SSL have had some big releases at Musikmesse 2013; the SSL Stereo Bus Compressor module for API 500 format racks, and The Sigma Remote Controlled Analogue Mix Engine!

The legendary sound of the SSL Stereo Bus Compressor has been glueing mixes together for 30 years… it is now available for the 500 format rack.

The centre section compressor from the 1980’s G-Series analogue console is an audio production legend. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive. It brings cohesion and strength to your mix without compromising clarity. To this day it remains a key element of the SSL sound and has featured on countless classic recordings. The availability of the Stereo Bus compressor in a module for the 500 format makes this essential audio production tool available to users of the popular API 500 format modular rack platform.

Key Features
• Legendary sonic character and mix finalising capabilities of SSL Stereo Bus Compression
• Six ratio settings ranging from 1.5:1 to 20:1
• Five release settings and Auto Release function



Designed for the DAW user that seeks the legendary big sound of an SSL console while retaining the convenience of working in the box, Sigma is a unique DAW automated SuperAnalogueTM summing engine.

Sigma delivers the sonic benefits of SSL SuperAnalogueTM mixing with in-the-box automation. Using proprietary MDAC control technology first featured in our Duality and AWS studio consoles, Sigma’s 100% analogue summing engine can be driven by automation data created within your DAW of choice. Sigma features 16 flexible input channels which can be individually switched between being mono or stereo for up to 32 channels at mixdown. There is accurate front panel LED metering for all channels. There are two stereo mix busses with dedicated outputs and individual stereo insert points to facilitate implementation of parallel compression or convenient printing of stems back to the DAW with processing applied. Each input channel also features an individual direct output. Mix Bus B can also be injected into Mix Bus A for final mixdown.

An Artist and Studio monitoring section provides a Monitor and Headphone output. The Main monitor output has Main and Alternative connections to accommodate 2 sets of monitors. A comprehensive switching matrix enables selection of your monitor source. A large front panel level control uses a push- select mechanism to determine whether it adjusts Mix A, Mix B, Main Monitor or Headphone. There is also a Talkback input with adjustable Dim level.

Switching of a wide range of functions including, monitor level and source, inserts, talkback, sum B>A and mono check can all be achieved using any standard MIDI hardware control surface. A MIDI learn feature makes setup simple and easy. A pair of user assignable dual action push/hold buttons on the front panel or a foot-switch can be assigned to the same collection of switching functions. Sigma uses MIDI over Ethernet for control and to connect to a cross platform software interface which provides additional control and setup capability.

Sigma Hardware
The 2u sigma rack unit houses the analogue summing engine, provides connectivity, a set of bright status and level LED’s, hardware controls, headphone socket and a handy ijack input (3.5mm stereo socket) which feeds into the monitoring section. The rear panel provides dedicated XLR connections for the Mix buss A and the Main and Alt monitor outputs. The individual line inputs and direct outputs are connected via standard 25pin D-Sub. An additional pair of D-Sub connections handle Mix Bus inserts, Mix B output and line level Talkback input.

Sigma Software
The Sigma software interface makes setup, control and recall of saved settings simple and easy. It runs on Mac or PC and connects to your workstation via Ethernet as well as wirelessly from a tablet device. The user interface provides a series of intuitive pages that make setting up Sigma’s powerful feature set straightforward. Three main screens provide control and setup of the Master Section, Channel Detail and Setting parameters. Every parameter can be saved for future recall making swapping between projects simple and efficient.

• Advanced DAW automation driven SSL SuperAnalogueTM mix engine
• Works with all major DAW’s including Pro Tools, Logic, Cubase/Nuendo, Ableton Live
• 16 flexible channels individually switchable between stereo or mono for up to 32 channels at mixdown
• 2 stereo mix busses with individual stereo insert points
• Independent Main and Alternate Monitor outputs
• Direct outputs on all channels
• Talkback facility with adjustable Dim level
• Intuitive cross platform set-up and configuration software interface
• High speed External MIDI control via single Ethernet cable

STAY TUNED FOR SHIPPING DATES AND PRICING, OR CONTACT US MORE MORE INFO!

www.solidstatelogic.com


Some exciting new RME products have been announced at musikmesse 2013 in Frankfurt; MADIface XT, OctaMic XTC, MADIface USB, New MADI Routers & Converters, & TotalMix FX App.

