Order Online or Choose Click & Collect - FREE Shipping on most orders over $100

0

Your Cart is Empty

  • Add description, images, menus and links to your mega menu

  • A column with no settings can be used as a spacer

  • Link to your collections, sales and even external links

  • Add up to five columns

  • KO-MW2408

    KORG MW-2408 24-ChannelcHybrid Analog/Digital Mixer

    2 In Stock

    Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. This 24-channel model give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.


    Features

    • True hybrid design developed with mixer design legends Greg Mackie and Peter Watts
    • 24 x 8 x 2 model features practical design structure and ingenious features that make mixing unpredictable live performances easy even for novices
    • Peter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixer
    • Unique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mix
    • Only mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church service
    • True 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater production
    • Peter Watts’ refined, studio-grade, one-knob Compressor on all mic channels
    • Super-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system
    • 20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parameters
    • Premium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controls

    Specifications

    Analog 
    • Input Type: Balanced female XLR and ¼” TRS
    • HiVolt Microphone Preamp: -128dBu E.I.N, -10 to -60 dBU nominal input level; 3KΩ input impedance
    • Frequency Response to Main Output (at unity gain): +0.5 to -1.5 dBu 20Hz to 20kHz
    • THD to Main Output (20-20 kHz, unity gain, unwtd): 0.004%
    • S / N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -70 dBu
    • System Crosstalk (Ref = +4 dBu, 20 Hz-20 kHz, unwtd): Input to Output, -70 dBu; Adjacent Channels, -90 dBu
    • Gain Control Range (± 1 dB): +10dB to +60dB (Mic), -10 to +40dB (Line)
    • Main Outputs: Balanced male XLR and ¼” TRS
    • Maximum Output Level: +26 dBu
    • Output Impedance: 75 Ω
    • Headphone Output: 100 mW / ch. @ 32Ω load, 20 Hz-20 kHz (+0.5dB, -1.5dB)
    Control
    • Savable Settings: Channel Mutes, Effects & effects Mutes, Mute Groups, Break settings, Dynamics, Graphic EQ, Feedback assign to bus
    • Recallable Presets: four Mute Groups, 10 Global Scene Memories, 24 FX Memories, 10 Dynamics, 6 GEQ, 16 or 24 Channel Mutes, 3 Feedback bus assignments
    Signal Processing
    • Mono Channels: HI (12k, shelving), MID (peak, sweepable from 250hz to 5k) and LO (100 Hz, shelving), ±15dB boost/cut;
    • Stereo Channels: HI (12k shelving), HI MID (2.5k shelving), LO MID (250 hz shelving) and LO (100Hz shelving) • High Pass Filter: 12dB/octave at 80Hz
    • Digital Multi-band EQ: 31-bands with nine frequencies selectable at any one time, Wide 1-octave interval and Narrow ½-octave modes
    • Digital Compressor: Hard – 1ms to 40 ms Attack, +11dB to 0dB Threshold; Soft ¬– 1 ms to 40 ms Attack, +11 to -5dB Threshold
    • Digital Limiter: 1ms to 40 ms Attack, +19 to +3dB Threshold
    • Digital Noise Gate: Hard – 40ms to 1500ms Release, -35 to +7dB Threshold; Soft – 40ms to 1500ms Release, -50 to +4dB Threshold
    • Digital Multiband EQ, Compressor, Limiter, and Noise Gate are assignable individually to Main L/R, Aux 1 and Aux 2
    • Spectrum Analyzer: 24-channel with Peak Hold function
    Digital
    • Main L/R Bus ADC Dynamic Range: 115dB (A-wtd)
    • Aux and FX Buses ADC Dynamic Range: 111dB (A-wtd)
    • DAC Dynamic Range for all Out buses: 115dB (A-wtd)
    • USB Stereo Input / Recording Port: USB Class 1
    • Internal Processing: 32-bit for internal processing;
    • A/D/A Bit Depth: Korg Tru-Bit-Perfect 32-bit
    • USB Bit Depth: 24-bit • Sampling rates: 48 kHz, 44.1 kHz
    Physical
    • Power Connector: IEC
    • Input-Voltage Range: 100 to 240 VAC, 50/60 Hz
    • Power Requirements (continuous): 45 W
    • Recommended Ambient Operating Temperature: 0˚ to 40˚ to Celsius
    • Dimensions: 480 mm x 187 mm x 530 mm (17.3” / 440 mm wide without side panels, 19” with rack rails); 
    • Weight: 9.3kg