePower Requirements: 115V or 230V at 50-60Hz 9 Watts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 482 x 44 x 200mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShipping Weight: 3.2kg\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default","offer_id":40780619268,"sku":"DRA-MXPRO-30","price":1235.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-drawmer-mx30-pro-dual-gated-compressor-limiter-1.jpg?v=1553519405"},{"product_id":"golden-age-project-comp-2a-vacuum-tube-compressor-levelling-amplifier","title":"Golden Age Project COMP-2A Vacuum Tube Compressor \/ Levelling Amplifier","description":"\u003c!-- split --\u003e\n\u003cp class=\"p1\"\u003eThe COMP-2A by Golden Age Project (GAP), is a mono compressor and levelling amplifier based on the infamous 1960’s model of a similar name. The COMP-2A uses vacuum tube circuitry in both the signal and side-chain path. The input and output are both transformer balanced; featuring two discrete transformers to mimic the authenticity of the recreation. The COMP-2A is simple to use, and easy to pull up a great sound. There are two main encoders on the front panel for balancing the signal, and a giant VU meter in the centre to help monitor.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"font-size: 21px;\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eVintage style all tube signal path. The tubes are fitted with grounded shields.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTransformer balanced input and output. Can drive almost any load, balanced or unbalanced.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eGolden Age Project’s version of the classic optical unit using a long life electroluminescent panel and two carefully matched Silonex NSL5910 photoresistors for T4B-style electro-optical gain control with program dependent attack and release times.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVery simple to operate with only two main controls, Gain and Peak Reduction.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHF control can make the side-chain circuit more sensitive to mid and high frequency content.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLinear low noise regulated filament and high voltage power supply.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA big meter selectable to show gain reduction or output level at two different reference levels.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHardwire bypass switch for easy comparisons.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLink jack and switch for connecting to another unit for stereo operation.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAll external controls located on the front panel.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA solid build quality that will last many years of normal use.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eXLR and TRS input and output jacks for flexible connections.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca title=\"Golden Age Project COMP-2A\" href=\"http:\/\/www.goldenageproject.com\/outboards-old\/comp-2a-comp-3a\/\" target=\"_blank\"\u003eNeed more info on the Golden Age Project COMP-2A ? \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":46556065796,"sku":"GOL-COMP2A","price":1054.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-golden-age-project-comp-2a-vacuum-tube-compressor-levelling-amplifier-1.jpg?v=1569136844"},{"product_id":"golden-age-project-comp-554-500-series-compressor","title":"Golden Age Project COMP-554 - 500 Series Compressor","description":"\u003cp class=\"p1\"\u003eThe Golden Age Project COMP-554 is a mono compressor designed for the 500 series format. The COMP-554 is essentially a 500 series version of the COMP-54 MKII, that has introduced some additional features. The COMP-554 features step-selectable pots for easy recall of your settings, selectable side-chain filter frequencies, and an air switch that boosts 30kHz by 3 or 6dB. It also has hardwired bypass, output termination, insert point and is stereo-linkable too.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eGolden Age Project COMP-554 PRODUCT FEATURES:\u003c\/h2\u003e\nThe COMP-554 is a one-channel vintage style compressor for the 500-format. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output are transformer balanced and the unit also uses a third interstage transformer.\u003cbr\u003eThis is the way audio components were built before integrated circuits became available. IC´s are small and cheap and they are widely used in most modern designs. It is clear though that audio components built with modern technology doesn´t always provide the best perceived sound quality or character that the modern user desires.\u003cbr\u003e\u003cbr\u003eOn the contrary, the subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\u003cbr\u003eThe class-A circuit used in the COMP-554 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to it´s totally unique sound character that is warm, smooth, sweet and musical.\u003cbr\u003eThese characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on many sound sources and in many genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eGolden Age Project COMP-554 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n– Vintage style electronics. No integrated circuits in the signal path.\u003cbr\u003e– Based on a classic diode bridge design.\u003cbr\u003e– Transformer balanced input and output.\u003cbr\u003e– Prepared for a Carnhill transformer upgrade (standard in the Plus version).\u003cbr\u003e– Flexible control range for threshold, ratio, attack and recovery.\u003cbr\u003e– All c- Vintage stontrols except the gain make-up one are stepped.\u003cbr\u003e– Three selectable sidechain filter frequencies.\u003cbr\u003e– Three flexibel sidechain options; Internal, Insert and External.\u003cbr\u003e– The external sidechain I\/O is electronically balanced @ 4dBu and appears on the right slot rack connections.\u003cbr\u003e– Separate switches for hardwire bypass and compression out.\u003cbr\u003e– Two insert connectors for inserting the EQ-573 in the main audio and\/or sidechain signal path.\u003cbr\u003e– Meter selectable for output (two reference levels, +4 and +12 dBu) and gain reduction.\u003cbr\u003e– Possibility to link two units for stereo operation.\u003cbr\u003e– Three position Air EQ switch, Flat, +3 or +6 dB @ 30 kHz.\u003cbr\u003e– Two position output termination switch for different tones.\u003cbr\u003e– A soft start circuit that ramps up the supply voltage slowly (about 10 sec.) to avoid a power-on current surge.\u003cbr\u003e– A great sound that suits most sound sources and genres.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.goldenageproject.com\/outboards-old\/comp-554\/\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"Golden Age Project COMP-554 \"\u003eNeed more info on the Golden Age Project COMP-554 ? \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Golden Age Project","offers":[{"title":"Default","offer_id":46557797444,"sku":"GOL-COMP554","price":692.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-golden-age-project-comp-554-500-series-compressor-1.jpg?v=1553520671"},{"product_id":"neve-ams-2254-r-mono-limiter-compressor","title":"Neve AMS 2254\/R Mono Limiter\/Compressor","description":"\u003cp class=\"p1\"\u003eThe 2254\/R is a mono compressor and limiter from Neve AMS. Based on the legendary 2254 built and designed in 1969, the current 2254\/R is compatible with Neve’s TotalRecall software for using the unit alongside your DAW. This means you can save and recall your settings via the USB port on the rear panel. The 2254\/R maintains the original circuit, discrete class-A design with transformer coupled circuits used in the input stage, Bridge-driver, side chain and output stage.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eNeve AMS 2254\/R PRODUCT FEATURES:\u003c\/h2\u003e\nDiscrete, Class A design and transformer-coupled circuits – used in the input, innovative bridge-driver design, sidechain and output stages ensured a totally unique sound.\u003cbr\u003e\u003cbr\u003eNot only does it retain the original 2254’s unique sonic characteristics – using the same architecture, matching components and original hand-wound transformers – but enhances it with the features that modern-day producers and engineers have asked for. Whereas the original, developed before outboard designs had been standardized, was roughly cubic in shape, the new 2254\/R comes in 1U 19” rack-mount form. And the new model allows settings to be saved and recalled using Neve Total RecallTM software via USB.\u003cbr\u003e\u003cbr\u003eThere’s also manual adjustment of Fast Attack Time, continuously variable between 100µS and 2mS. Plus enhancement of the signal presence LED, which changes from green to red to warn of imminent clipping.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eNeve AMS 2254\/R TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nClassic mono limiter\/compressor made to the exacting late-1960s design\u003cbr\u003eHand-made in Burnley, England using original Neve specification transformers\u003cbr\u003eOriginal Neve 2254 discrete, Class A circuit design\u003cbr\u003eTransformer-coupled circuits used in Input, Bridge-driver, Sidechain and Output stages\u003cbr\u003eManual Fast Attack Time adjustment and transparent level control\u003cbr\u003eIndependent Limiter In\/Out and Compressor In\/Out selection\u003cbr\u003eTotal bypass switch\u003cbr\u003eMultiple units can be linked together to provide multi-unit side-chain control from a single unit\u003cbr\u003eCompatible with Neve Total RecallTM software, simply connect the 2254\/R using USB to a host PC or Mac running Neve Recall software\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"https:\/\/ams-neve.com\/2254r\/\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"Neve AMS 2254\/R \"\u003eNeed more info on the Neve AMS 2254\/R? \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Neve AMS","offers":[{"title":"Default Title","offer_id":46657398980,"sku":"NEV-2254R","price":4498.