MADIface XT

The world’s first USB 3.0 audio interface…

not only has 3 MADI I/Os with 64 channels each, but also 2 mic/line inputs, 2 XLR line and one stereo phones output, plus one AES/EBU I/O – a total of 196 audio inputs and 198 audio outputs. Plus several MIDI ports via USB, MADI and DIN. To use all this in a portable device with the typical RME performance, the XT uses external PCI Express and USB 3.0 to guarantee hi-speed data transfer. It also features TotalMix FX, can be used completely stand-alone, remote controlled via MIDI and much more.

OctaMic XTC

The all purpose hi-end preamp/converter…

The OctaMic XTC is the swiss army knife among RME’s interfaces. An advanced eight channel microphone/line/instrument preamplifier with 192 kHz / 24 bit A/D conversion, AutoSet, four channel D/A conversion for analog or digital input monitoring, and full MIDI remote control via USB, DIN and MADI were not enough to stop RME’s engineers. ADAT, AES and MADI optical operate as outputs as well as full-channel inputs, easily patched and routed with the comfortable TFT display – turning the XTC into a full blown digital format converter.

Quick access to all functions makes the XTC extremely fast and easy to set up. Its complete state can be saved and recalled from internal presets.

MADIface USB

MADI portability at its best!

The MADIface USB is a compact device that provides MADI I/O via USB2 while supporting the format’s full 64 channels. Its sturdy and bus-powered design makes it as easy to use as reliable in operation. SteadyClock as well as RME’s well known MADI compatibility ensure hassle-free operation with other devices.

New MADI Routers & Converters

RME refreshes its Premium Line with a range of exciting new products for digital multichannel transmission and conversion:

MADI Router, AES3 Router, AES3 Converter, ADAT Router, ADAT Converter

All three routers are equipped with a TFT display for easy operation and status overview, redundant (double) power supplies, and USB ports for preset storage and firmware updates.

TotalMix FX App

TotalMix FX for iPad® adds full control over hardware mixer and DSP effects for Fireface UFX, UCX and Babyface when in Class Compliant mode, and lets users create, store and load complete mixes directly from the iPad. Additionally hardware controls like phantom power for microphone inputs, mic/line/instrument switching and sample rate are supported.

CLICK HERE TO LEARN MORE >>>

BOSS has just introduced the RC-505 Loop Station, a new breed of looper that’s perfect for beatboxers, singers, club performers, and DJs. With its compact, tabletop design and powerful yet simple interface, the RC-505 gives you fingertip control of five simultaneous stereo loop tracks, a variety of recording and playback options, amazing real-time effects, and much more.

The RC-505: A New Concept in Loop Stations
Fueled by BOSS’ industry leading Loop Station products and annual Loop Station World Championship competitions, the live looping movement has exploded over the last few years. From the start, Loop Stations have been incredibly popular with guitarists, singer/songwriters, and multi-instrumentalists. But recently, increasing numbers of solo vocalists have been discovering the amazing potential of live looping as well. With just a microphone and a Loop Station, beatboxers and singers can perform in a highly creative and dynamic new way, using the incredible expressive range of the human voice to deliver jaw-dropping soundscapes, intense rhythmic onslaughts, and beyond.

Until now, Loop Stations have been designed mainly for floor use, so that instrumentalists and vocalists can operate them with their feet while performing. However, most vocal loopers prefer to use them at table height so they can manipulate the controls with their hands. The RC-505 is ideal for these modern performers, offering a powerful, dedicated device built for easy fingertip operation and maximum expression.

With its five simultaneous stereo loop tracks and up to three hours of recording time, the RC-505 is also well suited for DJs and club performers. Via USB, you can load up the RC-505’s tracks with WAV audio files consisting of everything from sound effects to entire songs, then trigger, mix, and manipulate them sampler-style with the front-panel controls and effects.

