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  • EMP-EL8XS

    Empirical Labs EL8XDistressorS Stereo (Pair)

    Slam your vocals, nuke some drums, squeeze some guitars, or flatten out some bass. These are the things that the Distressor loves doing. The concept of British Mode came from an unusual setting on the classic UREI LN1176 limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more “over-the-top”, found that you could make all four buttons stay in if you pressed them just right...


      Features

       

      • What resulted was a very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it “British Mode”, and the name stuck.
      • The EL8-X has the advantage of being able to selectively apply this aggressive characteristic - not just to the new “British” ratio (1:1) - to any of the ratios, simply by engaging the dedicated “British Mode" switch.

      • All eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting - a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.

      • Another large part of the Distressor’s personality and power derive from three modes that colour the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors & limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, and one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.

      • The Distressor is available in either its original form (EL8), or in a modified version (EL8-X) with two additional functions  - British Mode, and Image Link.

      Specifications:

      • Freq. the response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). The response is shaped in distortion modes (Dist 2, Dist 3).

      • Dynamic range 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in distort 3 modes.

      • Distortion ranges between .02% and 20% depending on distortion mode and release times set on front panel.

      • DC coupled output - High-quality input caps.

      • Input impedance is 20K Ohms, Output impedance is < 75 ohms

      • Time constants - Attack range 50uS - 50mS. Release range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 Opto mode. Time constants are dependent on the ratio.

      • Metal Chassis - single height 1.75" high, 10" deep, 19" wide.

      • Shipping info - 12.1 lbs mono, 24.2 lbs Stereo pair. Mono box dimensions 22.5" x 18.5" x 3 1/4". 

      • Stereo Pair box dimensions 22.5" x 18.5" x 6 1/4

        Need more info on the EL8X-S? Click HERE for the official Empirical Labs product listing >>>