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-neve-ams-2254-r-mono-limiter-compressor-1.jpg?v=1553520702"},{"product_id":"neve-ams-8051-surround-compressor","title":"Neve AMS 8051 Surround Compressor","description":"\u003cp class=\"p1\"\u003eThe Neve AMS 8051 is a hand-made analogue compressor, designed for surround sound applications. Key features of the 8051 are a total of 6 x transformer balanced audio paths, complemented by two side chains and a key input. The 8051 has been based on the circuits and technology found in the Neve AMS 2254 compressor, and the 33609 stereo compressor. With pliant side chain options, included filters and trim feature, the 8051 delivers the Neve sound and features to surround projects in a single unit.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eNeve AMS 8051 PRODUCT FEATURES:\u003c\/h2\u003e\nHand-built, hand-wired analogue compressor for Surround mixing\u003cbr\u003eSix transformer-balanced audio paths\u003cbr\u003eIdeal surround broadcast or mastering compressor\u003cbr\u003eSide Chain control trims and Side Chain A\/B bias control\u003cbr\u003eHigh and low pass filter\u003cbr\u003eElectronically balanced key input and LFE filter inputs\u003cbr\u003eAll other inputs transformer-balanced with 3.6kOhms input impedances\u003cbr\u003eAll outputs electronically balanced, post output transformers\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eNeve AMS 8051 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nMaximum output: +26dBu into 600 Ohms\u003cbr\u003eControl Voltage I\/O provided for linking multiple units, or linking to 33609\u003cbr\u003eEIN (20kHz band): \u0026lt;-78dBu\u003cbr\u003eTHD+N (for 20dBu input @ 1kHz): \u0026lt;0.03%\u003cbr\u003eMaximum Output Level: \u0026gt;26dBu into 600 ohms\u003cbr\u003eInterchannel Crosstalk: \u0026lt;-80dB at 15kHz\u003cbr\u003eFrequency Response ±0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"https:\/\/ams-neve.com\/8051-2\/\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"Neve AMS 8051 Surround Compressor\"\u003eNeed more info on the Neve AMS 8051 Surround Compressor? \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"Neve AMS","offers":[{"title":"Default Title","offer_id":47308978692,"sku":"NEV-8051","price":9397.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/compressors-limiters-neve-ams-8051-surround-compressor-1.jpg?v=1553520745"},{"product_id":"focusrite-scarlett-octopre-dynamics-8-channel-mic-pre-convertor-compressor","title":"Focusrite Scarlett OctoPre Dynamics 8-channel Mic-Pre \/ Convertor \/ Compressor","description":"\u003cp class=\"p1\"\u003eThe Focusrite Scarlett OctoPre Dynamics is an excellent way to expand your studio setup. It features 8 x mic\/line inputs (2 with instrument inputs), compression on each channel and ADAT I\/O making it an A-D and D-A convertor. There are eight individual compressors for each input channel, with fixed soft-knee settings. The “more” button will double the ratio of the compressor. The Scarlett OctoPre Dynamics has all encoders on the front panel, including a useful LED display and all I\/O on the rear. For digital audio, there are four ADAT connectors (2 input \/ 2 output) along with word clock.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"box-shadow: 1px 2px 4px rgba(0, 0, 0, .5); padding: 4px; text-align: center;\"\u003e\u003cstrong\u003eThe Focusrite Scarlett OctoPre is also available \u003ca href=\"https:\/\/www.soundseasy.com.au\/products\/focusrite-scarlett-octopre-8-channel-mic-preamp-with-adat-connectivity\" target=\"_blank\" title=\"Focusrite Scarlett OctoPre\" rel=\"noopener noreferrer\"\u003ewithout dynamics processing\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"1307\" height=\"735\" src=\"https:\/\/www.youtube.com\/embed\/_mNdMyWiP98\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eFocusrite Scarlett OctoPre Dynamics PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cstrong\u003eEight Scarlett mic pres\u003c\/strong\u003e\u003cbr\u003eBuilding on the features of the Scarlett OctoPre, Scarlett OctoPre Dynamic brings you the ultimate Scarlett expansion with eight Scarlett 2nd Generation mic preamps with analogue compression on every input channel providing a musical, soft-knee style of compression for more subtle control of dynamics. The \"More\" button then allows you to double the ratio for more aggressive compression effects.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFocusrite precision A-D and D-A conversion\u003c\/strong\u003e\u003cbr\u003eEight channels of Focusrite precision A-D will capture your performance with clarity, honesty and transparency and providing you have an ADAT output on your interface, eight channels of D-A get it back out again via the balanced line outputs. With dual ADAT optical inputs and outputs, it's ideal for expanding your studio's I\/O.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual high-headroom Hi-Z instrument inputs\u003c\/strong\u003e\u003cbr\u003eTwo high-headroom instrument inputs will handle high output guitar pickups. Don't forget to engage a bit of compression, great for controlling the dynamics of electric basses and guitars.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIdeal for recording the whole band\u003c\/strong\u003e\u003cbr\u003eScarlett OctoPre Dynamic is ideal for expanding any high quality, multi-channel recording system. With its high-headroom mic, line and dual instrument inputs, and analogue compression on every channel, it's ideal for tracking drums as well guitars, keyboards, vocals - and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExpand the number of outputs in your studio\u003c\/strong\u003e\u003cbr\u003eScarlett OctoPre Dynamic's eight analogue outputs can be sourced either directly from the mic preamps for live use, or via the ADAT inputs to give you eight more analogue outputs channels from your DAW.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout ADAT\u003c\/strong\u003e\u003cbr\u003eADAT is a simple and easy way of bringing extra channels of I\/O to your system via optical cable. One light-pipe can carry up to eight channels of audio. Just connect the ADAT output on the OctoPre to the ADAT input on your interface, set your sample rate and clock source and you're ready to go. ADAT I\/O is available on many Focusrite and third-party interfaces.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eFocusrite Scarlett OctoPre Dynamics TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\nSupported Sample Rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMicrophone Inputs\u003c\/strong\u003e\u003cbr\u003eFrequency Response: 20Hz - 20kHz +0.5\/-1.5dB\u003cbr\u003eDynamic Range: 107 dB (A-Weighted)\u003cbr\u003eTHD+N: \u0026lt;0.002%\u003cbr\u003eNoise EIN: -127 dBu\u003cbr\u003eMaximum input level: +13 dBu\u003cbr\u003eGain Range: 50 dB\u003cbr\u003eInput Impedance: 3 kΩ\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLine Inputs\u003c\/strong\u003e\u003cbr\u003eFrequency Response: 20Hz - 20kHz +0.5\/-1.5dB\u003cbr\u003eDynamic Range: 107 dB (A-Weighted)\u003cbr\u003eTHD+N: \u0026lt;0.002%\u003cbr\u003eMaximum input level: +21 dBu\u003cbr\u003eGain Range: 50 dB\u003cbr\u003eInput Impedance: 64 kΩ\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInstrument Inputs\u003c\/strong\u003e\u003cbr\u003eFrequency Response: 20Hz - 20kHz +0.5\/-1.5dB\u003cbr\u003eDynamic Range: 107 dB (A-Weighted)\u003cbr\u003eTHD+N: \u0026lt;0.015%\u003cbr\u003eMaximum input level: +13 dBu\u003cbr\u003eGain Range: 50 dB\u003cbr\u003eInput Impedance: 1 MΩ\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLine \u0026amp; Monitor Outputs\u003c\/strong\u003e\u003cbr\u003eDynamic Range (Line Outputs): 109 dB (A-Weighted)\u003cbr\u003eMaximum Output Level (0 dBFS): +16 dBu\u003cbr\u003eTHD+N: \u0026lt;0.001%\u003cbr\u003eOuput Impedance: 136 Ω (Balanced)\u003cbr\u003e\u003cbr\u003eWeight: 5.00kg\u003cbr\u003eDimensions: 348 x 607 x 91mm (LWH)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"https:\/\/global.focusrite.com\/adat\/scarlett-octopre-dynamic\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"Focusrite Scarlett OctoPre Dynamics \"\u003eFocusrite Scarlett OctoPre Dynamics\u003c\/a\u003e?","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":48620285444,"sku":"MOSC0023AU","price":925.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/preamps-channel-strips-focusrite-scarlett-octopre-dynamics-8-channel-mic-pre-convertor-compressor-1.jpg?v=1553520914"},{"product_id":"rupert-neve-designs-535-diode-bridge-compressor","title":"Rupert Neve Designs 535 Diode Bridge Compressor","description":"\u003cp class=\"p1\"\u003eThe RND 535 is a re-designed diode bridge style compressor, for the 500 series format. It has been based on their acclaimed 2254 compressor with updated features. These include much improved timing control, lower noise and internal parallel processing options. The 535 was initially designed to become the dynamics component of the Selford Channel. Requires a 500 series rack unit to operate.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\n\u003ccenter\u003e\u003ciframe width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/ycbaXlW1E2E\" frameborder=\"0\" gesture=\"media\" allow=\"encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eRupert Neve Designs 535 PRODUCT FEATURES:\u003c\/h2\u003e\n\u003cstrong\u003eThe Diode Bridge\u003c\/strong\u003e\u003cbr\u003eWhere the VCA compressor found in the 543 and Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix. Mr. Rupert Neve’s original diode bridge compressors like the 2254 served as an inspiration for the design of the 535. By understanding the limitations of the original 2254 topology, painstaking effort was taken to reproduce the unique tone of the 2254 while improving the noise floor, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, widening the range of threshold and ratio controls, and raising the headroom of the diode bridge itself. Delivering the powerful sound of these classic designs with enhanced flexibility for the modern age, the 535 is a dynamic tool equipped to make a statement on virtually any track. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTiming is Everything\u003c\/strong\u003e\u003cbr\u003eThe unified TIMING control is comprised of six selectable settings, carefully chosen for different applications – a major departure from the fixed attack of the 2254. FAST and MF settings are designed to help clamp down on more transient signals like drums, plucked string instruments and fast vocals. MED and MS have slightly slower attacks and releases which can allow more transients through while having a slightly longer recovery. Lastly, SLOW and AUTO are both significantly slower, and are designed for smoother level control.\u003cbr\u003eFAST mode increases the speed of both attack and release for each setting, effectively doubling the number of time constants from 6 to 12. The FAST mode also allows for a dramatic increase in speed as compared to the 535’s renowned ancestors, providing significantly more tonal \u0026amp; operational versatility.\u003cbr\u003e\u003cbr\u003eFaster TIMING settings will generally lead to higher peak-to-peak control voltage ripple, and therefore induce more harmonic content, translating into more color in the main audio path. Slower TIMING settings will smooth the control voltage significantly, and thereby reduce the harmonic content added to the audio path, resulting in more transparent compression. It is also worth noting that due to the nature of this topology, these time constants adapt themselves slightly depending on several factors: compression ratio, threshold, and source material. This dynamically generated timing shift and harmonic content is what gives the Diode Bridge Compressor its unique personality.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eRupert Neve Designs 535 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003eA 31-position detented pot that sets the level at which compression begins, from -25dB to +20dB. Turning this control counter-clockwise will increase the amount of compression; turning it clockwise will decrease the amount of compression.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eRatio\u003c\/strong\u003e\u003cbr\u003eThe RATIO control has six selectable positions on a rotary switch, allowing the user to set the slope of the compressor curve with pre-selected ratios of 1.5:1 through 8:1 for levels above the determined THRESHOLD. This range of compression ratios allows the user to compress as moderately or heavily as \u003cbr\u003edesired.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eTiming\u003c\/strong\u003e\u003cbr\u003eThe TIMING control is a six-position rotary switch that sets the compressor attack and release times. The timing can be further modified by the FAST button.\u003cbr\u003eFAST – Fast Attack (750us), Fast Release (130ms)\u003cbr\u003eMF – Medium Attack (2.25ms), Fast Release (130ms)\u003cbr\u003eMED – Medium Attack (2.25ms), Medium Release (400ms)\u003cbr\u003eMS – Medium Attack (4ms), Slow Release (725ms)\u003cbr\u003eSLOW – Slow Attack (10ms), Slow Release (1S)\u003cbr\u003eAUTO – Medium Attack (5ms), Dual Decay Release (T1 500ms, T2 1s)\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eFast\u003c\/strong\u003e\u003cbr\u003eThe FAST switch divides the attack and release times available on the TIMING control in half, effectively doubling the number of TIMING presets available to the user.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eBlend\u003c\/strong\u003e\u003cbr\u003eThe BLEND control has 31 detents and allows the user to mix the uncompressed (dry) signal with compressed (wet) signal. Turning the control towards 0% will shift the mix to fully uncompressed dry signal, whereas turning the control towards 100% will shift the mix to the fully compressed signal. This feature allows for parallel compression, enabling a wider range of compression subtlety.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eGain\u003c\/strong\u003e\u003cbr\u003eThe GAIN control has 31 detents and allows the user to add make-up gain to the compressed signal in order to bring its level back up to unity with the uncompressed input signal. It is much easier to evaluate the tonal effect of the compressor (via the COMP IN switch) when the compressed output level is matched to the uncompressed input level, thereby eliminating potentially misleading level differences.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eComp In\u003c\/strong\u003e\u003cbr\u003eThe COMP IN switch allows the user to audition the compression. By disengaging the COMP IN switch, the compressor is bypassed and the user can quickly compare the compressed sound to the dry input signal for an objective evaluation of the compressor’s sonic effect on the audio signal. COMP IN can be used in combination with the GAIN control to match the perceived level of the compressed audio signal with the level of the uncompressed input signal.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eLink\u003c\/strong\u003e\u003cbr\u003eThe LINK switch allows the compressor to be linked to another 535 compressor module via a sidechain control voltage. In link mode, the compressor generating the greater sidechain voltage (resulting in higher amounts of compression) will control the compression of both audio signal paths to maintain proper stereo center image while compressing. Note: it is advisable to always audition the unlinked sound as well, to decide if the benefit of a constant stereo center image is worth the potential trade-off of reduced left \/ right independence in the stereo field. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSidechain HPF\u003c\/strong\u003e\u003cbr\u003eThe S\/C HPF switch allows the user to insert a 12dB\/octave 150Hz high-pass filter in the compressor sidechain. When this filter is engaged, the compressor will be considerably less responsive to information below 150Hz. For example: if used on a drum kit, the low end of the kick drum would have less proportional effect on the compression than a snare drum or cymbals, since a significant portion of the kick drum’s dynamic energy is focused below 150Hz.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eLevel and Gain Reduction Metering\u003c\/strong\u003e\u003cbr\u003eThese two LED meters provide accurate representations of both the output level of the compressor and the amount of gain reduction being applied to the input signal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\nNeed more info on the \u003ca href=\"http:\/\/rupertneve.com\/products\/535\/\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"Rupert Neve Designs 535\"\u003eRupert Neve Designs 535\u003c\/a\u003e?","brand":"Rupert Neve Designs","offers":[{"title":"Default","offer_id":4157740023849,"sku":"RUP-535","price":1695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-rupert-neve-designs-535-diode-bridge-compressor-1.jpg?v=1553522616"},{"product_id":"art-vla-500-500-series-compressor","title":"ART VLA-500 - 500 Series Compressor","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe VLA-500 by ART, is a 500 series single channel VCA-less Vactrol opto-style compressor. It's basic design has been based on the \u003ca href=\"https:\/\/www.soundseasy.com.au\/products\/art-pro-vla-ii-two-channel-vactrol-based-compressor-1\" target=\"_blank\" title=\"ART PRO-VLA\" rel=\"noopener noreferrer\"\u003eART PRO-VLA\u003c\/a\u003e. The VLA-500 has two additional tone shaping modes - Punch and Grit, providing contrasting harmonic \u003c\/span\u003evariations. \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eART VLA-500 PRODUCT FEATURES:\u003c\/h2\u003e\n500 Series Form Factor Compressor Module\u003cbr\u003e Based on Popular PRO-VLA Technology\u003cbr\u003e VCA-less Vactrol Opto-Compressor Design\u003cbr\u003e Two Additional Selectable Solid State Tone Shaping Circuits ('Punch' \u0026amp; 'Grit')\u003cbr\u003e Variable Threshold, Ratio and Output Controls\u003cbr\u003e Stereo \/ Multi-Channel Linkable\u003cbr\u003e LED Metering\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eART VLA-500 TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003ctable id=\"ProductSpecs\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eEquivalent Input Noise\u003c\/td\u003e\n\u003ctd\u003e-102dBu ('A' weighted)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eInput Impedance\u003c\/td\u003e\n\u003ctd\u003e10K Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003e100 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eInputs Level\u003c\/td\u003e\n\u003ctd\u003e+20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eOutput Level\u003c\/td\u003e\n\u003ctd\u003e+20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eOutput Gain\u003c\/td\u003e\n\u003ctd\u003e+20dB max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz to 100KHz (+\/- 0.5dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eDynamic Range\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;120dB (20-20KHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eAttack Time\u003c\/td\u003e\n\u003ctd\u003e0.25msec. to 50msec. variable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eRelease Time\u003c\/td\u003e\n\u003ctd\u003e150msec. to 3 sec, variable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eSlope\u003c\/td\u003e\n\u003ctd\u003eVariable: 2:1 to 20:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eTotal Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.003% (@1kHz, typical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003ePower Requirements\u003c\/td\u003e\n\u003ctd\u003e80mA (75mA @+ 15V, 4mA@48V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eMax Gain Reduction\u003c\/td\u003e\n\u003ctd\u003e30dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e5.23\" H x 1.49\" W x 6.6\" D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"header\"\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e0.7 lbs (0.32kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/artproaudio.com\/compressors\/product\/vla500\/\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"ART VLA-500 \"\u003eNeed more info on the ART VLA-500? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e","brand":"ART (Applied Research \u0026 Technology)","offers":[{"title":"Default","offer_id":5257537519657,"sku":"ARTP_VLA500","price":499.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-art-vla-500-500-series-compressor-1.jpg?v=1553523720"},{"product_id":"chandler-limited-tg-opto-compressor-500-series-compressor","title":"Chandler Limited TG Opto Compressor - 500 Series Compressor","description":"\u003cp class=\"p1\"\u003eThe Chandler Limited TG Opto, is a double-wide optical mono compressor for the 500 series format. The TG Opto 500 has been modelled off the compressor found in the \u003ca href=\"https:\/\/www.soundseasy.com.au\/products\/chandler-limited-tg-microphone-cassette\" title=\"Chandler Limited TG1 Cassette\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eChandler TG1 Cassette\u003c\/a\u003e. Key features include a switch for selecting a sharp or rounded knee, VU metering, and attack, release, input and output chicken-head style encoders.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eChandler Limited TG Opto Compressor PRODUCT FEATURES:\u003c\/h2\u003e\nThe TG Opto compressor control-set includes: selectable sharp and rounded knees, continuous input, output (makeup gain), attack, release, and true bypass.\u003cbr\u003eThe attitude of the TG Opto is one of two personalities, each actuated by the selectable sharp and rounded knee types. In sharp, the TG Opto is capable of explosive drum sounds, and set to rounded, it is well suited to scenarios where the artifact of compression is required to be less obvious or gentle.\u003cbr\u003e\u003cbr\u003eThe continuous control-set affords the ability to fine-tune compression to respond to an array of sources and create a variety of tones.\u003cbr\u003e\u003cbr\u003eCreate your own TG console channel today by adding the TG Opto compressor, TG2-500 preamp and TG12345 MKIV equalizer to your 500 Series rack!\u003cbr\u003e\u003cbr\u003eChandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI\/Abbey Road Studios.\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eChandler Limited TG Opto Compressor TECHNICAL SPECIFICATIONS:\u003c\/h2\u003e\n\u003cstrong\u003eCONNECTIVITY\u003c\/strong\u003e\u003cbr\u003eI\/O: 500 Series format (frame dependent)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003cbr\u003e500 Series format: +\/-16v\u003cbr\u003eMax. current draw: +16v @ +100mA \/ -16v @ -100mA\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTECHNICAL FEATURES\u003c\/strong\u003e\u003cbr\u003eChannels: Mono, double space\u003cbr\u003eCircuit: Discrete, Transistor\u003cbr\u003eInput: Continuous\u003cbr\u003eMake-up Gain: Continuous\u003cbr\u003eAttack: Continuous\u003cbr\u003eRelease: Continuous\u003cbr\u003eKnee: Switchable, Sharp\/Rounded\u003cbr\u003eBypass: True Bypass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/chandlerlimited.com\/tg-opto-compressor\/\" rel=\"noopener noreferrer\" title=\"Chandler Limited TG Opto Compressor\" target=\"_blank\"\u003eNeed more info on the Chandler Limited TG Opto Compressor? Click HERE for the manufacturer's website \u0026gt;\u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default","offer_id":5267057803305,"sku":"CHTGOPTO","price":2012.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/500-series-chandler-limited-tg-opto-compressor-500-series-compressor-1.jpg?v=1553523744"},{"product_id":"elysia-alpha-stereo-compressor","title":"Elysia Alpha Stereo Compressor","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eThe Elysia alpha compressor is a mighty tool for professional dynamics processing. Featuring innovative functions and providing absolutely uncompromising sound quality, it sets new standards for enhancing any kind of audio material. It offers M\/S processing, parallel compression, limiters, as well as sidechain and audio filters, just to name a few.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"box-shadow: 1px 2px 4px rgba(0, 0, 0, .5); padding: 4px; text-align: center;\"\u003eSPECIAL ORDER - PLEASE CONTACT US\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab1\"\u003eVIDEO\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab1\"\u003e\n\u003cdiv class=\"video-container youtube\"\u003e\n\u003cdiv\u003e\u003ccenter\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5FhoqnhMbp4\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab2\"\u003e\n\u003ch2\u003eProduct Features:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe circuitry is a completely new development which provides an amount of openness and clarity which can hardly be found a second time. Every part of the alpha's signal processing is based on single transistors running in constant class-A mode, and even the sidechain and power supply use discrete circuits. All components are of the highest grade available and exclusively chosen according to their sonic excellence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eIntegrated M\/S Matrix\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAs an alternative to standard stereo operation you can process the mid and side signals, opening up completely new options for your work!\u0026lt;\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eFeed Forward \u0026amp; Feedback\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe type of compression can be chosen for each channel individually, making two different compressor styles available at the push of a button.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eAuto Fast\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA switchable semi automation which always provides perfect attack and release on the basis of the values set by the user – even with complex material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eAudio Filter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Niveau Filter is specialized in forming the tonal characteristics of a track very effectively in no time at all.\u0026lt;\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eSidechain Filter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe alpha compressor features on-board frequency selective compression. This avoids complex routings in favor of an effective workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eParallel Compression\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlso available directly on the unit: The direct and the compressed signals can be blended in any desired relation by simply turning the mix controller.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eSignal Matrix\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe direct and the processed signals can be monitored individually or together by the push of a button in each channel (left \u0026amp;amp; right or mid \u0026amp;amp; side).\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eSoft Clip Limiter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTames short and loud transients and smoothens the signal peaks, and thereby protects following AD converters from clipping.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eSwitchable Transformers\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe sound of iron: Yes or no? Both! The alpha compressor makes this option switchable, so you can decide for each track individually.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eAnalog Dynamic LED Meter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe gain reduction meter modulates its LEDs in brightness to show the action of the compressor in an analog way: Fast and with smooth transitions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003ePassive Current Attenuator\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe alpha's custom discrete gain reduction cell provides extreme speed, enormous bandwidth and superior sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eT16 Heater\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis system keeps sensitive parts of the discrete circuitry at a stable temperature and thus protects them against parameter aberrations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eStepped \u0026amp;  Matched Potentiometers\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll potentiometers of the alpha compressor have 21 steps and are matched to build stereo pairs by a software that has been written just for this purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eVOVOX Sound Conductors\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe audio cabling is no place for compromise also. By exclusively using VOVOX solid core conductors the sound remains vivid, dynamic and punchy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003e100% Discrete Class-A\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe alpha compressor consequently represents the art of discrete signal processing. ICs have to stay out without any ifs and buts.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eTechnical Specifications:\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":29167462613091,"sku":"ELY-ALPHA","price":18998.