Effects, External Control, and More
Powerful INPUT FX and TRACK FX make it easy to enhance or mangle live sounds and loops as you perform, with quick-access buttons for effects selection and dedicated knobs for real-time tweaking. Multiple inputs (all available simultaneously) include an XLR mic jack with phantom power, mono/stereo instrument jacks, and a mini-jack for hooking up a smart phone or music player. 99 phrase memories allow you to save your loop creations instantly, including all five tracks plus effects and playback settings.

The RC-505 can be operated externally via optional foot switches, an expression pedal, or MIDI devices, providing extended control for vocal performers and instrumentalists. The RC-505 also functions as a USB audio/MIDI interface, so you can integrate with your favorite DAW for audio recording, MIDI sync, and more.

Learn more about the amazing RC-505 Loop Station here >>>

AVID has just announced Avid Pro Tools® 11; a major upgrade of its industry-leading digital audio workstation that redefines music and audio production for today’s workflows. This latest version enables audio professionals to take on the most demanding productions with new, high-powered audio and video engines, 64-bit architecture, expanded metering, and direct HD video workflows.

“Pro Tools 11 represents a quantum leap in creative power,” said Chris Gahagan, senior vice president of Products and Services at Avid. “The newly designed architecture turbo-charges production with more plug-in processing, the ability to run more virtual instruments—and a host of new features—letting users create ambitiously, without holding anything back.”

Pro Tools 11 delivers the features, performance, and workflows professionals need to take on today’s increasingly complex sessions and tighter timelines.

Key benefits and features include:
• Fully redesigned audio engine and 64-bit architecture
o New Avid Audio Engine — Delivers multiple times the processing power of Pro Tools 10 on the same hardware configurations.
o 64-bit architecture — Exponentially increases the number of simultaneous virtual instruments and the performance to handle the most sophisticated sessions.
o Offline bounce — Delivers mixes up to 150 times faster than real time.
o Low-latency input buffer — Ensures ultra-low latency record monitoring without sacrificing plug-in performance.
o Dynamic host processing — Maximizes plug-in count by reallocating processing resources as needed.
• Expanded metering
o Extended standards support — Features a broad range of built-in metering standards, from peak and average to VU and PPM, to maintain adherence to regional broadcast requirements.
o Gain reduction — Shows gain reduction for all dynamics plug-ins on each channel.
• Direct HD video workflows
o Built-in Avid Video Engine — Enables audio post professionals to play and edit a wide range of HD video formats including Avid DNxHD®, directly in the Pro Tools timeline without transcoding, using the same core engine as in Media Composer®.
o Video interface support — Enables monitoring of DNxHD and QuickTime media through Avid Nitris® DX, Avid Mojo® DX, and other video interfaces.
“In the world of professional mixing, I constantly need more processing power, and the extra power in Pro Tools 11 is exactly what I need,” said Tim Palmer, mixer and engineer for U2, Robert Plant, Ozzy Osbourne, The Cure, and INXS. “I love the new metering and the new sends view is excellent. It is really impressive. Pro Tools 11 is a big leap forward.”

CHECK OUT PRO TOOLS AT SOUNDS EASY >>>

Komplete 9 has been released and is now shipping from Sounds Easy!

If you have another version of Komplete, various upgrades and crossgrades are available. CLICK HERE to check our website for details and pricing.

Komplete 9 includes 33 instruments and effects with six new additions, including the brand-new Monark monosynth, plus the completely redesigned Battery 4 drum sampler. Komplete 9 Ultimate includes all 65 current Komplete Instruments and Effects at the time of release and over 370 GB of content. Each bundle now also features essential studio effects, delivering complete production solutions from initial idea to finished composition. Komplete 9 and Komplete 9 Ultimate are available for the same prices as their predecessors.

The brand-new Monark delivers the warm, organic sound of a classic analog monophonic synthesizer that has shaped four decades of popular music. Its smooth and natural sound is complimented by an intuitive, streamlined control panel that allows users to quickly dial in sounds and start creating music. Based on years of research, Monark uses Reaktor’s powerful modular DSP framework to faithfully recreate the interaction of complex analog circuits, including the behavior of the filter when overloaded, filter and oscillator drift, and snappy envelopes that make stabbing melodic lines and even punchy electronic drum sounds easy to create. The sound has been fine-tuned by ear by Monark’s engineers to create a powerful mono synth with a level of richness and depth “not previously found in software”.

Battery 4 is a completely re-designed drum sampler delivering powerful contemporary drum programming options in a sleek, easy-to-use interface. It provides over 70 new and exclusive contemporary kits tailored to electronic and urban styles. All kits load with an adaptable color-coding system, providing instant visual recognition of their layout. Custom kits are quickly created with intuitive drag-and-drop actions. Battery 4 also features a number of new effects and effect enhancements; Solid G EQ and Solid Bus Comp from the Solid Mix Series,Transient Master, plus tape saturation, LoFi, and a powerful convolution reverb. Users can create chains, re-order effects, and set up sidechaining with simple drag-and-drop actions. These features combine to deliver an advanced drum sampler with an instinctive workflow that aims to accelerate the creative process.

Along with Monark and Battery 4, Komplete 9 adds a set of essential instruments and effects for the first time. Like all NI studio effects, the updated Solid Mix Series now operates as stand-alone plug-ins in any DAW, giving users a complete studio effects suite for creating polished, release-ready productions. Session Strings is an easy-to-use contemporary string ensemble for quickly adding modern arrangements to all styles of music. The Giant delivers the immense sound of the world’s biggest upright piano, plus an additional cinematic mode perfect for atmospheric textures and soundscapes. The comprehensive bundle also features best-selling Komplete Instruments and Effects such as Kontakt 5, Guitar Rig 5 Pro, and NI’s flagship modular synthesizer Reaktor 5, powering the dynamic Prism and Spark. Massive,FM8, and Absynth 5 cover the complete spectrum of synthesis for any production task. Komplete 9 also includes Transient Master, Reflektor, The Finger, and Traktor’s 12 for a complete production suite with powerful options for both studio and stage.

Komplete 9 Ultimate is NI’s all-inclusive production package with all 65 current Komplete Instruments and Effects at the time of release, over 16,000 sounds, and 370 GB of content on a single USB hard drive for easy installation. This one-stop production suite features all products included in Komplete 9, plus the Reverb Classics and Premium Tube Series studio effects, the essential cinematic strings collection Action Strings, the playable horn sectionSession Horns, and the Rickenbacker-approved Scarbee Rickenbacker Bass. Also included are the epic Damage industrial percussion instrument, the 11-piece Session Strings Proensemble, the futuristic Razor and Skanner XT synthesizers, and many more.

CLICK HERE TO CHECK OUT KOMPLETE 9 AT SOUNDS EASY >>>

Propellerhead has announced Reason 7; a new major version of its Reason music software! This time around Propellerhead has focused its attention on new creative and inspirational improvements for the mixer, the rack and the sequencer.

With Reason 7, users can integrate all their instruments into Reason with MIDI out, automatic audio slicing and audio quantize, and even convert their recordings into REX loops for further creative possibilities in the rack. For mixing, Propellerhead is introducing a spectrum analyzer with visual EQ controls: group and parallel mix channels: and many workflow improvements to help users sound better, easier. To inspire, Reason 7 makes it easier to import audio from users’ music libraries and the web with support for mp3, aac, wma and more. The enhanced Factory Sound Bank comes fully loaded with tons of new loops and drum kits, while the new Audiomatic Retro Transformer effect unit adds a futuristic-vintage sound to any tracks, never more than a mouse-click away.

CLICK HERE FOR MORE INFO ON REASON 7 >>>

Ableton Live 9 has been released and is now shipping from Sounds Easy!

The latest version of Live features a multitude of innovations and improvements – designed “to inspire creative music makers everywhere”.

Important New Features

Session automation: In Live 9′s Session View, automation can now be recorded in real time directly within clips. Automation can move together with clips between Arrangement and Session View.

Find sounds fast: In Live 9′s re-designed browser, all instruments, effects, samples, and plug-ins are in one easy-to-navigate view. Drag and drop folders from anywhere on your computer, search as you type and navigate from the keyboard to find everything quickly.

Discover new sounds: Live 9 comes with a large selection of production-ready sounds (more than 3000 in the Suite edition), providing a full range of synthesizers, drum kits and one-shot samples, acoustic instruments, loops and much more – all powered by Live’s built-in synthesizers, samplers and effects so they can be tweaked and personalized.