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/elysia-alpha-front.jpg?v=1560950527"},{"product_id":"lindell-audio-lin-77x500-500-series-stereo-compressor","title":"Lindell Audio LIN-77X500 500 Series Stereo Compressor","description":"\u003cp\u003e\u003cspan\u003eFunctioning as an updated stereo version of our 7X-500 compressor and geared toward mix and drum buss duties, the 77X-500 500 Series Stereo Compressor provides the same 1176-style compression as its mono counterpart in linked or unlinked stereo modes. Additionally, it gives you variable attack and release knobs. Like the 7X-500, it provides 3 selectable ratios and a high-pass sidechain filter that assure your bass frequencies will pass through the compressor unchanged. A wet\/dry knob allows for parallel-style compression, while gain reduction metering is provided via dual LED arrays. All of the unit’s FET transistors are matched for stereo control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"bullet-list\"\u003e\n\u003cli\u003eFET Style Compressor\u003c\/li\u003e\n\u003cli\u003eVariable Mix Control For Precise Parallel Compression\u003c\/li\u003e\n\u003cli\u003eVariable Attack Times. 20 microseconds to 800 microseconds\u003c\/li\u003e\n\u003cli\u003eVariable Release Times. 50 milliseconds to 1.1 seconds\u003c\/li\u003e\n\u003cli\u003e3 Step Switched High Pass Sidechain Filter. Off, 100Hz, 200Hz\u003c\/li\u003e\n\u003cli\u003e3 Step Swithched Ratio 4:1, 12:1, 100:1 (all in)\u003c\/li\u003e\n\u003cli\u003eTrue Hardware Bypass\u003c\/li\u003e\n\u003cli\u003e4x Vintage OPA1731\u003c\/li\u003e\n\u003cli\u003eTransformers Balanced Outputs\u003c\/li\u003e\n\u003cli\u003e20-LED Gain Reduction Meters\u003c\/li\u003e\n\u003cli\u003eGold Plated Pcb\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lindell Audio","offers":[{"title":"Default Title","offer_id":29428381155427,"sku":"LIN-77X500","price":1180.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/lindell-audio-77X-500-front.jpg?v=1562988013"},{"product_id":"tascam-series-8p-dyna-8-channel-mic-preamplifier-with-analog-compressor","title":"TASCAM Series 8p Dyna 8 channel mic preamplifier with analog compressor","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eWith superb audio specifications and connectivity and featuring an outstanding microphone preamp, the TASCAM SERIES 8p Dyna is a great choice for both studio and stage. Housed in a rugged 1U rack-mount casing, its dual S\/MUX optical ports make it a perfect expansion unit for a TASCAM SERIES 102i or SERIES 208i or other S\/MUX-equipped audio interfaces including ADAT, or use it as a stand-alone front end. Each SERIES 8p Dyna channel also features individually switched +48V phantom power for use with condenser mics, and an easy-to-use, single-control analog compressor with true bypass.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cul class=\"tabs\"\u003e\n\u003cli\u003e\u003ca class=\"active\" href=\"#tab2\"\u003eFEATURES\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#tab3\"\u003eTECH SPECS\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli class=\"active\" id=\"tab2\"\u003e\n\u003ch2\u003eProduct Features:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVersatile, great-sounding front end for recording and live sound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e8 TASCAM HDIA (High Definition Instrumentation Architecture) microphone preamplifiers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSingle-knob analog compressor with true bypass individually assignable to each input channel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e2 front panel instrument (Hi-Z)\/microphone combo inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e6 rear-panel balanced mic\/line inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIndividually switched +48V phantom power per channel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDual S\/MUX optical outputs: 8 channels at up to 96 kHz; 4 channels at 176.4 or 192 kHz (ADAT compatible)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e8 line-level 1\/4-inch balanced TRS analog channel outputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e8 line-level balanced channel outputs on a 25-pin D-Sub connector\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWord clock in and out on BNC connectors, with In\/Out\/Thru switch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFront-panel analog overload indicators, compression indicators, and digital peak and level meter bars\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRugged metal 1U rack-mount enclosure\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\n\u003ch2\u003eTechnical Specifications:\u003c\/h2\u003e\n\u003ca href=\"https:\/\/tascam.com\/us\/product\/series_8p_dyna\/spec\" title=\"Specifications\"\u003eSee Specs\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":29856784220259,"sku":"SERIES-8PDYNA","price":1299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/tascam-series-8p-dyna-front.jpg?v=1567301654"},{"product_id":"warm-audio-bus-comp-2-channel-vca-bus-compressor","title":"Warm Audio BUS-COMP 2 Channel VCA Bus Compressor","description":"\u003c!-- split --\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades.  Stereo VCA bus compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes.  \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp dir=\"ltr\"\u003eThe BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources.  The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA bus compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRe-creating legendary VCA bus compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development.  One feature we are proud to boast is the BUS-COMP’s ability to have USA made CineMag transformers inserted into the signal path driven by fully discrete operational amplifiers. With a single push of a front panel switch, these custom USA made transformers are inserted into the audio’s path providing increased depth, tone and vibe!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAs with all of the products we develop here at Warm Audio, the BUS-COMP was designed with a price point in mind.  With efficient, modern manufacturing techniques we are proud to bring this boutique quality, classic VCA bus compressor to the market at a quality-to-price ratio previously unseen.  More studios than ever before will now have access to analog quality VCA bus compression. Our desire is for all musicians to be heard the way they want to be heard and we feel the BUS-COMP is the perfect tool to perfect any mix!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"e9837-44 x-column x-sm x-1-2\"\u003e\n\u003cdiv class=\"e9837-45 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eALL ANALOG, 2 CHANNEL, STEREO VCA BUS COMPRESSOR\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-46 x-line\"\u003e\n\u003cdiv class=\"e9837-47 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eBASED ON LEGENDARY VCA BUS COMPRESSOR TECHNOLOGY\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-48 x-line\"\u003e\n\u003cdiv class=\"e9837-49 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSELECTABLE DISCRETE OPAMP STAGE WITH CINEMAG USA TRANSFORMERS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-50 x-line\"\u003e\n\u003cdiv class=\"e9837-51 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eEXTERNAL SIDE CHAIN SOURCE SELECT\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-52 x-line\"\u003e\n\u003cdiv class=\"e9837-53 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eSELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-54 x-line\"\u003e\n\u003cdiv class=\"e9837-55 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eCOMPRESSOR ENGAGE SWITCH FOR EASY A\/B COMPRESS VS. NO-COMPRESS COMPARISON\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-56 x-line\"\u003e\n\u003cdiv class=\"e9837-57 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003ePERFORMS WELL ON STEREO MIXES, DRUM MIXES, DRUM OVERHEADS, ACOUSTIC GUITARS, KEYBOARDS, PIANO, ORCHESTRAL INSTRUMENTS, VOICE-OVERS AND ENDLESS OTHER SOURCES\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-58 x-line\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"e9837-59 x-column x-sm x-1-2\"\u003e\n\u003cdiv class=\"e9837-60 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eCAN BE USED ON STEREO AS WELL AS INDIVIDUAL MONO SOURCES\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-61 x-line\"\u003e\n\u003cdiv class=\"e9837-62 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTHAT 2180 VCAS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-63 x-line\"\u003e\n\u003cdiv class=\"e9837-64 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eOPTIMALLY PROVIDES BOTH XLR AND TRS CONNECTIVITY\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-65 x-line\"\u003e\n\u003cdiv class=\"e9837-66 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eNOISE: \u0026lt; -90DBU\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-67 x-line\"\u003e\n\u003cdiv class=\"e9837-68 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eDYNAMIC RANGE: \u0026gt; 120DB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-69 x-line\"\u003e\n\u003cdiv class=\"e9837-70 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eFREQUENCY RESPONSE: 18HZ – 22KHZ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-71 x-line\"\u003e\n\u003cdiv class=\"e9837-72 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eTHD + NOISE, 20HZ – 20KHZ, +20DBU INPUT: \u0026lt; .05%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-73 x-line\"\u003e\n\u003cdiv class=\"e9837-74 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eINPUT IMPEDANCE: 10K OHMS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003chr class=\"e9837-75 x-line\"\u003e\n\u003cdiv class=\"e9837-76 x-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 50 OHMS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":31904910180451,"sku":"WAR-BUSCOMP","price":1139.