Audio-to-MIDI: Live 9 has three ways to extract MIDI from audio clips. Use Drums-to-MIDI to convert drum breaks into MIDI files for use with your own sounds. Use Harmony-to-MIDI and Melody-to-MIDI to get the notes and chords from samples. Sing, beatbox, tap a rhythm, or play any solo instrument, then use Melody or Drums-to-MIDI to turn your recordings into MIDI clips to edit and reuse with any sound.

Get your sound right: Live 9′s studio effects have all been reworked for even better sound and usability. The Glue Compressor is a new effect – an authentic model of a legendary 1980s console bus compressor. EQ Eight now has an audition mode for isolating frequencies and an expandable spectrum display. The Gate and Compressor effects feature a Gain Reduction view which shows changes in signal level over time.

Edit the details: Live 9 introduces new tools and an improved workflow which allow for fast and flexible editing of musical ideas. Transpose, reverse and stretch MIDI notes or warp clip automation and add curves to automation envelopes.

Max for Live – now in Suite: The Suite edition of Live 9 comes with Max for Live – giving users access to an ever-expanding array of unique instruments, effects and tools. The included Max for Live boasts 25 new devices such as a convolution reverb, drum synthesizer instruments, MIDI echo as well as reworked versions of classics such as Step Sequencer and Buffer Shuffler 2.

CLICK HERE TO CHECK OUT ABLETON 9 AT SOUNDS EASY >>>

Universal Audio has released UAD v6.5 software. The new update adds new plug-ins as well as support for 64-bit hosts on the Mac platform. In addition to reviving some classic hardware in the form of UA developed Teletronix LA-2A and API 500 Series, there are three new plug-ins from Softube to add to the UAD third party library, which already includes the Sonnox Oxford EQ.

New UAD-2 Plug-Ins:

- Teletronix LA-2A Classic Leveler Collection
“The most authentic emulations ever created of this iconic optical tube compressor, featuring three eras of hardware — “Silver,” “Gray,” and the original LA-2 model. The quintessential vocal compressor, period.”

- API 500 Series EQ Collection
“All the characteristic filter shapes, complex band interactions, and unique filter amp distortion of vintage API 550A and 560 EQ hardware — perfect for mixing guitar and drums.”

- Softube Amp Room Plug-Ins (Bass, Metal & Vintage)
“An unrivaled collection of modern and vintage guitar amplifier models for tracking guitar in real time with the Apollo audio interface, or re-amping tracks with UAD-2 hardware.”

Other Changes – Mac and Windows
- Resolved various graphics and control anomalies introduced with 64-bit plug-ins.

Other Changes – Mac [since v6.4.1 public beta]
- OS X Snow Leopard 10.6.8 is qualified.
- 32-bit and 64-bit hosts are qualified.
- Resolved UAD plug-in random disabling issue.
- Resolved issue preventing operation in 32-bit kernel mode.
- [Apollo] Console’s Channel Strip Editor feature is re-enabled.
- Other Changes – Windows [since v6.4.0].
- Sonnox Oxford EQ is included.
- Resolved issue with Sonar X2 when available DSP is exceeded.
- Resolved issue when Apollo or UAD-2 Satellite are powered before the computer is started.

System Requirements
- [Win] UAD v6.5.0 is qualified with 64-bit editions of Windows 7 with Service Pack 1.
- [Mac] UAD v6.5.0 is qualified with OS X 10.6.8 Snow Leopard, 10.7 Lion, and 10.8 Mountain Lion.
- All other operating systems are unqualified. Although older operating systems may work, they are untested and unsupported.
- Updating to UAD v6.5.0 is not recommended if using an unqualified OS.
- Prior UAD software versions for older operating systems are available here.

Known Issues – Mac and Windows
- System sleep is not supported with UAD FireWire devices [Apollo and UAD-2 Satellite].
- Cubase 7 is not qualified with this release.

Known Issues – Mac
- [Cubase 32-bit only] When performing audio processing via Audio>Plug-Ins menu or region editor window, UAD plug-in controls may become unresponsive if the plug-in window is moved. To regain control if this occurs, close the plug-in window then reopen it. This issue does not exist in the 64-bit version of Cubase.
- [Cubase 32-bit only] When performing audio processing via Audio>Plug-Ins menu or region editor window with UAD Direct Developer plug-ins, the UAD Toolbar cannot be used to load or save UAD presets. UAD presets can be loaded using the up/down arrow buttons in Cubase’s preset management tools instead. This issue does not exist in the 64-bit version of Cubase.

CHECK OUT UAD AT SOUNDS EASY >>>

LEARN MORE ABOUT UAD-2 POWERED PLUG-INS >>>

WINTER NAMM, ANAHEIM, CALIFORNIA, January 24th, 2013 – Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still coveted to this day for its thick, robust sound, powerful, iconic analog filter, and versatile patching options. It has now been reborn as the new MS-20 mini. The same engineers who developed the original MS-20 have perfectly reproduced it in a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 Mini offers the same distinctive synthesis that made the original MS-20 popular: two oscillators with ring modulation, and envelope generators with delay and hold. The VCA (Voltage Controlled Amp) maintains the original basic design, but it’s been modified to produce less noise. Particular attention has also been paid to delivering smooth parameter adjustments, which are a distinctive feature of analog synthesizers. Special care was also taken to completely reproduce the original specifications of the MS-20, to deliver the same powerful sound, from deep, growling basses to crisp, rounded leads.

One of the most well-known – and still most sought after – characteristics of the original MS-20 was its powerful filters, which provided both high-pass and low-pass with peak/resonance. Maximizing the peak/resonance would cause the filter to self-oscillate; producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was used many years later on Korg’s monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.

The ESP (External Signal Processor) functionality carries on the experimental spirit of MS-20, allowing users to utilize the pitch or volume of an external audio source to control the synthesizer. For example, an electric guitar can be used as an input signal, and the MS-20 mini can be used as a guitar synthesizer, or the mic input can allow it to be used it as a vocal synthesizer.

The patching system enables the creation of complex sounds by allowing the rerouting of both modulation and audio (both the internal oscillators and external audio). Different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart printed on the panel, musicians of all levels can take advantage of these possibilities right away.
To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original, with meticulous care taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4″ phone plugs to mini-plugs, and the newly-designed keyboard is 86% of the original size as well.

The MS-20 mini is equipped with a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. Users can also connect the MS20 mini to a computer and play it from an external sequencer.

For added authenticity, the MS-20 mini packaging replicates much of the original. Also included are the original MS-20 owner’s manual and settings chart.

CLICK HERE TO CHECK OUT THE MS-20 MINI PRODUCT PAGE AT SOUNDS EASY >>>

All New Polyphonic Synthesizer From Master Synth Designer…

ANAHEIM, Calif.—January 24, 2013—Dave Smith Instruments today introduced a new polyphonic synthesizer, the Prophet 12, at the 2013 NAMM Show. “After 35 years of creating synths, this is simply my best synth yet,” said Smith. “We sort of started from scratch on this one rather than spinning off another product from our previous designs.”

At twelve voices, the Prophet 12 boasts the greatest polyphony of any instrument designed by Smith. Each voice features four oscillators capable of generating classic and complex waveforms, a sub-oscillator, resonant analog low- and high-pass filters, and analog VCAs. The new Character section adds a variety of wave shaping and sound sculpting options, like Drive, Hack, Decimation, Girth, and Air. Additional features include a tuned feedback path, a four-tap stereo delay per voice, expanded arpeggiator functionality, deep modulation capabilities, and bi-timbral operation. The LFOs, delay, and arpeggiator can all be synced, either to the internal clock or an external MIDI clock. Two programmable position- and pressure-sensitive touch sliders take the performance controls beyond the standard pitch and mod wheels (also included).

“We’re already blown away by the sonic breadth of this synthesizer’s new voice architecture,” Smith continued. “It doesn’t sound like anything else and I’m very excited for people to hear it.”

The Prophet 12 is expected to be available Q2 of 2013 with a projected RRP OF $3099 (AUS)

CLICK HERE TO CHECK OUT THE PROPHET 12 PRODUCT PAGE AT SOUNDS EASY>>>