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/Warm-Audio-Bus-Comp-Front.jpg?v=1578276268"},{"product_id":"retro-sta-level-tube-compressor","title":"Retro Sta-Level Tube Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Retro Sta-Level is a recreation of the legendary 1956 Gates Sta-Level. The Sta-Level dominated the sound of hit radio in the 1960’s. Now these super musical sounding compressors have found their way into today’s hits. The Retro Gold Edition celebrates fifty years of the products existence. The Retro Sta-Level improves on the original with six settings of recovery (release) time and three different modes of operation. Single is super smooth for bass tracks. Double is perfect for most every source you throw at it. The Triple mode allows the Sta-Level to clamp down on fast transient waveforms while still retaining great musicality. These new adjustments give you wide flexibility to find the perfect dynamics control for your specific application.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Sta-Level utilizes a novel program controlled release circuit. The Sta-Level implementation creates density and consistency while minimizing typical compressor side-effects at up to 40dB of gain reduction! The program path is transformer balanced throughout to cancel control-induced distortion. Push pull circuitry with 6V6 output stage provides wide voltage swing for gain control and line output. The result is that the Sta-Level brings a uniquely familiar intimacy, air and warmth to your tracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eTube balance can be instantly aligned without test equipment\u003c\/li\u003e\n\u003cli\u003eUses a pair of easily-obtainable 6BA6 gain reduction tubes. The 6386 socket is still provided..\u003c\/li\u003e\n\u003cli\u003eTwo or more Sta-Levels can be coupled together for stereo, surround or sidechain operation\u003c\/li\u003e\n\u003cli\u003eXLR transformer balanced input and output\u003c\/li\u003e\n\u003cli\u003eIEC Power Connector\u003c\/li\u003e\n\u003cli\u003eHand matched audiophile-grade coupling capacitors\u003c\/li\u003e\n\u003cli\u003eHigh quality, custom wound transformers used throughout\u003c\/li\u003e\n\u003cli\u003eInternal component safety cover\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eGain Reduction Threshold: Continuously adjustable from +24dBm to -20dBm\u003c\/li\u003e\n\u003cli\u003eAvailable Gain Reduction: 40dB\u003c\/li\u003e\n\u003cli\u003eTotal System Gain: 35dB (with standard input and output pads)\u003c\/li\u003e\n\u003cli\u003eDistortion: 1 percent or less from 0-30 dB gain reduction\u003c\/li\u003e\n\u003cli\u003eFrequency Response: ± .25dB from 20-20,000 Hz\u003c\/li\u003e\n\u003cli\u003eNoise: -70dB or better referenced to gain reduction threshold\u003c\/li\u003e\n\u003cli\u003eOutput Level: Continuously adjustable from -40 dBm to +18 dBm\u003c\/li\u003e\n\u003cli\u003eInput Impedance: Accepts low impedance active or transformer balanced 0-600 Ohms\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 600 Ohm transformer balanced, terminated and resistive pad coupled\u003c\/li\u003e\n\u003cli\u003eTube Complement: 2-6BA6, 1-12AT7, 2-6V6GT, 1-6AL5, 1-OB2, 1-5Y3GT\u003c\/li\u003e\n\u003cli\u003ePower Requirements: Three prong IEC - Switchable 115-230 VAC - 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003eMounting Requirements: 3U metal rack 5.25\" high, 19\" wide, 8\" deep\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Retro","offers":[{"title":"Default Title","offer_id":32020747812963,"sku":"RISTA","price":6312.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/retro-sta-level-compressor.jpg?v=1579827178"},{"product_id":"retro-revolver-dual-channel-tube-compressor","title":"Retro REVOLVER Dual-Channel Tube Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Retro Instruments REVOLVER - A Revolution in a Rack.\u003c\/p\u003e\n\u003cp\u003eWhen you first put your ears to the Retro Instruments REVOLVER, you’ll hear some very legendary compression, an ingredient many have kept secret. You will hear lively and vibrant dynamics, the same you have imagined for your own project. Now you will know the sound, it’s as unmistakable as applesauce.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003eYears of Development.\u003c\/p\u003e\n\u003cp\u003eAs an experimental project in 2011, a few Retro Instruments REVOLVER’s were built and field tested with select studios. We started with the famous British-modified Altec 436 compressor and added features you need for tracking, mixing and mastering. We needed it right for Rev. A. Here it is.\u003c\/p\u003e\n\u003cp\u003eThe Retro Instruments REVOLVER puts You in Control.\u003c\/p\u003e\n\u003cp\u003eFor the first time ever, you get all the adjustments to dial in the type of dynamics you’ve heard on numerous albums. We’ve added features like a side-chain filter, stereo linking and continuously variable threshold, attack and release.\u003c\/p\u003e\n\u003cp\u003eBuilt like a Tank.\u003c\/p\u003e\n\u003cp\u003eThe Retro Instruments REVOLVER might be guilty of being slightly overbuilt here in the USA, but it’s definitely done purposely to give you years of uninterrupted performance. Each unit passes a series of critical tests. Tubes and other components are selected for top performance and proper stereo tracking\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eA most desired compression signature.\u003c\/li\u003e\n\u003cli\u003eIdeal for the stereo bus and excels at tracking, mixing and mastering.\u003c\/li\u003e\n\u003cli\u003eIndependent controls with stereo linking.\u003c\/li\u003e\n\u003cli\u003eContinuously variable input, output, attack, release and threshold.\u003c\/li\u003e\n\u003cli\u003eDual Threshold Control allows control of ratio and amplifier saturation.\u003c\/li\u003e\n\u003cli\u003eLow noise and high separation.\u003c\/li\u003e\n\u003cli\u003eHigh-quality audio transformers deliver low distortion and ruler flat response.\u003c\/li\u003e\n\u003cli\u003eFully differential all-tube signal path.\u003c\/li\u003e\n\u003cli\u003eTransformer-balanced inputs and outputs on XLR connectors\u003c\/li\u003e\n\u003cli\u003eIlluminated VU meters\u003c\/li\u003e\n\u003cli\u003eFront panel meter zero controls.\u003c\/li\u003e\n\u003cli\u003eInternal tube balancing facility.\u003c\/li\u003e\n\u003cli\u003e120 or 240 Volt operation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eNumber of Channels: 2\u003c\/li\u003e\n\u003cli\u003eControls: Input, Output, Attack, Release, Threshold, Side-chain filter select, Stereo Link\u003c\/li\u003e\n\u003cli\u003eRatio: Adjustable between 1.5:1 and 5:1\u003c\/li\u003e\n\u003cli\u003eUsable Input level range: -20 to +20 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level range: -30 to +18 dBu\u003c\/li\u003e\n\u003cli\u003eOutput clip level: +23 dBu (1% dist)\u003c\/li\u003e\n\u003cli\u003eAttack Time: 2 to 40 milliseconds\u003c\/li\u003e\n\u003cli\u003eRelease Time: 200 milliseconds to 2 seconds\u003c\/li\u003e\n\u003cli\u003eHighpass side-chain filter: Selectable 6 dB detector rolloff at 90 or 250 Hz.\u003c\/li\u003e\n\u003cli\u003eDistortion: Less than 0.05% below compression threshold. Approx. 1% at full-scale compression.\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20-20,000 Hz. ± 0.5 dB\u003c\/li\u003e\n\u003cli\u003eRack Space: 2U\u003c\/li\u003e\n\u003cli\u003eDepth: 9.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 22 pounds\u003c\/li\u003e\n\u003cli\u003eConnections: IEC Power, XLR input and output x2\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 120 VAC or 240 VAC. 22 Watts\u003c\/li\u003e\n\u003cli\u003eFuse Rating: Standard fast-blow 3AG-style fuse. 1 A 120 VAC, 1\/2A 240 VA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Retro","offers":[{"title":"Default Title","offer_id":32021140996195,"sku":"RREV","price":6368.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/retro-revolver-front.jpg?v=1579828897"},{"product_id":"bettermaker-mastering-compressor","title":"Bettermaker Mastering Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Bettermaker Mastering Compressor is an advanced analog VCA compressor with PEAK or RMS detection and switchable forward\/backward feed. All parameters are digitally controlled via front panel and\/or DAW (with dedicated plug-ins). It features stereo, dual-mono and mid\/side operation modes with focus and sidechain preview function.\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!-- spliot --\u003e\n\u003ch2\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eadvanced analog VCA compressor with PEAK or RMS detection and switchable forward\/backward feed\u003c\/li\u003e\n\u003cli\u003eall parameters are digitally controlled via front panel and\/or DAW (with dedicated plugin)\u003c\/li\u003e\n\u003cli\u003estereo, dual-mono and mid\/side operation modes with with focus and sidechain preview function\u003c\/li\u003e\n\u003cli\u003eour famous BM, SG and DX modes\u003c\/li\u003e\n\u003cli\u003eadjustable 15 – 30 Hz high pass filter at the compressor input\u003c\/li\u003e\n\u003cli\u003edry\/wet MIX control for parallel compression\u003c\/li\u003e\n\u003cli\u003eHPF, LPF and fully configurable parametric filter in sidechain with option of hardware insert\u003c\/li\u003e\n\u003cli\u003eadjustable drive (for odd\/even clipper) and THD function for harmonically rich sound\u003c\/li\u003e\n\u003cli\u003eRange Setting – limit the maximum amount of gain reduction!\u003c\/li\u003e\n\u003cli\u003eon-board measurement of PEAK\/RMS levels\u003c\/li\u003e\n\u003cli\u003e100% analog audio signal path\u003c\/li\u003e\n\u003cli\u003etotal recall and A\/B comparison\u003c\/li\u003e\n\u003cli\u003efive inch capacitive touchscreen with backlight\u003c\/li\u003e\n\u003cli\u003eUSB connectivity with MAC\/PC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eFrequency response 10Hz to 22kHz (+\/- 0.2 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDynamic range: 106dB (+23dBu, 22kHz BW)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eS\/N ratio: 87dB (A-weighted, +4dBu, 22kHz BW, unity gain)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCrosstalk: -83dB @ 1kHz, +18dBu, channel-to-channel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCMRR: max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTHD: 2nd: \u0026lt; 0.06%, 3rd: \u0026lt; 0.01%; 4th: \u0026lt; 0.006%; (+4 dBu, 20-20 kHz, unity gain, THD and CLIP disabled)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ebalanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.2%)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ebalanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.2% into \u0026gt;2kohm)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance (differential): 48kΩ (for balanced signal)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2U enclosure, 230mm deep (Mastering Compressor)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003euniversal 100 – 240V power supply designed by Bettermaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMaximum power consumption: 25W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShipping weight: 5.5 kg (Mastering Compressor),\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bettermaker","offers":[{"title":"Default Title","offer_id":32207069708387,"sku":"BM-MC","price":4685.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/bettermaker-mastering-compressor-front.jpg?v=1583489174"},{"product_id":"bettermaker-stereo-bus-compressor","title":"Bettermaker Stereo Bus Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Bettermaker Bus Compressor combines a pristine stereo analog signal path with digital recall and parameter control, and\/or automation from a cross-platform plug-in. In other words, Bettermaker users get all of the unmatched sonics of a boutique analog signal path with all of the convenience of a plug-in.\u003c\/p\u003e\n\u003cp\u003eThe Bettermaker Bus Compressor is designed for critical tracking, mixing, and mastering work. Think of it as an awesome stereo analog compressor first and foremost, one that’s in league with all of the most revered manufacturers in the industry. Then add complete digital control of all parameters for instant recall from the front panel and recall and automation from the Bettermaker plug-in.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003e\u003cb\u003e\u003cspan lang=\"pl\" xml:lang=\"pl\"\u003eFeatures\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eadvanced analog stereo VCA compressor with PEAK detection\u003c\/li\u003e\n\u003cli\u003eall parameters are digitally controlled via front panel and\/or DAW (with dedicated plugin)\u003c\/li\u003e\n\u003cli\u003edry\/wet MIX control for parallel compression\u003c\/li\u003e\n\u003cli\u003esidechain high pass filter with hardware insert and preview function\u003c\/li\u003e\n\u003cli\u003eadjustable THD for harmonically rich sound\u003c\/li\u003e\n\u003cli\u003eon-board measurement of PEAK\/RMS levels\u003c\/li\u003e\n\u003cli\u003e100% analog audio signal path\u003c\/li\u003e\n\u003cli\u003etotal recall and A\/B comparison from your favourite DAW LED matrix display and six encoders with push-button action for ease of control\u003c\/li\u003e\n\u003cli\u003eUSB connectivity with MAC\/PC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan lang=\"pl\" xml:lang=\"pl\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Bettermaker","offers":[{"title":"Default Title","offer_id":32207119024227,"sku":"BM-BC","price":3684.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/bettermaker-stereo-bus-compressor-front.jpg?v=1583491176"},{"product_id":"black-lion-audio-seventeen-compressor","title":"Black Lion Audio Seventeen Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Seventeen is not the ’76 compressor that your grandfather recorded with.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Seventeen is not the ’76 compressor that your grandfather recorded with. It isn’t even a remake but rather the Black Lion spin on what the ’76 Should have been. Designed in conjunction with hitmaker Tobias Lindell and featuring a redesigned and improved IC based front end, the Seventeen shows incredible detail and nuance normally not possible with this style compressor. This new front end circuit is coupled with our custom designed, made in Chicago output transformer, designed to give this unit a huge bottom end that balances out the open top end very nicely. We also include our proprietary Black Lion style power decoupling for an incredibly low noise floor. The Seventeen also uses high grade nichicon signal capacitors, widely considered some of the highest quality caps available.\u003c\/p\u003e\n\u003cp\u003eNever the ones to settle for “good enough,” we have added features that users normally consider as upgrades or mods including, a frequency adjustable side chain, separate selectable high and low pass filters, a wet\/dry mix knob to allow users to blend in dry signal into their compressed signal, the Seventeen has a palette of tones not available to anything else on the market today. It also includes the all important stereo link function for linking together two units.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":32695497162851,"sku":"BLA-SEVENTEEN","price":1208.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/black-lion-seventeen-front.jpg?v=1632911039"},{"product_id":"drawmer-1970-dual-fet-compressor-and-preamplifier","title":"Drawmer 1970 Dual FET Compressor and Preamplifier","description":"\u003c!-- split --\u003e\nThe 1970 Dual F.E.T. Compressor and Pre-Amplifier builds on a heritage inspired by the first pro audio \"tool box\" compressor, the illustrious Drawmer 1960, but with a greatly expanded feature set, making it one of the most adaptable mic preamplifier\/compressors on the market today. Bringing vintage audio characteristics at an affordable price. \u003c!-- split --\u003e\n\u003cp\u003eWhilst the feature set of the 1970 is similar to the Drawmer 1960, and the layout of the controls will add to the comparisons, the 1970 has been greatly improved and the D.I. EQ has been fine tuned to be more accurate than its stable-mate, with various enhancements.\u003c\/p\u003e\n\u003cp\u003eThe 1970 use the latest THAT Corporation technology in the 2 mic preamps to provide ultra clean, transparent and precise recordings that can be processed at a later stage using your favourite warming method, be it saturation, valve, transformer or tape. In addition each channel is capable of 66dB of gain, with switchable mic impedance for accurate mic matching to bring out the best from any microphone used. Phantom power, phase reverse and a high pass filter are also included.\u003c\/p\u003e\n\u003cp\u003eFrom tracking instruments via the dedicated D.I. input, to recording vocals via the ultra clean mic pre's, recording a guitar cabinet with two microphones, or a singer playing guitar, or even stereo buss compression using the comprehensive linking and mix facilities, the 1970 is the perfect versatile tool for any studio or live event.\u003c\/p\u003e\n\u003ch2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xwNw0_1LtCM\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/h2\u003e\n\u003ch2\u003eFeatures:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTwo THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance for accurate mic matching.\u003c\/li\u003e\n\u003cli\u003eSeparate Line \u0026amp; Mic input XLR's A pro quality instrument DI input with low and high EQ.\u003c\/li\u003e\n\u003cli\u003eCan be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting) via the class leading comprehensive linking facilities.\u003c\/li\u003e\n\u003cli\u003eFETs can be bypassed altogether to provide ultra clean outputs.\u003c\/li\u003e\n\u003cli\u003eStandard controls such as Threshold, Ratio, Attack \u0026amp; Release, with 8 LED GR Metering on each band.\u003c\/li\u003e\n\u003cli\u003eRear panel Side-chain insert points provide even further control.\u003c\/li\u003e\n\u003cli\u003e‘Big’ and 'Air' Modes Help to preserve the very deep lows and Enhance the sparkling highs.\u003c\/li\u003e\n\u003cli\u003eVariable Wet\/Dry Mix plus Output Gain knobs on both channels give a 'Parallel Compression' function without the need for external mixing devices, providing complete and effortless control over the amount of compression used and output levels.\u003c\/li\u003e\n\u003cli\u003eTwo backlit Analogue V.U. Meters with Switchable +10dB Rescale Mode.\u003c\/li\u003e\n\u003cli\u003eTime delay relays on outputs for clean power up\/down.\u003c\/li\u003e\n\u003cli\u003eInternal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.\u003c\/li\u003e\n\u003cli\u003eClassic Drawmer build quality with rugged steel chassis and aluminium front panel.\u003c\/li\u003e\n\u003cli\u003eDesigned and Handmade by Drawmer in the United Kingdom.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong class=\"style12\"\u003eSuper Clean Bypass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf desired the 1970 can provide an ultra clean microphone signal via the THAT Corporation mic amplifiers by utilising the fully balanced hard-wire bypass which connects the input source directly to the output without passing through the compressor FET’s, the mix and gain controls at all.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong class=\"style12\"\u003eCreative Mic Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou may have encountered the general rule that the impedance of the preamp input should be 10X that of the mic to get an input impedance that is appropriate for the mic and to avoid loading the source, however, it is less known that mismatching can create some interesting tonal differences that can be used more creatively. The 1970 has 3 settings per mic input: 200, 600 and 2400 Ohms, making it easy for you to explore the various tones. The result will depend on the microphone used, as the tonal changes will be obvious with some mic’s but others will hardly alter, and on the material you're working with.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong class=\"style12\"\u003eMix Control - Pricisely Control the Amount of Compression Applied!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncorporated into each channel of the 1970 are the 'Mix' Controls. They act like a 'parallel compression' effect that mixes the Wet (compressed) and Dry (original) signals to provide a simple and exact way of controlling the amount of compression used - all with the turn of a single knob.\u003c\/p\u003e\n\u003cp\u003eOne criticism of compressors is that it is possible to take the effect too far and ruin a mix - this is easily prevented with the 1970 by the use of the Mix control just by mixing in less of the wet signal and more dry. By the same token, the mix control can add more compression simply by adding more of the wet signal. It's that simple!\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":32853444329571,"sku":"DRA-1970","price":2599.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/drawmer-1970-front.jpg?v=1595563892"},{"product_id":"midas-500-series-compressor-limiter-522-v2","title":"Midas 522 V2 500 Series Compressor\/Limiter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products – and reduces the risk of feedback occurrence during live performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"list list--bullet-midas list--circle list--brown list--col-lg-2 pl-1 pl-sm-0\"\u003e\n\u003cli\u003e\n\u003cp\u003eCompact 500 Series premium compressor\/limiter with dynamic presence control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully variable dynamic presence feature preserves high mid-range frequencies for a more natural sound during compression\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic presence control adds \"air\" to vocals without introducing noise or pumping effects and reduces the risk of feedback during live performances\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eManual envelope controls with linear peak-sensing compression or easy to use Auto mode with RMS compression\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSoft or hard knee compressor response with selection switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSidechain high pass filter with selection switch eliminates undesirable low frequency compression artefacts\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh performance electronically balanced input stage with high common-mode rejection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh power balanced output drives long audio cables with ease\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePrecision gain reduction and signal level metering\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTrue hardware bypass selection switch removes all circuitry from the signal path when compression is not required\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower up mute relays prevent switch on thumps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePremium quality components throughout for a crystal-clear audiophile signal path\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e10-Year Warranty Program*\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned and engineered in the U.K.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e500 SERIES COMPRESSOR LIMITER 522 V2\u003c\/h5\u003e\n\u003cp\u003eThe COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products – and reduces the risk of feedback occurrence during live performance.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eImportance of Dynamics\u003c\/h5\u003e\n\u003cp\u003eDynamics play a major role in music; they help to convey emotion, whether it’s a sultry blues guitar solo, a vocalist belting out his\/ her message – or the punchy impact of a bass guitar or kick drum. Those dynamics are the essence of a natural sounding performance; it is what makes music interesting. But out of control dynamics can instantly mar an otherwise perfect performance. That is where compression comes to the rescue – softening loud sounds and boosting low signal levels that can often get lost in the mix. The resulting compressed signal creates a much more dense, impactful sound with richness and room for subtle nuances to come through.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eVariable Dynamics \u0026amp; “Air”\u003c\/h5\u003e\n\u003cp\u003eThe range of mid-high audio frequencies (centered around 5 kHz) can be boosted to increase the sense of presence of vocals and solo instruments. As 522’s Presence control is adjusted above minimum, those mid-high frequencies are increasingly boosted during compression, allowing a sound or instrument to cut through or seem more present in the mix. This variable presence function enables the 522 to effectively operate with two different ratios, one for low frequencies (LF) and the other for mid-high frequencies (reduced ratio). The primary effects are: heavy compression and dynamic control can be applied without sounding unnatural; and the reduced compression in the human ear’s most sensitive range makes the material sound brighter. However, since high frequency (HF) make up gain is not required, unwanted noise, pumping, and howl-round during quiet passages are all greatly reduced.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":39253701656675,"sku":"453000","price":325.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/Midas-COMPRESSOR-LIMITER-522-V2_P0E8J_Front_XL.jpg?v=1614570200"},{"product_id":"tc-electronic-bq500-bq500-500-watt-portable-bass-head-with-mosfet-preamp-and-thrust-compressor","title":"TC Electronic BQ500 BQ500 500 Watt Portable Bass Head with Mosfet Preamp and Thrust Compressor","description":"\u003cp\u003e\u003cspan\u003e500 Watt Portable Bass Head with Mosfet Preamp and Thrust Compressor\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e500 Watt portable micro bass head amplifier for stage and studio\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCompact and lightweight design for ultimate portability\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCutting-edge Class-D amplifier technology for incredible power and sonic performance\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh-voltage Mosfet preamplifier for authentic sound and feel of a tube amp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThrust compressor for ultimate punch and to capture every nuance of your playing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e4-band EQ section provides ultimate tone shaping control\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBalanced DI output with pre\/post EQ routing for direct connection to mixing consoles and recording equipment\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eStudio-quality headphone amplifier with speaker emulation for personal practice and silent rehearsals\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuxiliary rehearsal input for playback through speaker or headphones\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSpeaker output on premium speakON* connector (4 Ohm minimum load)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAmplifier protected against short circuits, thermal overload and low speaker impedance for enhanced reliability\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRugged steel amplifier chassis designed for life on the road\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuto-ranging universal switch-mode power supply for use worldwide\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e3-Year Warranty Program*\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDesigned and engineered in Denmark\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":39327125667939,"sku":"455009","price":300.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/tc-electronic-bq500-front.jpg?v=1618662646"},{"product_id":"klark-teknik-76-kt-classic-fet-style-compressor","title":"Klark Teknik 76-KT Classic Fet Style Compressor","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesigned as an homage to the classic 1176LN, every effort was made to keep the 76-KT FET-Style Compressor true to the original D and E versions of the iconic signal processor. At the same time, we modernised the completely discrete signal path using hand-selected components and custom-engineered MIDAS input and output transformers – for the ultimate in pristine sonic performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"list list--bullet-klarkteknik list--circle list--brown list--col-lg-2 pl-1 pl-sm-0\"\u003e\n\u003cli\u003e\n\u003cp\u003eClassic FET-style compressor modeled after iconic 1176LN*, D and E Revisions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompletely discrete signal path\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClass-A line-level output amplifier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCustom-built, Midas input and output transformers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePush button selection of compression ratios: 4:1, 8:1, 12:1, 20:1\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUltra-fast attack time: 20 to 800 microseconds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdjustable release time: 80 to 700 milliseconds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVintage-style meter features gain reduction and output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTransformer balanced inputs and outputs on Neutrik* XLR connectors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRugged 2U rackmount chassis for durability in portable applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuto-ranging universal switch-mode power supply\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e10-Year Warranty Program*\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned and engineered in the U.K.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":39357584441443,"sku":"454003","price":349.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/products\/klark-teknik-76-KT-Front.jpg?v=1620112834"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/3813\/collections\/compressor.jpg?v=1755560852","url":"https:\/\/www.soundseasy.com.au\/collections\/studio-compressors.oembed?page=2","provider":"Sounds Easy","version":"1.0","type":"link"}